Wolf robert patterson (5 Ergebnisse)

Taschenbuch. Zustand: Neu. Neuware - The centralized economy doesn't work for most Americans, particularly rural Americans. Building the Agricultural City demonstrates the need for rural Americans to work cooperatively to create self-reliant, decentralized economies. It describes tools for self-reliance and sustainability that exist across the U.S. and can be assembled within any region to transform service economies into productive economies. Here are a few of the tools that can effect the transformation: Community development banks, whose mandate is to serve the under-served, would focus on small business start-ups. What kind of businesses Ideally, worker-owned cooperatives that would democratize the economy. Closed-loop aquaponic systems that raised fish and vegetables to provide locally grown, fresh food year round. Municipal owned utilities powered by renewable energy . Rural Americans now understand that they must be self-reliant, that regionalism is the only counter to globalism. Building the Agricultural City promote the idea of a democratic, decentralized economy. Many rural Americans are conservative, distrustful of change. Many cannot see alternatives to the present system, even when they know their towns are dying. Others have a vested interest in keeping things the way they are. Those of us involved in this project have no illusions about winning everyone over, or that building a cooperative regional economy will take a few years. It will be a long, arduous process. But we have no alternative but to try. And there are enough creative people who have pledged to work on the project's behalf that we know we can build a successful model in the Driftless region of the Upper Midwest that will that will serve as a beacon to others'urban and rural.…

[1] pp.; 27.9 x 21.5 cm.; loose leaves; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Two-sided Poster / program for the 3rd Annual New York Festival of the Avant Garde held at Judson Hall, New York, August 25 - September 11, 1965. Organized by Charlotte Moorman. Performances and contributions by Charlotte Moorman, Robert Ashley, David Behrman, George Brecht, Robert Breer, Karlheinz Stockhausen, Allan Kaprow, Nam June Paik, Takehisa Kosugi, Jackson Mac Low, Erik Satie, James Tenney, John Cage, Luc Ferrari, Philip Corner, Robert Filliou, Jacob Glick, Don Heckman, Malcolm Goldstein, Al Hansen, Gary Harris, Dick Higgins, Burton Kaplan, Benjamin Patterson, La Monte Young, Wolf Vostell, Dieter Roth, Yoko Ono, Alfred E. Hansen, Morton Feldman and many others. Fair. Folded in three with tears, yellowing, bumping and folding of edges. Tears measure: 1.4 cm., 1 cm., 4 mm., 3 mm., 9 mm., 6 mm., 5 mm with an additional four 1 mm. tears to edges. 1.4 cm. dog-ear to lower left corner and 7 cm. dog-ear to lower right corner with additional folds and bumping to corner. 7 mm. dog-ear to upper left corner and 1.2 cm. fold to upper right corner. …

[3] pp.; 73 x 18.3 cm.; loose leaves; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Poster for the Fourth Annual New York Festival of the Avant Garde held at The Central Park Conservatory Pond, New York, September 9, 1966, from 6am until midnight. Organized by Charlotte Moorman. Performances and contributions by Charlotte Moorman, Yoko Ono, Benjamin Patterson, Larry Loonin, Frederic Rzewski, Pietro Grossi, Leo Nilson, Ralph Lundsten, Don Heckman, Dick Higgins, La Monte Young, Robert Moran, Philip Corner, Toshi Ichiyanagi, Takehisa Kosugi, Hans G. Helms, Jackson Mac Low, Spencer Holst, David Hazleton, Emmett Williams, Mordecai-Mark Mac Low, Richard Huelsenbeck, David Anton, Jerome Rothenberg, Carol Berge, Diter Rot, Ludwig Gosewitz, Lamberto Pignotti, Chieko (Mieko) Shiomi, Bazon Brock, Tomas Schmit, Kurt Schwitters, Allan Kaprow, Alison Knowles, Bob Watts, Christo, Stefan Wolpe, Kenji Kobayashi, Howard Lebow, Cecil Taylor, Jimmy Lyons, Ken McIntyre, Mike Mantler, Henry Grimes, Allan Silva, Tony Williams, Jacob Glick, Shigeko Kubota, Allison Knowles, Jerry Agel, James Tenney, Joseph Beuys, Karlheinz Stockhausen, Karl Erik Welin, George Jeffers, Earle Brown, Giuseppe Chiari, Bill Dixon, Judith Dunn, Wolf Vostell, Robert Breer, Gary Harris, Elaine Summers, Hans Richter, Takahiko Iimura, USCO, George Brecht, John Cage, Charles Frazier, Jim McWilliams, Robert Burridge, Robert Ashley, Al Hansen, Bici Hendricks, Geoffrey Hendricks, Barbara Moore, Peter Moore, Gordon Mumma, Max Neuhaus, Nam June Paik, Lil Picard, Raffaele, Ely Raman and Carolee Schneemann. Good. Folded in eight, as issued, for mailing. Mailed copy with mailing marks and wear. 2.4 cm. dog-ear to bottom right corner of recto with bumping, light bumping of bottom left corner, and 1.2 cm. dog-ear to upper right corner with 7.7 cm. area of bumping. Multiple light fingerprint marks on verso.…

