zoe leonard (38 Ergebnisse)

Zustand: New. KlappentextArtwork by Zoe Leonard. Contributions by Cheryl Dunye.

Zustand: NEW.

paperback. Zustand: Very Good. Censored Realities / Changing New York This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .

Zustand: New. In.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less 2.

Zustand: New. 300 pp., paperback, brand new, still in shrink wrap. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

Zustand: Good. Paperback, illustrated with photographs in b/w, 4to.; Still shrinkwrapped.

Hard Cover. Zustand: As New. 1st Edition. 48 pages, illustrated in colour plates. Text in English. - What Remains - exhibition in the Groninger Museum in 1998 - On the artists; Magdalena A bakanowitcz, Jean Charles, Blais, Merijn Bolink, Robert Gobor, Zoe Leonard Rona Pondrick and Jackie Winsor. Book design Swip Stolk. As new. Size: 207 x 155 Mm.

gebundene Ausgabe, 263 S., überw. Ill.; 31 cm, Papier-Einband stark bestossen, Schnitt leicht gebräunt, mit wenigen Leuchtmarker-Anstrichen im Text, insgesamt gutes Ex. Sprache: Deutsch Gewicht in Gramm: 2000.

First edition hard back binding in publisher's original black matt paper illustrated boards. Quarto. 10'' x 8''. Contains 128 printed pages with over 200 colour illustrations throughout. In Fine condition, no dust wrapper as issued. Member of the P.B.F.A. ISBN 9780956394002 INTERIOR DESIGN.

Encuadernación de tapa blanda. Zustand: Como Nuevo. Zustand des Schutzumschlags: Como Nuevo. You might call it poetic justice of sorts: while the last issue of Parkett featured three male artists, this issue features the collaboration of three women, in their early thirties to late forties: Tomma Abts, Zoe Leonard, and Mai-Thu Perret. The work of the three artists covers a spectrum that ranges from the evocation of art history to the manifestation of independence. Working with reflections, fictional set pieces and playful analyses, Perret explores and exposes the pathos of (past, present, and future) revolution. Mai-Thu Perret's installationthe figure on our cover page is part of itis titled "And Every Woman Will Be a Walking Synthesis of the Universe." The notion of becoming gracefully involved, of spreading out in the infinite laws that surround us, is nurtured by the fictional universe of objects and writings the artist has created over the past decade and brought together under the heading of THE CRYSTAL FRONTIER. The texts are "fragments ostensibly written by members of an autonomous women's community formed in the deserts of New Mexico," knowingly obscuring the authorship of the works Perret presents. What we hear, playfully tossed into the circle (of art), are many different subjective voices of potential women, expressing themselves in a variety of media. Moving on from such fictional evocations and evocative fictions to the art of Tomma Abts and Zoe Leonard, we encounter another subjective gaze, one that turns in on itself and ultimately takes the physical shape of a painted or photographed rectangle. Zoe Leonard is a photographer and collector of daily life with all its unspectacular signs and traces. Simplicity, sensuality, and serenity inform her photographs, the impact of which can be fully appreciated only in the originals; the black-and-white photography in particular is not beholden to any aesthetic "school" but rather incorporates discrete and elementary reference to the machina of process and production into the pictures themselves. Soft and hard collide in surrealistimages of trees that have literally devoured the fences that might have been a threat to their growth (see inside cover). Zoe Leonard's work in groups and series embraces wide-ranging variations. The contributors to this issue largely discuss works of recent and very recent vintage, which have, however, evolved over a period of many years, as in ONE HUNDRED DOLLARS (20002008), ANALOGUE (19982007), and YOU SEE I AM HERE AFTER ALL (2008). The latter consisting of over 4000 old postcards of Niagara Falls, arranged in the form of a map. Lynne Cooke writes that "Moving through the gallery thus corresponds, at least hypothetically, to a tour of the actual Falls". She also follows the trail that goes back to 1857 and the powerful painting Frederic Church made of this natural miracle. The display of Tomma Abts' work is also precisely predetermined. All identical in format, her paintings are the outcome of a protracted painting process, containing a multitude of carefully applied coats of paint, confounding facile criteria and categories of comparison. Jan Verwoert talks with almost breathtaking intimacy about the variety of inner decisions that are (or might have been) made in the course of the painting process. He comes to the conclusion that the "gesture of deciding now tends to resemble doubting" in contrast to the heroic connotations of avant-garde decision making. In his contribution to BALKON Philip Ursprung similarly encourages us to penetrate the mind. He confronts us with an astonishingly new take on the concept of "formalism" in his discussion of Barbara Maria Stafford's recent inquiry into neuroscientific findings and their relevance for art historians. The insert is designed by John Stezaker. Table of Content Richard Hawkins: Infinitely Desired by Philipp Kaiser Tomma Abts The Best-Laid Plans: On Accidentally Not Reading Tomma Abts by Suzanne Hudson Some Similarities by Tom.

