Wilson lyn (40 Ergebnisse)
- Hardcover
Anbieter: BooksRun, Philadelphia, PA, USABooksRun
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EUR 5,06
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Hardcover. Zustand: Fair. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way. Mitchell, Lyn (illustrator).
- Softcover
Anbieter: Better World Books, Mishawaka, IN, USABetter World Books
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EUR 6,16
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Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
- Softcover
Anbieter: Wonder Book, Frederick, MD, USAWonder Book
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EUR 6,74
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Zustand: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.
- Hardcover
Anbieter: Wonder Book, Frederick, MD, USAWonder Book
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Gebraucht - Gut
EUR 6,74
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Zustand: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included. Mitchell, Lyn (illustrator).
- Softcover
Anbieter: ThriftBooks-Dallas, Dallas, TX, USAThriftBooks-Dallas
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EUR 6,82
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Unknown. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
- Hardcover
Anbieter: ThriftBooks-Atlanta, AUSTELL, GA, USAThriftBooks-Atlanta
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Gebraucht - Wie neu
EUR 6,99
Versand nach gratisVersand innerhalb von USAAnzahl: 1 verfügbar
Hardcover. Zustand: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less. Mitchell, Lyn (illustrator).
- Softcover
Anbieter: Better World Books, Mishawaka, IN, USABetter World Books
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EUR 8,00
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Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
- Hardcover
Anbieter: Better World Books, Mishawaka, IN, USABetter World Books
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Gebraucht - Gut
EUR 8,85
Versand nach gratisVersand innerhalb von USAAnzahl: 1 verfügbar
Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Mitchell, Lyn (illustrator).
- Softcover
Anbieter: MusicMagpie, Stockport, , Vereinigtes KönigreichMusicMagpie
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EUR 4,04
EUR 6,35 VersandVersand von Vereinigtes Königreich nach USAAnzahl: 1 verfügbar
Zustand: Very Good. Zustand des Schutzumschlags: 47087356. 1753695129. 7/28/2025 9:32:09 AM.
- Softcover
Anbieter: Better World Books Ltd, Dunfermline, Vereinigtes KönigreichBetter World Books Ltd
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EUR 5,57
EUR 5,78 VersandVersand von Vereinigtes Königreich nach USAAnzahl: 1 verfügbar
Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
- Softcover
Anbieter: MusicMagpie, Stockport, , Vereinigtes KönigreichMusicMagpie
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Gebraucht - Gut
EUR 5,70
EUR 6,35 VersandVersand von Vereinigtes Königreich nach USAAnzahl: 1 verfügbar
Zustand: Very Good. Zustand des Schutzumschlags: 48029990. 1780912952. 6/8/2026 10:02:32 AM.
- Softcover
Anbieter: Ancient World Books, Toronto, ON, KanadaAncient World Books
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EUR 6,21
EUR 6,46 VersandVersand von Kanada nach USAAnzahl: 1 verfügbar
Softcover. Zustand: Good+. Creasing to front cover. Pencil notes and underlining. Spine sunned.; 5.5 X 0.55 X 8.5 inches; 244 pages.
- Softcover
Anbieter: WorldofBooks, Goring-By-Sea, WS, Vereinigtes KönigreichWorldofBooks
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EUR 6,34
EUR 6,48 VersandVersand von Vereinigtes Königreich nach USAAnzahl: 1 verfügbar
Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
- Softcover
Anbieter: Seagull Books, Hove, , Vereinigtes KönigreichSeagull Books
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EUR 8,28
EUR 13,30 VersandVersand von Vereinigtes Königreich nach USAAnzahl: 1 verfügbar
Soft cover. Zustand: Good. Has some light general reading/shelfwear - otherwise this is a clean, tight copy. Quick dispatch from the UK. Book.
- Softcover
Anbieter: Revaluation Books, Exeter, , Vereinigtes KönigreichRevaluation Books
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Neu
EUR 15,40
EUR 11,56 VersandVersand von Vereinigtes Königreich nach USAAnzahl: 1 verfügbar
Paperback. Zustand: Brand New. 54 pages. 8.25x8.25x0.13 inches. In Stock. Wilson, Mitchel (illustrator).
Weitere BilderVerlag: Blackwell Scientific 1976
Anbieter: BoundlessBookstore, Wallingford, , Vereinigtes KönigreichBoundlessBookstore
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EUR 3,89
EUR 8,07 VersandVersand von Vereinigtes Königreich nach USAAnzahl: 1 verfügbar
Zustand: Good. Good condition book without dust jacket. Boards are clean with little wear. Book has clean and bright contents. Inscription ffep 'Stanley, with kind regards, Lyn'.
- Softcover
- Erstausgabe
Anbieter: Books From California, Simi Valley, CA, USABooks From California
Verkäufer/-in kontaktierenVerkäufer/-in mit 4 SternenZustand: Gebraucht - Gut
EUR 23,91
EUR 4,30 VersandVersand innerhalb von USAAnzahl: 1 verfügbar
paperback. Zustand: Very Good. First Edition. first edition book.