[2] pp.; 63.5 x 19 cm.; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Two-sided Poster / program for the 3rd Annual New York Festival of the Avant Garde held at Judson Hall, New York, August 25 - September 11, 1965. Organized by Charlotte Moorman. Performances and contributions by Charlotte Moorman, Robert Ashley, David Behrman, George Brecht, Robert Breer, Karlheinz Stockhausen, Allan Kaprow, Nam June Paik, Takehisa Kosugi, Jackson Mac Low, Erik Satie, James Tenney, John Cage, Luc Ferrari, Philip Corner, Robert Filliou, Jacob Glick, Don Heckman, Malcolm Goldstein, Al Hansen, Gary Harris, Dick Higgins, Burton Kaplan, Benjamin Patterson, La Monte Young, Wolf Vostell, Dieter Roth, Yoko Ono, Alfred E. Hansen, Morton Feldman and many others. Good. Hand addressed mailed copy. Folded in eight for mailing with mailing marks and mailing wear. Light edge-wear including 1 mm. tear to poster edge. Double parallel fold lines along three of the eight folds. 10 cm. of pencil writing to verso, otherwise clean and unmarked.…

[1] pp.; 58.2 x 27.6 cm.; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Program for the Fourth Annual New York Festival of the Avant Garde held at The Central Park Conservatory Pond, New York, September 9, 1966, from 6am until midnight. Organized by Charlotte Moorman. Performances and contributions by Charlotte Moorman, Yoko Ono, Benjamin Patterson, Larry Loonin, Frederic Rzewski, Pietro Grossi, Leo Nilson, Ralph Lundsten, Don Heckman, Dick Higgins, La Monte Young, Robert Moran, Philip Corner, Toshi Ichiyanagi, Takehisa Kosugi, Hans G. Helms, Jackson Mac Low, Spencer Holst, David Hazleton, Emmett Williams, Mordecai-Mark Mac Low, Richard Huelsenbeck, David Anton, Jerome Rothenberg, Carol Berge, Diter Rot, Ludwig Gosewitz, Lamberto Pignotti, Chieko (Mieko) Shiomi, Bazon Brock, Tomas Schmit, Kurt Schwitters, Allan Kaprow, Alison Knowles, Bob Watts, Christo, Stefan Wolpe, Kenji Kobayashi, Howard Lebow, Cecil Taylor, Jimmy Lyons, Ken McIntyre, Mike Mantler, Henry Grimes, Allan Silva, Tony Williams, Jacob Glick, Shigeko Kubota, Allison Knowles, Jerry Agel, James Tenney, Joseph Beuys, Karlheinz Stockhausen, Karl Erik Welin, George Jeffers, Earle Brown, Giuseppe Chiari, Bill Dixon, Judith Dunn, Wolf Vostell, Robert Breer, Gary Harris, Elaine Summers, Hans Richter, Takahiko Iimura, USCO, George Brecht, John Cage, Charles Frazier, Jim McWilliams, Robert Burridge, Robert Ashley, Al Hansen, Bici Hendricks, Geoffrey Hendricks, Barbara Moore, Peter Moore, Gordon Mumma, Max Neuhaus, Nam June Paik, Lil Picard, Raffaele, Ely Raman, and Carolee Schneemann. Designed by George Maciunas. Good. Folded in sixteen with wear along fold lines and light soiling on verso along fold lines. 1.6 cm. dog-ear to bottom right corner and bumping of bottom left corner and edge. Light bumping of upper left corner of recto and 6 cm. area of light soiling to verso.…