Softcover. Zustand: Bon. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Ammareal gives back up to 15% of this item's net price to charity organizations.

Hardcover. Zustand: Gut. 1. Auflage. Die Buchecken sind etwas stärker bestossen und die Seiten haben an der oberen Buchecke durchgehend eine leichte Knickstelle, ansonsten aber richtig guter Zustand b32.

Zustand: as new. Wie neu/Like new.

263 S. mit zahlreichen Fotos von Leonard. Erste Auflage. Texte Urs Stahel, Elisabeth Lebovici, Svetlana Alpers (sehr gutes Exemplar). Sprache: Deutsch Gewicht in Gramm: 1800 4°. Orig.-Pappband mit Orig.-Umschlag.

Hardcover. Zustand: Like New. Immediate dispatch from Somerset. Book in excellent unread/unused condition. See images. Fantastic book. About the book >.>.> In recent years, one of the challenges undertaken by the Museo Reina Sofia has been to problematize some of the labels that have been assigned to artists and their practices throughout the twentieth century. Pigeonholes such as Outsider Art, Art Brut, or Naive Art serve to categorize artistic proposals yet pay little or no attention to their profound complexity. The Museo Reina Sofia is taking steps to eliminate boundaries such as the sepa- ration between what we call the "fine" arts and popular artistic practices. It is essen- tial to contribute to an art history that is not presented from a dominant position. Much has been written about artists such as James Castle, who have been marginal- ized within the traditional art historical discourse. Art historians have frequently assumed that self-taught artists lack commitment to their production and suffer from a lack of self-awareness. Castle was an artist with no academic training, he was profoundly deaf and never learned to read or write or to use sign language. Recent publications have focused more.

First edition. Softcover. Guest edited by Moyra Davey & Zoe Leonard. Includes images Eudora Welty, James Welling, Roni Horn, David Wojnarowicz, William Gedney, and others. A fine copy in wrappers.

Zustand: Sehr gut. Zustand des Schutzumschlags: vorhanden. Erstausgabe. 263 S., 4°, Pappband, mit Schutzumschlag, mit s/w und farbigen Abb., Publikation anlässlich der gleichnamigen Ausstellung im Fotomuseum Winterthur 1. Dezember 2007 bis b17. Februar 2008, Hrsg. Urs Stahel. Sehr guter Zustand. Signatur des Verfassers.

Zustand: Aceptable. : Este catálogo de exposición presenta la obra fotográfica de Zoe Leonard, abarcando más de cien obras de la artista neoyorquina desde la década de los setenta hasta la actualidad. La retrospectiva destaca el interés de Leonard por los contrastes cotidianos, como la naturaleza frente a lo urbano y lo manufacturado frente a lo original. El libro incluye excelentes reproducciones en color y en blanco y negro, ofreciendo una visión completa de la trayectoria de esta influyente fotógrafa. EAN: 9788480263771 Tipo: Libros Categoría: Arte y Cultura Título: Zoe Leonard. Fotografías Autor: Zoe Leonard Editorial: Museo Nacional Centro de Arte Reina Sofía Idioma: es-ES Páginas: 296 Formato: tapa blanda.

