williams john leon (18 Ergebnisse)

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Zustand: Very Good. 23. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. This is a Brand-new US Edition. This Item may be shipped from US or any other country as we have multiple locations worldwide.

Zustand: Used.

Zustand: Used.

[44] pp.; 25.2 x 16.7 cm.; spiral bound; black-and-white & color; edition size 2000; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held at Bergamot Station Arts Center, Santa Monica, CA, February 3 - April 1, 1995. traveled to Thread Waxing Space, New York, NY, May 2 - June 10, 1995 and Centre Gallery, Miami-Dade Community College / Wolfson Campus, Miami, FL, September 7 - October 17, 1995. Curated by John Yau. Artists include Catherine Alden, Luis Cruz Azaceta, Huma Bhabha, Anna Bialobroda, Robert Birmelin, Roger Brown, Mel Chin, Sue Coe, Victor Estrada, Llyn Foulkes, Leon Golub, Mark Greenwold, Gottfried Helnwein, Maxwell Hendler, Mike Kelley, Nathan Lieb, Whitfield Lovell, Daniel J. Martinez, Paul McCarthy, Kim Moodie, Yoko Ono, Michelle Rollman, Kay Rosen, Peter Saul, Jenny Scobel, Teresa Serrano, Joel Sternfield, Anton van Dalen, Andy Warhol, Lynton Wells, Thomas Parker Williams, Trevor Winkfield, Martin Wong, Jody Zellen, Joe Zucker, and UPI. Includes artist biographies. Very Good / Fine. Light rubbing of covers, otherwise Fine. Contents clean and unmarked. Includes slipped-in film screening flyer.

Magazine. Zustand: Very Good +. 32pp. Newsprint [43cm x 27.5cm / 17" x 11"]. Eight bifolia (sheets folded vertically once to form thirty-two pages). Horizontal crease throughout, as issued (folded for distribution). Paper is lightly age-toned, especially around edges and folds. Occasional soft creasing or short tearing along edges in the margins, else, a nice and clean copy. With an article by Edward Abbey titled "Forward! To Ecodefense." Also with an advertisement for "Ecodefense: A Field Guide to Monkeywrenching" (Edited by Dave Foreman. Forward by Ed Abbey." Earth First! is a group of radical environmentalists that formed in the American Southwest in the spring of 1980, founded by Dave Foreman, Mike Roselle, Howie Wolke, Bart Koehler, and Ron Kezar, among others. Earth First! quickly came to national attention with their "cracking" of Glen Canyon Dam activist stunt, which was performed and filmed in the spring of 1981. Edward Abbey is considered to be the "literary father" of the group. "Earth First! is the beginning of the new, bold environmental movement. And 'Earth First! The Radical Environmental Journal' is its voice. No compromise in the defense of Mother Earth!" (Dave Foreman, Editor). Rear cover half-page illustration by Brush Wolf, dated '83, is entitled "It's Not Just Defense, It's Revenge" and depicts a grizzly bear with one of its paws stuck in a metal trap. Cover story is entitled "Forest Service Logs Texas Wilderness." Lengthy "Earth First! Directory!" printed on page 12. The centerfold spread (pages 16-17) feature is entitled "Professionalism: A Discussion" which features written perspectives on the matter of professionalism amongst environmentalists from Dave Foreman, Kirk Cunningham, Randal O'Toole, Reed Noss, Ed Clark, Gerald Meral, Ron Huber, and Jim Dale Vickery. Edward Abbey's contribution on page 26 is "Forward! To Ecodefense" which is the foreword of the (then) forthcoming book "Ecodefense: A Field Guide to Monkeywrenching" ? this, therefore, may be the first appearance of that Abbey text. A full-page ad for said "Ecodefense" volume follows on page 27. Full-page ads for "The 1985 Earth First! Calendar" (page 29), "Earth First! Trinkets & Snake Oil" (page 30), and "T-shirts." (page 31). Other credited Earth First! staff for this issue include: Wildcat Annie (Subscription Manager), Nancy Morton (Merchandise & Mailing Manager), Marcy Willow (Associate Editor), Mike Roselle (Associate Editor), Leon Czolgosz (Associate Editor), Bill Devall (Contributing Editor), Art Goodtimes (Poetry Editor), John Seed (Australian Correspondent), Rick Davis (Japan Correspondent), Jim Stiles (Art), Helen Wilson (Art), John Zaelit (Art), Mad Jack (Art), Mike Roselle (Art), Marcy Willow (Art), and Tucson Earth First! Group (Mailing).

Paperback. Zustand: Brand New. 23 edition. 432 pages. 10.16x9.37x0.87 inches. In Stock.

Zustand: Brand New. 864 pages. 9.88x7.91x1.22 inches. In Stock.

Paperback. Zustand: Brand New. 8th edition. 480 pages. 9.92x7.99x0.79 inches. In Stock.

Paperback. Zustand: Brand New. 23 edition. 864 pages. 9.88x7.99x1.34 inches. In Stock.

