9780198769323 - the politics of culture in quattrocento europe: rene of anjou in italy (oxford historical monographs) von margolis, oren (6 Ergebnisse)
THE POLITICS OF CULTURE IN QUATTROCENTO EUROPE Rene of Anjou in Italy (Oxford Historical Monographs)
Sprache: Englisch
Verlag: Oxford University Press, 2016. 9780198769323, 2016
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1st edn 1st printing. 8vo. Original gilt lettered blue cloth (Fine), dustwrapper (Fine in protective cover). Pp. xii + 222 (no inscriptions).
Sprache: Englisch
Verlag: Oxford University Press, 2016
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Sprache: Englisch
Verlag: Oxford University Press, 2016
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Sprache: Englisch
Verlag: Oxford University Press, 2016
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Sprache: Englisch
Verlag: Oxford Univ Pr, 2016
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Hardcover. Zustand: Brand New. 1st edition. 240 pages. 8.50x5.50x0.75 inches. In Stock.
Sprache: Englisch
Verlag: Oxford University Press Jul 2016, 2016
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Buch. Zustand: Neu. Neuware - The poet-king without a throne appears here in an entirely new light. In The Politics of Culture in Quattrocento Europe: René of Anjou in Italy, Oren Margolis explores how this French prince and exiled king of Naples (1409-1480) engaged his Italian network in a programme of cultural politics conduct…ed with an eye towards a return to power in the peninsula. Built on a series of original interpretations of humanistic and artistic material (chiefly Latin orations and illuminated manuscripts of classical texts), this is also a case study for a 'diplomatic approach' to culture. It recasts its source base as a form of high-level communication for a hyper-literate elite of those who could read the works created by humanist and artistic agents for their constituent parts: the potent words or phrases and relevant classical allusions; the channels through which a given work was commissioned or transmitted; and then the nature of the network gathered around a political agenda. This is a volume for all those interested in the politics and culture of later medieval Europe and Renaissance Italy: the kings of France and dukes of Burgundy, the Medici, the Sforza, the Venetians, and their armies, ambassadors, and adversaries all appear here; so do Giovanni Bellini, Andrea Mantegna, Guarino of Verona, and their respective intellectual and artistic circles. Emerging from it is a challenge to conventional interpretations of the politics of humanism, and a new vision of the Quattrocento: a century in which the Italian Renaissance began its takeover of Europe, but in which Renaissance culture was itself shaped by its European political, social, and diplomatic context.
