william gropper (118 Ergebnisse)

Zustand: Good. Used book that is in clean, average condition without any missing pages.

Zustand: Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.

Zustand: Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.

hardcover. Zustand: Like New. May have light shelf wear and/or a remainder mark. Complete. Clean pages.

Paperback. Zustand: Good. No Jacket. Gropper, William (illustrator). Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

paperback. Zustand: Good. Gropper, William (illustrator).

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Zustand: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

OBroschur. Zustand: Gut. 24 unpag. S. mit Stab, Besetzung u. Werbeannoncen, geheft. OBroschur, OSU, 8°. Mit zahlr. Probenfotos sowie Stückauszügen. Auf Hinterdeckel Notizen in blauem Kuli. Sonst gut. Broschüre.

Hardcover. Zustand: Very Good-. First Edition. Drawings; 8vo 8" - 9" tall; 158 pages; 1933 Macaulay. HC 1st edition. Soundly bound in original orange cloth with pictorial titles design to cover and spine in black. Cloth a bit sunned and toned at spine; trace fray to cloth at spine ends. Light toning and mild soiling to endpages. Illustrated with carciature drawings by Gropper. VG-.

Paperback. Zustand: Very good. Paperback. 17pp. Very good in publisher's stapled wraps.

/William Gropper, illustrator (illustrator). CONDITION: Good without jacket; faded spine with half inch tear in upper corner, clean, flat pages. Juvenile hardback. Like his pal, Pecos Bill, Bowleg was a true cowboy and son of the Old West. But Bowleg roped tuna and pumped bilgewater, and his destiny was to ride the seas, six-shooters, cowboy hat and all. ABE Heritage Seller; keyword: oldchildrensbooks. Graded to AB standards: /William Gropper, illustrator.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Softcover. Zustand: Very Good. Sewn softcover, 7.5x5", 217 pp, b&w illus. Spine creasing, slightly bumped corners, else VG, clean & solid.

Hardcover. Zustand: Very Good+. Zustand des Schutzumschlags: Very Good. Illustrated by Gropper, William (illustrator). Light wear to DJ and with light chipping. Slight browning to endpapers ; Noted playwright Shaw examines some long-held beliefs in the field of penology and comes to some startling conclusions; B&W Illustrations; 8vo 8" - 9" tall; 125 pages.

Paperback. Zustand: Brand New. 280 pages. 7.75x5.50x0.75 inches. In Stock.

Original Printed Wrappers. Zustand: Very Good. William Gropper (illustrator). First Paperback edition.

Brown Cloth. Zustand: Very Good. First Edition. 364 Pp. Brown Cloth, Gilt. First Impression, September 1927, Kalki Edition Stated. Light Usage, Spie Git Weak, Name Stamp Of Social Artist William Gropper, With His Croton-On-Hudson Address, On Front Endpaper. Dust Jacket Priced $2.50, Worn And Chipped And Browned, With Some Loss Of Text At Top And Bottom Of Spine. Cabell Was Fabulously Popular Amongst Many Book Collectors In The 1920'S, And His First Editions Were Often Worth More Then, Even Unadjusted For Inflation, Than They Are Now.

Paperback. Zustand: Brand New. Gropper, William (illustrator). 146 pages. 8.50x5.50x9.00 inches. In Stock.

Zustand: New. 2019. Main. Hardcover. . . . . . Books ship from the US and Ireland.

Soft cover. Zustand: Fair. 1st Edition. 88 Pp. Original Magazine. Wear, Spine Perished And Covers Held Together By 8 Clear Tape Strips, Contents Clean.

Zustand: New. Gropper, William (illustrator). 2024. paperback. . . . . . Books ship from the US and Ireland.

Soft cover. Zustand: Good. 1st Edition. Vi, 125-185. Entire Issue Is Devoted To Barker's Articles On Bruegel. Ownership Signature Of Social Artist William Gropper, A Real Fan, Who Had Many Books About Bruegel.

