Wood bruce robert (19 Ergebnisse)

Zustand: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc. Wood, Bruce Robert (illustrator).

Zustand: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc. Wood, Bruce Robert (illustrator).

Hardcover. Zustand: Very Good. No Jacket. Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. Wood, Bruce Robert (illustrator).

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. Wood, Bruce Robert (illustrator).

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. Wood, Bruce Robert (illustrator).

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Wood, Bruce Robert (illustrator).

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Wood, Bruce Robert (illustrator). …

hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Includes dust jacket. Signed. First Edition. SIGNED by the author and illustrator. 1st printing. Wood, Bruce Robert (illustrator).

Hardcover. Zustand: Brand New. no edition stated edition. 40 pages. 10.25x11.25x0.50 inches. In Stock. Wood, Bruce (illustrator).

Hardcover. Zustand: Brand New. 40 pages. 10.75x9.75x0.50 inches. In Stock. Wood, Bruce (illustrator).

Hardcover. Zustand: Brand New. 40 pages. 10.75x9.75x0.50 inches. In Stock. Wood, Bruce (illustrator).

Hardcover. Zustand: Brand New. no edition stated edition. 40 pages. 10.25x11.25x0.50 inches. In Stock. Wood, Bruce (illustrator).

Hardcover. Zustand: Brand New. no edition stated edition. 40 pages. 10.25x11.25x0.50 inches. In Stock. Wood, Bruce (illustrator).

Hardcover. Zustand: Brand New. no edition stated edition. 40 pages. 10.25x11.25x0.50 inches. In Stock. Wood, Bruce (illustrator).

Hardcover. Zustand: Brand New. english language edition. 40 pages. 10.00x11.25x0.25 inches. In Stock. Wood, Bruce (illustrator).

Hardcover. Zustand: Good. Zustand des Schutzumschlags: Fair. Green cloth, hardback book, with gilt title impressions on the spine. Come with its own dust jacket, a tad worn and torn around the edges, not priced clipped. The book is in really good condition normal wear, tear, and marks apply consistent with use and age. First blank page has a couple of inscriptions, in pen and ink and pencil. Tiny speckle of foxing, first published, by Putnam in 1957, this specific edition was reprinted in September 1957. Preface by the author dated January 1957. 78 pages all intact, all pages, text and gorgeous wood engravings are in really good, clean, readable order. In his Preface Sir Robert says: "Angling is not slaughter. It is not even wholly concerned with the art of catching fish. It is an introduction to one of the most attractive sides of nature. It leads the angler into quiet places where, alone with his thoughts, he may refresh his soul by the side of running water.…

Paperback. Zustand: Good. First Edition. 42 pages. Features: Tom Deachman wants to change Christmas; The Night Frank Mahovlich Came Back to Maple Leaf Gardens - article with photos; Astrologers - a report on the continent's latest craze; Children's colour photo section - Velveteen fashion; Kildare Dobbs' adventures in multi-lingualism; Bedlam in Bytown - a disillusioned account of Grey Cup Week - with nice colour photos including Juliette, the Ottawa Roughriderettes (cheerleaders), and Julia (Julie) May Dixie - Miss Grey Cup, 1967; A cookbook for everyone this Christmas; Rex - the story of Johnny and his dog. Please note: one staple missing and the other is only holding several pages. We can restaple if you wish. Moderate wear. Unmarked. A quality vintage copy. Tess; Croyden, Peter; Wood, Muriel; Barkley, Harold (illustrator).…

