ISBN: 9780198166412 - a history of bel canto (clarendon paperbacks) (5 Ergebnisse)
- Softcover
Anbieter: Anybook.com, Lincoln, Vereinigtes KönigreichAnybook.com
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Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,400grams, ISBN:9780198166412.
- Softcover
Anbieter: Austin Sherlaw-Johnson, Secondhand Music, Oxford, Vereinigtes KönigreichAustin Sherlaw-Johnson, Secondhand Music
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Paperback. Zustand: Very Good. Spine slightly faded.
- Softcover
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes KönigreichRia Christie Collections
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Zustand: New. In English.
- Softcover
Anbieter: Kennys Bookstore, Olney, MD, USAKennys Bookstore
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Zustand: New. Bel canto singing was a historical phenomenon which embraced the Italian opera of the eighteenth and nineteenth centuries. This is a translation of Rudolfo Celletti's 'Storia del Belcanto', which offers a fascinating history of bel canto singing and the voice in operatic literature. Translator(s): Fuller, Frederick. Series: Clarendon Paperbacks. Num Pages: 224 pages, music examples. BIC Classification: 1DST; 3JF; 3JH; AVGC9. Category: (P) Professional & Vocational. Dimension: 238 x 142 x 15. Weight in Grams: 310. . 1996. Paperback. . . . . Books ship from the US and Ireland. …
- Softcover
Anbieter: Buchpark, Trebbin, DeutschlandBuchpark
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EUR 47,38
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Zustand: Gut. Zustand: Gut | Sprache: Englisch | Produktart: Bücher | Bel canto singing was a historical phenomenon which embraced Italian opera of the eighteenth and nineteenth centuries. It required infinite variety of sound, in particular a lyrical ecstacy, a faultless technique to dispatch the vocal pyrotechnics demanded of it, and earned itself eloquent praise as `the singing which is heard within the soul'.Rodolfo Celletti, who has devoted his whole career to studying the voice from every historical, technical, and musical aspect, offers here a fascinating history of bel canto singing and the voice in operatic literature. He begins by discussing the links of bel canto with the operatic ideals of the baroque, and points out that the style was created as much by operatic composers and their librettists as by their executants, the singers. To this end he undertakes a review of Italian opera of the period, andtraces the development of the style in different composers and their works. There is a chapetr on Castrati - the voice par excellence of bel canto - and the art of singing in their day. The final chapter looks at the history of bel canto since Rossini, charting its death and resurrection.…