Hardcover. Zustand: Near Fine. No Jacket. 1st Edition. 285 Pp. Red-Black Cloth, Gilt. First Printing. Near Fine. The Illustrator William Gropper's Copy, Although Not Marked As Such. Dovid / David Seltzer Was Born In Soroki, Bessarabia; In 1920 He Came With His Family To The United States, Where He Worked For A Printer. He Graduated In 1928 From The Leftist "Jewish Labor University" In New York, And That Year He Became The Cultural Director Of The Leftist Labor Clubs. In 1931 He Became A Writer For Morgn-Frayhayt (Morning Freedom) In New York. In 1932 He Was The News Editor There. In 1933 He Was Sent To Detroit Where He Was The Commercial Representative For The Newspaper And Its Correspondent. In 1935 He Returned To New York And Went Back To Working In A Print Shop. Aside From His Journalistic And Community Activities, He Had Already In 1921 Published In Der Amerikaner (The American) A Series Of Children Poems. He Later Published Poems In The Journals: Yung-Kuznye (Young Smithy), Di Feder (The Pen), And Oyfkum (Arise). The Majority Of His Songs And Children'S Stories Were Published In Such Leftist Publications As: Frayhayt (Freedom), Der Hamer (The Hammer), And Signal (Signal), Among Others. In 1936 He Was Editor Of The Monthly Funken (Sparks) Of The Jewish Labor Clubs. In 1939 He Edited The Monthly Nyu Yorker Shriftn (New York Writings), A Journal Of Literature And Criticism (Only One Issue Appeared). His Books Include: Besaraber Lider (Bessarabian Poems), With Designs By Zuni Maud (New York: Soroki, 1937), 95 Pp.; Bronzviler Gezang (Brownsville Chant), With Woodcuts By Helen West Heller (New York: Bronzvil, 1942), 96 Pp.; Di Oysgebenkte Sho (The Longed For Hour) (New York: Landslayt, 1947), 128 Pp.; Bilder Un Geshtaltn Fun Soroki (Scenes And Images Of Soroki), With Twenty-Five Drawing By William Gropper (New York: Valdheym, 1961), 286 Pp.; Gezangen Far Sholem Un Freyd, Gezamlte Tsayt-Lider Fun Fir Dekades (Songs For Peace And Freedom, Collected Songs Of The Day Over Four Decades) (New York, 1964), 190 Pp.; Yidishe Folks-Motivn In Der Kunst Fun Moyshe Kish (Jewish Folk Motifs In The Art Of Moyshe Kish) (New York, 1972), 14 Pp.

Illustrated Wrappers. Zustand: Near Fine. First Edition. 136 Pp. Soft Cover, 14" X 11 1/2". Near Fine, Small Surface Losses Along Spine (Only). International Shipment Requires Considerable Additional Charge, But Note That 4-6 Magazines Fit Into A Single Usps Large Flat Rate Priority Mail Box, Insured.

Hardcover. Zustand: Very Good +. No Jacket. Color Plates (illustrator). 1st Edition. 168 Pp. Brown Cloth, Gilt. First Edition. Lightly Used, Gilt Bright. Name Stamp Of American Social Artist William Gropper With His Croton-On-Hudson Stamp.

Hardcover. Zustand: Brand New. 200 pages. 8.25x5.50x1.25 inches. In Stock.