- Softcover
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes KönigreichRia Christie Collections
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Neu
EUR 18,52
EUR 13,85 VersandVersand von Vereinigtes Königreich nach USAAnzahl: Mehr als 20 verfügbar
Zustand: New. In. Cameron Wilson (illustrator).
- Softcover
Anbieter: Revaluation Books, Exeter, , Vereinigtes KönigreichRevaluation Books
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Neu
EUR 22,35
EUR 11,56 VersandVersand von Vereinigtes Königreich nach USAAnzahl: 2 verfügbar
Paperback. Zustand: Brand New. 32 pages. 8.50x8.50x0.08 inches. In Stock. Cameron Wilson (illustrator).
- Softcover
Anbieter: Revaluation Books, Exeter, , Vereinigtes KönigreichRevaluation Books
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Neu
EUR 22,35
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Paperback. Zustand: Brand New. 34 pages. 8.50x8.50x0.09 inches. In Stock. Cameron Wilson (illustrator).
Verlag: Icarus Press, Riderwood, Maryland 1975
- Softcover
- Erstausgabe
Anbieter: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, USABetween the Covers-Rare Books, Inc. ABAA
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EUR 17,74
EUR 4,74 VersandVersand innerhalb von USAAnzahl: 1 verfügbar
Softcover. Zustand: Near Fine. Magazine. Cover by James Toarello. Octavo. 19pp. Stapled wrappers. Small marks on the front wrapper, near fine. Lyn Lifshin's "Fear," is included in this issue. Additional contributors include Aaron Kramer, Mordecai Marcus, James Naiden, Bruce H. Guernsey, Lora Dunetz, Samuel Green, Arlene Stone, F…rance Burke, Philip McCaffrey, Yamil Molina, Tim Rubald, John Tagliabue, Jerry Wilson, and Suzanne O. Zavrian.
- Hardcover
- Erstausgabe
Anbieter: Hay Cinema Bookshop Limited, Hay on Wye, , Vereinigtes KönigreichHay Cinema Bookshop Limited
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EUR 11,79
EUR 21,97 VersandVersand von Vereinigtes Königreich nach USAAnzahl: 1 verfügbar
1st edition. 8vo. [viii] + 232pp. Ownership inscription to front f.e.p. Original grey boards lettered in black. ISBN 0415126703 US$13.
- Hardcover
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes KönigreichRia Christie Collections
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Neu
EUR 26,35
EUR 13,85 VersandVersand von Vereinigtes Königreich nach USAAnzahl: Mehr als 20 verfügbar
Zustand: New. In. Wilson, Cameron (illustrator).
Sprache: Englisch
Verlag: The Falconers & Raptor Conservation Magazine., Kettering, Northants, UK. 1998
- Softcover
- Erstausgabe
- Zeitschrift
Anbieter: Tony Hutchinson, Seale, , Vereinigtes KönigreichTony Hutchinson
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Gebraucht - Gut
EUR 17,87
EUR 23,71 VersandVersand von Vereinigtes Königreich nach USAAnzahl: 1 verfügbar
Soft cover. Zustand: Very Good. First Edition. All 4 issues in very nice clean, unfolded condition. 11.5 x 8 inch. About 40 pages per issue all on a quality gloss paper. Well illustrated. See my other listings for more issues between 1995 and 2014 - reduced combined P&P available.
- Softcover
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes KönigreichRia Christie Collections
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Neu
EUR 29,49
EUR 13,85 VersandVersand von Vereinigtes Königreich nach USAAnzahl: Mehr als 20 verfügbar
Zustand: New. In. Cameron Wilson (illustrator).
- Hardcover
Anbieter: Revaluation Books, Exeter, , Vereinigtes KönigreichRevaluation Books
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Neu
EUR 33,31
EUR 11,56 VersandVersand von Vereinigtes Königreich nach USAAnzahl: 2 verfügbar
Hardcover. Zustand: Brand New. 32 pages. 8.50x0.25x8.50 inches. In Stock. Wilson, Cameron (illustrator).
- Hardcover
Anbieter: Revaluation Books, Exeter, , Vereinigtes KönigreichRevaluation Books
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Neu
EUR 33,31
EUR 11,56 VersandVersand von Vereinigtes Königreich nach USAAnzahl: 2 verfügbar
Hardcover. Zustand: Brand New. 32 pages. 8.50x0.25x8.50 inches. In Stock. Wilson, Cameron (illustrator).
- Softcover
Anbieter: Roland Antiquariat UG haftungsbeschränkt, Weinheim, DeutschlandRoland Antiquariat UG haftungsbeschränkt
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EUR 7,90
EUR 42,00 VersandVersand von Deutschland nach USAAnzahl: 1 verfügbar
244 p. Very good condition. Reading pages are very clean and without marks. Slight traces of storage. Otherwise very good exemplar. 9780415126717 Sprache: Deutsch Gewicht in Gramm: 227 Softcover, Größe: 14 x 1.4 x 21.6 cm.
- Hardcover
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes KönigreichRia Christie Collections
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EUR 39,78
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Zustand: New. In. Wilson, Cameron (illustrator).