3 vol. : vol. 1: 144 pp. ; vol. 2: 163 pp. ; vol. 3: 186+ pp.; 3 vol. : vol. 1: 27 x 20 cm. ; vol. 2: 26.5 x 21 cm. ; vol. 3: 27.5 x 21.5 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; All three published issues of the periodical The Fox, one of the most important publications of 1970s conceptualism. All issues printed on newsprint, with rough cardboard covers."It is the purpose of our journal to try to establish some kind of community practice. Those who are interested, curious, or have something to add (be it pro or con) to the editorial thrust . the revaluation of ideology . of the first issue are encouraged, even urged, to contribute to following issues. All other correspondences are welcome." -- preface to Volume One. Issue 1, published in 1975, edited by Sarah Charlesworth, Michael Corris, Joseph Kosuth, Andrew Menard, Mel Ramsden, and Preston Heller. Contents include: "A Declaration of Dependence," by Sarah Charlesworth; "For Thomas Hobbes," by Michael Baldwin and Philip Pilkington; " The Artist as Anthropologist," by Joseph Kosuth; " Are You Not Doing What You're Doing While You're Doing What You Are," by Andrew Menard; "A Note on Art in Yugoslavia," by Zoran Popovic and Jasna Tijardovic; "Pricing Works of Art," by Ian Burn; "To Art (Reg. Intrans. V.)," by Adrian Piper; "On Practice," by Mel Ramsden; "Historical Discourse," by Michael Corris; "Education Bankrupts," by David Rushton and Paul Wood; "Counterfeit Interview," by Preston Heller; "Optimistic Handbook," by Lynn Lemaster; "Looking Back, Going On," by Terry Atkinson; "Perimeters of Protest," by Mel Ramsden; "Buying Cultural Dependency: A Note on the Crazed Thinking Behind Several Australian Collections," by Ian Burn; "A Forum on Artforum," by Karl Beveridge; and "Thinking About Tim Clark and Linda Nochlin," by Ian Burn. Issue 2, published in 1975, edited by Sarah Charlesworth, Michael Corris, Joseph Kosuth, Andrew Menard, Mel Ramsden, Preston Heller, and Ian Burn. Contents include: "Book Review: John Berger's 'Ways of Seeing,'" by Eunice Lipton; "Review: Jeremy Gilbert-Rolfe's As-Silly-As-You-Can-Get"; "Brice Marden's Painting,'" by Mel Ramsden; "Review: Fighting Modern Masters," by Terry Smith; "Dear Fox." by Lizzie Borden; "Memo For the Fox," by Sarah Charlesworth; "Review: 'Cityarts Workshop: People's Art in New York City,'" by Mel Ramsden; "Conversation Pieces," by Mark Klienberg; "A Proposal For Pricing Works of Art," by Adrian Piper; "Book Review: 'On Understanding Art Museums,'" by Adrian Piper; "Book Review: 'On Understanding Art Museums,'" by Andrew Menard; "Review: Ian Wilson's Discussion at the John Weber Gallery," by Michael Corris; "Review: 'Art-Language' Volume 3 Number 2," by Ian Burn; "Bruce Kurtz: A Conversation with Robert Smithson"; "Stefan Morawski: Concerning an Attack by Sandra Harrison"; "Letters from Jean Toche, Robert Horvitz, Paul Kagawa, Annson Kenney, and others"; "Direct Speech," by David Rushton and Paul Wood; "1975," by Joseph Kosuth; "Doing Art History," by Terry Smith; "Media Madness," by Andrew Menard and Ron White; "Looking Back, Going On - Part 2," by Terry Atkinson; "Don Judd," by Karl Beveridge and Ian Burn; "Yet Another Palace Revolt in the Banana Republic?" by Michael Corris; "On Samuel Beckett's 'Waiting for Godot,'" by Trevor Pateman. Issue 3, published in 1976, edited by Sarah Charlesworth, Michael Corris, Joseph Kosuth, Andrew Menard, Mel Ramsden, Preston Heller, and Ian Burn. Contents include: "The Lumpen-Headache," by Peter Benchley; "Review: Not on the Development of Contradiction," by Kathryn Bigelow; "For Artists Meeting," by Sarah Charlesworth; "Review: Under the Rug," by Martha Rosler; "Review: Framing & Being Framed - Or, Are We Going to Let Barbara Rose Get Away with 'Dialectics' this Year?" by Mel Ramsden; "Having-Your-Heart-In-The-Right-Place is Not Making History," by Art & Language UK; "Worst of All Allies," by Art & Language UK; " The Edge of the Edge," Ca.…

Revised Fourth Draft script for the 1999 film. Copy belonging to an unidentified crew member, with their annotations on three pages. Based on Bari Wood's 1993 novel "Doll's Eyes," about a housewife who discovers she has a clairvoyant connection to a serial killer. Shot on location in Amherst, Easthampton, Florence, Huntington, Northampton, Northfield, Southampton, Williamsburg, and Whately, Massachusetts, in Fontana Dam, North Carolina, in New Castle, New Hampshire. Self wrappers. Title page present, dated 8/19/1997, noted as 4th DRAFT REWRITE, with credits for director Neil Jordan and screenwriter Bruce Robinson. 112 leaves, with last page of text numbered 111. Xerographic duplication on pink stock, rectos only. Pages Near Fine, bound with three gold brads. …