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Good. 1st Edition. 133 Pp. Red Cloth, Gilt. First Edition. Near Fine, Gilt Bright. Dust Jacket Worn, Small Chips And Tears. Inscribed By The Author To Social Artist William Gropper And His Wife. Emjo Basshe (Born Emmanuel Iode Abarbanel Basshe Or Emanuel Joseph Jochelman (1898 -1939) Was A Lithuanian-Born Jewish American Playwright Of Spanish Descent, A Recipient Of A 1931 Guggenheim Fellowship, And One Of The Initial Members In 1935 Of The Communist Party-Founded League Of American Writers. He Immigrated To The United States In 1912, Graduating From Columbia University In 1919. He Began His Theatrical Career With The Provincetown Playhouse And, In 1920, Went To Massachusetts, Working With Boston's Peabody Playhouse, Then Chelsea Arts Theatre And Cambridge's Castle Square Players, All During 1920-22. Returning To Provincetown Playhouse, He Remained Until The Premiere In 1925 Of His Play, Adam Solitaire, Directed By Stanley Howlett, And Featuring 19-Year-Old John Huston. Basshe Then Moved To Pennsylvania, Becoming Director Of The Stage Repertory Of Philadelphia, Where His Three Short Plays, The Bitter Fantasy, The Star And Soil Were Presented. Again Returning To New York, Basshe Co-Founded, With Four Others, The New Playwrights Theatre, Initially Finding A Temporary Home At The 52Nd Street Theatre, Where It Premiered, On March 9, 1927, His New Play, Earth, Directed By Russell Wright And Hemsley Winfield. On November 29, 1927, Basshe's New Play, Centuries, Set Among Jewish Residents Of A New York City Tenement House, Had Its Premiere. Directed By The Author, The Production Had A Cast Of 27, Including Future Film Star Franchot Tone, And Lasted For 39 Performances. Continuing As A Director, Basshe Next Helmed The Playhouse's Production Of Upton Sinclair's Prison-Based Drama, Singing Jailbirds, Which Featured Future Character Star, Lionel Stander, As One Of The Prisoners. Premiering On December 6, 1928, The Play Lasted 79 Performances. Provincetown Playhouse Dissolved In April 1929 And Basshe Pursued His Career As A Broadway Director At Other Venues, Co-Supervising North Carolina Playwright Paul Green's Musical Drama, Roll, Sweet Chariot, Set, According To Its Description, In "A Negro Village Somewhere In The South". The Production Premiered At The Cort Theatre On October 2, 1934 And Lasted 7 Performances. Another Green Play Directed By Basshe, Turpentine, Opened June 26, 1936 And Closed In August, Following 62 Performances. On May 13, A Month Before The Premiere Of Turpentine, Basshe's Anti-War Satire, The Snickering Horses, With A Cast Of 34, Was Staged At Daly's 63Rd Street Theatre As The Concluding Presentation Of Works Progress Administration's Federal Theatre Project Experimental Theatre Three-Performance Cycle Of Three One-Act Plays, With The Other Two Being George Bernard Shaw's Great Catherine: Whom Glory Still Adores And, Condensed Into One Act By Alfred Saxe, Molière's The Miser. In January 1939, Basshe Staged A Production Of Three One-Act Plays: Paul Vincent Carroll's The Coggerers (Later Renamed The Conspirators), Jean Giraudoux's Mr. Banks Of Birmingham And Josephinna Niggli's The Red Velvet Goat, Which Opened At The Hudson Theatre On January 20, 1939 And Closed The Following Day. The Sf Encuclopedia Says That In General His Plays Can Be Understood As Agitprop, And Seem To Have Been Particular Successful At The Heart Of The Great Depression, Before The New Deal Began To Rescue America From The Effects Of Unmonitored Capitalism. Of Sf Interest Is Doomsday Circus: A Dramatic Chronicle (1938), Seemingly Unproduced During His Lifetime, An Expressionist, Hortatory Burlesque With Some Similarities To Elmer Rice's The Adding Machine, In Which The Coming Near Future Ownership Of The World By A Single Multi-Tentacled Corporation Is Rendered As A Circus. Inscribed by Author(s).

Second printing. 12mo. Staple-bound pamphlet; printed wrappers; 29pp. Mild external dusting. SEIDMAN G35. An attack on "Reader's Digest" as dishonest, profascist and anti-Soviet.