- Softcover
Anbieter: Borkert, Schwarz und Zerfaß GbR, Berlin, DeutschlandBorkert, Schwarz und Zerfaß GbR
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EUR 19,00
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Original brochure. Zustand: Gut. 232 p. From the library of Prof. Wolfgang Haase, long-time editor of ANRW and the International Journal of the Classical Tradition (IJCT). - In very good condition. - Content: Cedric Whitman observed, in the preface to his Sophocles: A Study of Heroic Humanism (Cambridge, Mass., 1951), that "The…best excuse for a new book about Sophocles is the number and diversity of those already existing." Since that time, the number and diversity of works on Sophocles have increased dramatically, an increase that lays additional burdens on any author intrepid enough (or foolish enoughI do not wish to suggest that the adjectives are mutually exclusive) to add to the bibliographical surfeit. Put simply, those added burdens are to say something new, or at least useful, and to say it in an interesting manner. I have tried to do both: readers will decide for themselves whether I have succeeded. As to the new or useful, I have tried throughout to emphasize the importance of Oedipus' heroism, and Sophocles' dramatic treatment of that heroism, as the driving action of the Oedipus at Colonus. In my view, Oedipus never "becomes" a hero in this play. Rather, he never ceased to be a hero, even during his darkest moments at Thebes, even during the long years of exile. He arrives at Athens a hero, not (pace Burian) a suppliant, and demands that Athens, Theseus, Creon, and Polyneices treat him accordingly. In so doing, Sophocles engages his compatriots in a dialogue on the nature of heroism and reminds them of the polis' need to create a space for heroes. An Athenian populace that found its beloved city slowly disintegrating under the stresses of the Peloponnesian War could not have missed the point. As to the interesting, one of the anonymous readers of the manuscript version of this book took exception to my references to Doones-bury, to Robertson Davies, to other contemporary authors or events, and to judgments about matters within the play, and about the story of Oedipus itself, that derived ultimately from my own personal experiences and observations. I take this opportunity to offer a brief apologia. A1995 issue of Lingua Franca (vol. 5, no. 6) included an article entitled "Can Classics Die?" The question should, and probably does, scare every working classicist on the continent. The author, David Dam-rosch, offered less hope than one might like, although a number of the field's luminaries provided more optimistic analyses of the field's current crises and its potential resilience. I weigh in with my own opinion. Classics will not die. Homer, Sophocles, Vergil, and the rest are far tougher and more durable than the most virulent, number-crunching, classicidal sub-assistant-vice-provost for institutional research can imagine. Classics will not die. But classicists have done less than they should to help themselves and their discipline. Literary criticism in classics, as now practiced in this country, suffers from two huge liabilities. First, it is seldom accessible to people outside of the field, and second, it is seldom very interesting. Theory-driven, jargon-riddled discourse avails little to narrow the gap between literature and the literate. (The unacknowledged weakness of the current "cutting edge" in criticism is the depressing ease with which it can be joined.) We need to find learned audiences from all fields and engage them, rather than attempt to prove how well we have mastered the latest isms. Toward that end, I have written what I hope to be a learned, intelligent work on the Oedipus at Colomis that will prove both accessible and interesting to classicists, nonclassicists, and even learned laypersons. (The latter group of people exists, and many among them are eager for criticism they can read, about authors and works they have read. Classicists should be prepared to enter that arena; why should Harold Bloom and Civil War historians have all the fun?) If some of my references are a bit off the wall, so much the better. Of one thing I am certain: the Athenian audience brought with them to Sophocles' tragedies everything they knew and everything they were. The American critic of the late twentieth century should do no less. The body of secondary scholarship on this play is vast, and it would not be possible to cite every scholar on every point of agreement or contention. I have confined my notes to areas of significant disagreement and to matters on which other scholars have made singularly salient observations. Disagreement should of course never be confused with disrespect. All translations are my own, with one exception (duly cited in the notes). I have a number of debts of gratitude to acknowledge, and I do so here with the greatest pleasure. First and foremost, I would like to thank the Research Committee of the University of Scranton, especially its past chairman, Thomas Hogan, and the provost, Richard Passon, for their generous support of my work. The chairman of my department, Bob Parsons, and two colleagues, Len Champney and Len Gougeon, were kind enough to read my initial proposals and made valuable suggestions. Dr. Parsons deserves special thanks, both for introducing me to the joys of word processing and for never mentioning the wear and tear I have caused to the department's laser printer and copier. Joyce Knott provided much valuable clerical assistance. I am grateful to my many colleagues (they know who they are) with whom I have long been in competition, in Hesiod's best type of strife. They have made me better, largely because they are so much better than I am. I want to thank Roger Hornsby, Richard Krill, and my great friend and E-mail correspondent, Joe Hughes, for long friendship and support. I want to thank Mary Ann, who, for reasons fathomable only to her, continues to put up with me. To the dedicatees of this book I can only acknowledge, never repay, my debts. I also wish to express my deepest gratitude to the University of Michigan Press, to the classics editor, Ellen Bauerle.
