Isbn: 9780195131666 - brotherhood in rhythm: the jazz dancing of the nicholas brothers (8 Ergebnisse)

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  • Sprache: Englisch

    Verlag: Oxford University Press (edition First Edition), 2000

    0195131665 / 9780195131666

    • Hardcover
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    Anbieter: BooksRun, Philadelphia, PA, USABooksRun

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    EUR 10,01

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    Hardcover. Zustand: Fair. First Edition. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

  • Sprache: Englisch

    Verlag: Oxford University Press, Incorporated, 2000

    0195131665 / 9780195131666

    • Hardcover

    Anbieter: Better World Books: West, Reno, NV, USABetter World Books: West

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    Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

  • Sprache: Englisch

    Verlag: Oxford University Press, Incorporated, 2000

    0195131665 / 9780195131666

    • Hardcover

    Anbieter: Better World Books, Mishawaka, IN, USABetter World Books

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    Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

  • Sprache: Englisch

    Verlag: Oxford University Press, Incorporated, 2000

    0195131665 / 9780195131666

    • Hardcover

    Anbieter: Better World Books Ltd, Dunfermline, Vereinigtes KönigreichBetter World Books Ltd

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    EUR 10,04

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    Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

  • Sprache: Englisch

    Verlag: Oxford University Press Inc, 2000

    0195131665 / 9780195131666

    • Hardcover

    Anbieter: WeBuyBooks, Rossendale, LANCS, Vereinigtes KönigreichWeBuyBooks

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    EUR 14,33

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    hardcover. Zustand: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.

  • Sprache: Englisch

    Verlag: Oxford University Press Inc, 2000

    0195131665 / 9780195131666

    • Hardcover

    Anbieter: Anybook.com, Lincoln, Vereinigtes KönigreichAnybook.com

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    EUR 20,42

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    Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,700grams, ISBN:9780195131666.

  • Sprache: Englisch

    Verlag: Oxford University Press, 2000

    0195131665 / 9780195131666

    • Hardcover
    • Signiert

    Anbieter: Wonder Book, Frederick, MD, USAWonder Book

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    Verbandsmitglied: ABAAILAB

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    Zustand: Very Good. SIGNED/INSCRIBED BY FAYARD NICHOLAS! NY: Oxford 2000. 1st with full number line. Hardcover 8vo 320 pgs. B/w photos. Signed and inscribed in blue marker by Fayard Nicholas on front endpaper. Near fine in a very good dust jacket. Jacket has some scratches and a small tear to front panel and a tear at top edge of rear panel. (dancing, dance, tap, jazz) Inquire if you need further information.

  • Sprache: Englisch

    Verlag: Oxford University Press, New York, 2000

    0195131665 / 9780195131666

    • Hardcover
    • Erstausgabe

    Anbieter: Ground Zero Books, Ltd., Silver Spring, MD, USAGround Zero Books, Ltd.

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    Zustand: Gebraucht - Gut

    EUR 133,20

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    Hardcover. Zustand: Very good. Zustand des Schutzumschlags: Very good. First Printing [Stated]. xvi, 320 pages. Foreword by Gregory Hines. Illustrations. Notes. Glossary. Bibliography. Index. Constance Valis Hill, professor emerita of dance, has a Ph.D. in Performance Studies from New York University; M.A. in Dance Research and Reconstruction from City College of the University of New York; Bronze Certificate from the International Society of Ballroom Dance; and a Character Mask certificate from Pierre LeFevre at the Juilliard School. Professor Hill has taught at the Alvin Ailey School of American Dance, Conservatoire d'arts Dramatique in Paris, and New York University's Tisch School of the Arts. As a choreographer, director, and mask specialist, she has worked with the French playwright Eugene Ionesco; Czech scenographer Josef Svoboda; Romanian director Liviu Ciulei, and Toni Morrison on her play Dreaming Emmett, directed by Gilbert Moses. Her writings have appeared in such publications as Dance Magazine, Village Voice, Dance Research Journal, Studies in Dance History; Discourses in Dance, and in such edited anthologies as Moving Words: Re-Writing Dance; Dancing Many Drums: Excavations in African-American Dance; Ballroom, Boogie, Shimmy Sham, Shake: A Social and Popular Dance Reader; Taken By Surprise: A Dance Improvisation Reader, and Kaiso! Writings By and About Katherine Dunham. Her book, Brotherhood in Rhythm: The Jazz Tap Dancing of the Nicholas Brothers received the Deems Taylor ASCAP Award. They were two of the most explosive dancers of the twentieth century, dazzling audiences with daredevil splits, slides, and hair-raising flips. But they were also highly sophisticated dancers, refining a centuries-old tradition of percussive dance into the rhythmic brilliance of jazz tap at its zenith. They were Fayard and Harold Nicholas, two American masters masterfully portrayed in this new dual biography by Constance Valis Hill. In Brotherhood in Rhythm, Hill interweaves an intimate portrait of these great performers with a richly detailed history of jazz music and jazz dance, both bringing their act to life and explaining their significance through a colorful analysis of their eloquent footwork, their full-bodied expressiveness, and their changing style. Hill vividly captures their soaring careers, from Cotton Club appearances with Duke Ellington, Cab Calloway, and Jimmie Lunceford, to film-stealing big-screen performances with Chick Webb, Tommy Dorsey, and Glenn Miller. Drawing on a deep well of research and endless hours of interviews with the Nicholas brothers themselves, she also documents their struggles against the nets of racism and segregation that constantly enmeshed their careers and denied them the recognition they deserved. And to provide essential background to their career and the development of their art, she also traces the three-hundred-year evolution of jazz tap, showing how it emerged in the Southern colonies in the 1700s, as the Irish jig and West African gioube mutated into the American jig and juba. More than a biography of two talented but underappreciated performers, Brotherhood in Rhythm offers a profound new understanding of this distinctively American art and its intricate links to the history of jazz.