Encuadernación de tapa dura. Zustand: Casi nuevo. 2011. Catálogo de la exposición celebrada en el MNCARS (Madrid, España) en Mayo - Septiembre de 2011. 224 pp. Numerosas reproducciones en color de las obras expuestas. Idioma: Español. LIB 11J.

hardcover. Zustand: Perfetto (Mint). Catalogo della mostra itinerante tenutasi a: 1. Fotomuseum, Winterthur 1 dicembre 2009 - 17 febbraio 2008 - 2. Museum Moderner Kunst Ludwing, Vienna 10 dicembre 2009 - 3 marzo 2010. Testi di Urs Stahel, Elisabeth Lebovici, Svetlana Alpers. Illustrazioni a colori e in bianco e nero. Catalogo delle opere esposte, Bibliografia . 4to (cm 30,5x25). pp. 264. . Perfetto (Mint). . . . For more than twenty years, the American artist Zoe Leonard (born in 1961, in Liberty, New York) has been practicing the art of the contemplative journey and the perceptive gaze. She trawls through nature and culture, through the (urban) landscape and the world of museums, in search of signs that might give some insight into their contrasts, similarities and inter-relationships. In her photographs, as we look down at the Niagara Falls, we see the rushing waters pour into a massive cleft in the earth's crust; we see railway tracks sweeping across the globe; we see the patterns of modern urban existence, work and life pressed into right angles and tubes. We find ourselves looking at maps and anatomical models, peering into showcases, museums and shops, watching the gender struggle, the structure of thought and memory, made aware of the balance between photographic material and photographic seeing.Da più di vent'anni, l'artista americana Zoe Leonard (nata nel 1961 a Liberty, New York) pratica l'arte del viaggio contemplativo e dello sguardo percettivo. Attraversa la natura e la cultura, il paesaggio (urbano) e il mondo dei musei, alla ricerca di segni che possano dare un'idea dei loro contrasti, somiglianze e interrelazioni. Nelle sue fotografie, quando guardiamo le cascate del Niagara, vediamo le acque impetuose riversarsi in un'enorme spaccatura della crosta terrestre; vediamo i binari della ferrovia che attraversano il mondo; vediamo i modelli della moderna esistenza urbana, il lavoro e la vita pressati in angoli retti e tubi. Ci troviamo a guardare mappe e modelli anatomici, a sbirciare in vetrine, musei e negozi, a osservare la lotta di genere, la struttura del pensiero e della memoria, resi consapevoli dell'equilibrio tra materiale fotografico e visione fotografica. Book.

Cloth. Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine. 224 pages with color illustrations. Though still in shrink-wrap there might be small minor bumps to the corners and edges underneath the plastic. Published on the occasion of the exhibition from the Museo Nacional Centro de Arte Reina Sofía, Madrid, from May 18 - September 5, 2011. Select Biography. Book.

Hardcover. Zustand: Gut bis sehr gut. 1. Auflage. Hardcover, 8.5 x 11.25 in. / 260 pgs / 165 color / 120 bw. - The artists in Double Life--from Marina Abramovic, Adrian Piper, and Andy Warhol to Ion Grigorescu, Eleanor Antin, Pierre Huyghe and Cindy Sherman--have all employed various strategies in their desire to assume different roles. Whether ironic, eccentric, utopian or critical, their methods have ranged from the subtle to the extreme. Zoe Leonard's pin-up calendar is filled with sexy portraits of her bearded self. Early black-and-white photographs by Cindy Sherman show the artist casually dressed as a random sampling of everyday people.

First edition and first printing. Hardcover. 185 pages. Published in conjunction an exhibition May 12 through August 12, 2007. A collection of some black and white and numerous color photographs by Zoe Loenard. A fine copy in boards. No dust jacket as issued. As new and still in the publisher's shrinkwrap slit open to verify edition.

Hard cover. Sewn binding. Cloth over boards. 185 p. Contains: Illustrations. Audience: General/trade. Good. Light wear to cloth cover. Pages clean and unmarked.

Zustand: VG. VG staple-bound 8vo published on the occasion of Leonard's 2012 exhibition at Murray Guy. One of 1000 copies. An interview with Z.L. and an essay by E.L.