Encuadernación de tapa blanda. Zustand: Muy bien. Zustand des Schutzumschlags: Aceptable. Essays "Reading 9-11-01," by Charles Simic, Catharine R. Stimpson, Andrew Ross, Daniel Libeskind, Daniel Birnbaum, Homi K. Bhabha, Avital Ronell, Arthur C. Danto, Anne Carson, Carlos Basualdo, Johan Grimonprez, Linda Nochlin, William Gass, Barbara Kruger, Allucquère Rosanne Stone, Robert Storr, and Leon Golub; "Adam Lehner on Art in the Aftermath," by Adam Lehner; "Philip Nobel on the Future," by Philip Nobel; "Passages: Benjamin Ivry on Pierre Klossowski," by Benjamin Ivry; "Passages: Paul Mattick on Sidney Tillim," by Paul Mattick; "Hotlist," by Ken Goldberg; "Hotlist: Matthew Israel on Video-game Art." by Matthew Israel; "First Break: Michael Duncan on Peter Saul," by Michael Duncan; "Top Ten," by Richard Phillips; "10-20-30: Eric C. Banks on Artforum, November 1971," by Eric C. Banks; "Cargo and Cult: The Displays of Thomas Hirschhorn," by Benjamin H.D. Buchloh; "A Thousand Words: Rodney Graham," by Rachel Kushner; "Artists Curate: Impact and Satori - Instruments of Comprehension," by Gabriel Orozco; "Plane Songs," Lauren Sedofsky talks with Alexander Sokurov; "Centerfold: Wolfgang Staehle," by Alexi Worth; "Eternal Returns: The Art of Verne Dawson," by Bob Nickas; "Openings: Jennifer and Kevin McCoy," by David Frankel. Reviews by Daniel Soutif, David Lubin, Richard Shone, James Meyer, George Baker, Julie Caniglia, Frances Richard, Meghan Dailey, Nico Israel, David Frankel, Donald Kuspit, Gregory Williams, Martha Schwendener, Tom Breidenbach, Joan Seeman Robinson, Philip Auslander, Ellen Berkovitch, Christopher Miles, Bruce Hainley, Alexandre Melo, Pablo Llorca, Massimo Carboni, Hans Rudolf Reust, Philipp Kaiser, Miriam Rosen, Matthias Dusini, Jennifer Allen, Noemi Smolik, Lars Bang Larsen, Barry Schwabsky, and James Hall. Cover: John Pilson.

Two vintage publicity photographs from the 1941 film, one showing actors Lupe Velez and Guinn "Big Boy" Williams, the other showing actress Helen Parrish. Printed mimeo snipe on the versos, and one with the stamp of studio photographer Ray Jones on the same. Hijinks and comic misunderstandings abound on a luxury liner headed to Havana. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1, 1901, Jones worked for Paramount Pictures in the early 1930s, and went on to be the head of the still photography department at Universal Pictures in 1935, where he worked well into the 1950s. 8 x 10 inches. About Near Fine.

Zustand: Good. Folio. 4pp. 37 x 28cm. Calligraphy on cover. Signatures on pp. 2 and 3.Losses of some signatures at to pand bottom.Schedule for the first fourteen weeks of the 1950 Shakespeare Festival; the Festival was under the direction of Anthony Quayle, and five plays were in the repertoire: MEASURE FOR MEASURE, KING HENRY VIII, MUCH ADO ABOUT NOTHING, JULIUS CAESAR, and KING LEAR; the company consisted of:John Gielgud, Peggy Ashcroft, Gwen Ffrangcon-Davies, Leon Quartermaine, Anthony Quayle, Harry Andrews, Andrew Cruickshank, Rosalind Atkinson, Barbara Jefford, Alan Badel, Michael Gwynn, George Rose, Maxine Audley, Cecil Winter, Paul Hardwick, Nigel Green, Mairhi Russell, Evelyne Volney, Jean Short, Romany Evens, Michael Bates, Geoffrey Bayldon, Eric Lander, Robert Hardy, Richard Dare, David Lytton, John Money, Ronald Hines, Harold Siddons, Michael Atkinson, Peter Jackson, James Lund, Harold Kasket, Peter Norris, Robert Shaw, Timothy Bateson, John Dunbar, John Gay, Cyril Conway, Peter Halliday, Michael Ney, Ward Williams, David Woodman, Charles Lepper; the directors were Peter Brook, Tyrone Guthrie, Anthony Quayle, Michael Langham and John Gielgud; the designers were Peter Brook, Tanya Moiseiwitsch, Warwick Armstrong, Mariano Andreu, and Leslie Hu.Gwen Ffrangcon-Davies (1891-1992) played the following roles in 1950: Regan, King Lear, Royal Shakespeare Company 18th July 1950 (press night), Shakespeare Memorial Theatre, Stratford-upon-Avon.Beatrice, Much Ado About Nothing, Royal Shakespeare Company 6th June 1950 (press night), Shakespeare Memorial Theatre, Stratford-upon-Avon.Portia, Julius Caesar, Royal Shakespeare Company 2nd May 1950 (press night), Shakespeare Memorial Theatre, Stratford-upon-Avon.Queen Katherine, Henry VIII, Royal Shakespeare Company 28th March 1950 (press night), Shakespeare Memorial Theatre, Stratford-upon-Avon. .Appointed Dame Commander of the Order of the British Empire (DBE) in 1991,?at the age of 100.