ISBN: 9780195331615 - oxford handbook of computer music (oxford handbooks) (15 Ergebnisse)

Zustand: Fine. 1st Edition. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good.

Zustand: Good.

Zustand: As New.

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1300grams, ISBN:9780195331615.…

Zustand: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. Dust jacket in fair condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1300grams, ISBN:9780195331615.…

Zustand: New. This is a Brand-new US Edition. This Item may be shipped from US or any other country as we have multiple locations worldwide.

Zustand: Used. pp. vii + 611 Illus.

Zustand: Used. pp. vii + 611.

Zustand: New. The Oxford Handbook of Computer Music provides a state-of-the-art cross-section of the most field-defining topics and debates in the field of computer music today. From music cognition to pedagogy to sociocultural analyses, this Handbook situates computer music in the broad context of its creation and performance across the full range of issues that crop up in contemporary discourse in the field. Editor(s): Dean, Roger T. Series: Oxford Handbooks. Num Pages: 624 pages, 9 black and white halftone, 43 line illustrations. BIC Classification: AVGV; AVX. Category: (G) General (US: Trade); (P) Professional & Vocational; (UF) Further/Higher Education. Dimension: 255 x 181 x 46. Weight in Grams: 1205. . 2009. Illustrated. hardcover. . . . .…

Zustand: New.

Zustand: New. The Oxford Handbook of Computer Music provides a state-of-the-art cross-section of the most field-defining topics and debates in the field of computer music today. From music cognition to pedagogy to sociocultural analyses, this Handbook situates computer music in the broad context of its creation and performance across the full range of issues that crop up in contemporary discourse in the field. Editor(s): Dean, Roger T. Series: Oxford Handbooks. Num Pages: 624 pages, 9 black and white halftone, 43 line illustrations. BIC Classification: AVGV; AVX. Category: (G) General (US: Trade); (P) Professional & Vocational; (UF) Further/Higher Education. Dimension: 255 x 181 x 46. Weight in Grams: 1205. . 2009. Illustrated. hardcover. . . . . Books ship from the US and Ireland.…

Zustand: As New. Unread book in perfect condition.

Hardback. Zustand: New. Since the first musical tones were produced on a computer in 1950, composers of computer music have produced a major body of creative works, and today the field has its own canon and accepted modes of analysis and pedagogy. As technologies improve and become increasingly available, the cost of performances - both live solo and networked - and studio composition have fallen sharply. The Oxford Handbook of Computer Music fills this gap by providing a state-of-the-art cross-section of the most field-defining topics and debates in the field of computer music today. A unique contribution to the field, it situates computer music in the broad context of its creation and performance across the full range of issues - from music cognition to pedagogy to sociocultural analyses - that crop up in contemporary discourse in the field. It focuses not only on art music, but also on the important movements of microsonics, the computer DJ, and computer-interactive performance more broadly.…

Hardcover. Zustand: Brand New. 611 pages. 10.00x7.00x2.00 inches. In Stock.

Hardback. Zustand: New. Since the first musical tones were produced on a computer in 1950, composers of computer music have produced a major body of creative works, and today the field has its own canon and accepted modes of analysis and pedagogy. As technologies improve and become increasingly available, the cost of performances - both live solo and networked - and studio composition have fallen sharply. The Oxford Handbook of Computer Music fills this gap by providing a state-of-the-art cross-section of the most field-defining topics and debates in the field of computer music today. A unique contribution to the field, it situates computer music in the broad context of its creation and performance across the full range of issues - from music cognition to pedagogy to sociocultural analyses - that crop up in contemporary discourse in the field. It focuses not only on art music, but also on the important movements of microsonics, the computer DJ, and computer-interactive performance more broadly.…