Zustand: Wie neu. Steidl & Partners, Göttingen, 2007. First edition, first printing. Mint, new, unread; still originally shrink-wrapped in publisher`s plastic foil. Hardcover with dust jacket. 256 pages, 150 tritone plates. 240 x 300 mm. Zoe Leonard`s practice involves a type of cerebral roaming combined with carefully considered observation. For more than 20 years she has criss-crossed nature and culture, cityscapes and museums, always searching for signs that say something about structures, about natural and cultural conditions and the contradictions, parallels and connections among them. Leonard`s photographs of anatomical wax figures, fashion shows, trees and fences present figures in sparse black-and-white images that open up a visual field of thought and reveal within it our visible world, that is, the concrete and established structures that make up our reality. At documenta 9 in Kassel Leonard created a stir with her placement of black-and-white photographs of female genitalia in the context of a male-dominated museum. The political aspects of her work form the backdrop of her constant struggle with shape, with imagery, with the union of symbols and content. This is the first book encompassing her complete oeuvre." (from the publisher) Zoe Leonard was born in Liberty, New York, in 1961. Her work has been widely exhibited since 1979. She has had solo exhibitions in the Centre National de la Photographie in Paris, in the Philadelphia Museum of Art, in the Kunsthalle Basel and in the Tate Modern in London. Leonard is a contributor to documenta 12/2007.***************Steidl & Partners, Göttingen, 2007. Erstausgabe. Originausgabe. Neu, ungelesen, verlagsfrisch; noch original-verpackt in der Plastikfolie des Verlags. Hardcover mit Schutzumschlag. 256 pages, 150 tritone plates. 240 x 300 mm. Sprache: Englisch Gewicht in Gramm: 1600.

Zustand: Wie neu. Steidl & Partners, Göttingen, 2007. First edition, first printing. Signed by Zoe Leonard! Mint, new, unread. Still originally shrink-wrapped in publisher`s plastic foil; only opened once for signature! Hardcover with dust jacket. 256 pages. 240 x 300 mm. 150 tritone plates. Text in english. Perfect condition! Signed by the artist! Collector`s copy! Zoe Leonard`s practice involves a type of cerebral roaming combined with carefully considered observation. For more than 20 years she has criss-crossed nature and culture, cityscapes and museums, always searching for signs that say something about structures, about natural and cultural conditions and the contradictions, parallels and connections among them. Leonard`s photographs of anatomical wax figures, fashion shows, trees and fences present figures in sparse black-and-white images that open up a visual field of thought and reveal within it our visible world, that is, the concrete and established structures that make up our reality. At documenta 9 in Kassel Leonard created a stir with her placement of black-and-white photographs of female genitalia in the context of a male-dominated museum. The political aspects of her work form the backdrop of her constant struggle with shape, with imagery, with the union of symbols and content. This is the first book encompassing her complete oeuvre." (from the publisher) Zoe Leonard was born in Liberty, New York, in 1961. Her work has been widely exhibited since 1979. She has had solo exhibitions in the Centre National de la Photographie in Paris, in the Philadelphia Museum of Art, in the Kunsthalle Basel and in the Tate Modern in London. Leonard is a contributor to documenta 12/2007.***************Steidl & Partners, Göttingen, 2007. Erstausgabe. Originausgabe. Signiert von Zoe Leonard! Neu, ungelesen, verlagsfrisch. Noch original-verpackt in der Plastikfolie des Verlags; nur einmal geöffnet für die Signatur der Künstlerin! Hardcover with dustjacket. 240 x 300 mm. 256 Seiten. 150 Tafeln. Text in englischer Sprache. Perfekter Zustand! Signiert vom Künstler! Sammler-Exemplar! Sprache: Englisch Gewicht in Gramm: 1600.

Basel; Schwabe & Co. AG Verlag, 1997. 22,5x17 cm. 25, (5, 1 blank) pp. Illustrated. Original printed wrappers. Rear wrapper is insignificantly soiled. A fine copy of the catalogue for the exhibition of Leonard's photos, May 4 to June 18, 1997. Inscribed by Leonard: "Dear Anders Tornberg -- thank you very [underlined] much for the loan + for your support of my work / Best, Zoe Ld". Comes with a loosely inserted letter from Leonard to the same recipient, an A4 sheet in handwriting, undated, but a note in pencil states "May 1997". In the letter, Leonard thanks Tornberg for the loan of artworks needed for his exhibition "Fruit, 1993-1997" at the Kunsthalle Basel. From the library of Anders Tornberg Gallery in Lund, Sweden, and with a stamp confirming this on the last blank page.