Zustand: Good. Clarke, Liz (illustrator). Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 69,73
Anzahl: 2 verfügbar
In den WarenkorbPaperback. Zustand: Brand New. Clarke, Liz (illustrator). 1st edition. 240 pages. 10.25x7.25x1.00 inches. In Stock.
Sprache: Englisch
Verlag: Oxford University Press Inc, 2014
ISBN 10: 0199334072 ISBN 13: 9780199334070
Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: New. Clarke, Liz (illustrator). Num Pages: 240 pages. BIC Classification: 3JH; HBG; HBLL; HBTS. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 256 x 179 x 20. Weight in Grams: 694. . 2014. 1st Edition. Paperback. . . . . Books ship from the US and Ireland.
EUR 54,90
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New. Clarke, Liz (illustrator). Über den AutorrnrnRafe Blaufarb (Ph.D., University of Michigan) is Ben Weider Eminent Scholar Chair and Director of the Institute on Napoleon and the French Revolution in the history department at the Florida State University. He is the aut.
Sprache: Englisch
Verlag: OXFORD UNIVERSITY PRESS ACADEM Dez 2014, 2014
ISBN 10: 0199334072 ISBN 13: 9780199334070
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Clarke, Liz (illustrator). Neuware - The dramatic story of the slave ship Neirsee springs vividly to life in Rafe Blaufarb's graphic mircohistory, Inhuman Traffic. The story, set in the early nineteenth century, moves from the slave port of Old Calabar to the Caribbean and to the courts of Britain and France where the history of the illegal slave trade, slavery in the Caribbean, and diplomatic history all come into focus as Blaufarb follows the ship, its crew, and its captives. Students will be taken inby the vivid drawings and the rich narrative, but they will also find themselves immersed in an unusual learning experience. Blaufarb not only presents the history of the ship and captives, he takes the reader inside the project itself. He explains how he came upon the story, how he and his editorenvisioned the project, and how he worked with the illustrator Liz Clarke to craft the 350 'cells' that compose the book.