9780195096200 - the twisted muse: musicians and their music in the third reich von kater, michael (6 Ergebnisse)

- Hardcover
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Hardcover. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

- Hardcover
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Hardcover. Zustand: Very Good.

- Hardcover
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes KönigreichRia Christie Collections
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EUR 166,85
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Zustand: New. In.

- Hardcover
Anbieter: moluna, Greven, , Deutschlandmoluna
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Gebunden. Zustand: New. Michael Kater s work probes the relationship of music with society and politics in the Nazi system, 1933-1945. It addresses the question whether the Nazi regime, which utilized music and musicians for the regime s own political purposes, controlled the musi.

- Hardcover
Anbieter: Kennys Bookstore, Olney, MD, USAKennys Bookstore
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EUR 236,65
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Zustand: New. Michael Kater's work probes the relationship of music with society and politics in the Nazi system, 1933-1945. It addresses the question whether the Nazi regime, which utilized music and musicians for the regime's own political purposes, controlled the musicians and the music, or whether these remained in some meas…ure autonomous. A major question answered is: how did the creative genius survive? Num Pages: 344 pages, black & white illustrations. BIC Classification: 1DFG; 3JJG; 3JJH; AVH; HBJD; HBLW. Category: (P) Professional & Vocational. Dimension: 242 x 162 x 31. Weight in Grams: 716. . 1997. First Edition. hardcover. . . . . Books ship from the US and Ireland.

- Hardcover
Anbieter: AHA-BUCH GmbH, Einbeck, DeutschlandAHA-BUCH GmbH
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Buch. Zustand: Neu. Neuware - Is music removed from politics To what ends, beneficent or malevolent, can music and musicians be put In short, when human rights are grossly abused and politics turned to fascist demagoguery, can art and artists be innocent These questions and their implications are explored in Michael Kater's broa…d survey of musicians and the music they composed and performed during the Third Reich. Great and small--from Valentin Grimm, a struggling clarinetist, to Richard Strauss, renowned composer--are examined by Kater, sometimes in intimate detail, and the lives and decisions of Nazi Germany's professional musicians are presented.Kater tackles the issue of whether the Nazi regime, because it held music in crassly utilitarian regard, acted on musicians in such a way as to consolidate or atomize the profession. Kater's examination of the value of music for the regime and the degree to which the regime attained a positive propaganda and palliative effect through the manner in which it manipulated its musicians, and by extension, German music, is of importance for understanding culture in totalitarian systems.This work, with its emphasis on the social and political nature of music and the political attitude of musicians during the Nazi regime, will be the first of its kind. It will be of interest to scholars and general readers eager to understand Nazi Germany, to music lovers, and to anyone interested in the interchange of music and politics, culture and ideology.