william glackens (30 Ergebnisse)

Zustand: New. *Price HAS BEEN REDUCED by 10% until Monday, Feb. 23 (weekend SALE item)* 263 pp., hardcover, new in new dust jacket. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

Zustand: Fair. Acceptable condition. No Dust Jacket A readable, intact copy that may have noticeable tears and wear to the spine. All pages of text are present, but they may include extensive notes and highlighting or be heavily stained. Includes reading copy only books. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES.

Hardcover. Zustand: Very Good -. No Jacket. Glackens, William (illustrator). Limited Edition. Binding tight; interior clean. Fabulous green and blue marbled end pages; rough cut pages; illustrations all protected by tissue guards. Etching and photogravures by William Glackens. Green boards are solid with minor wear at corners and spine ends; upper corners bumped. With the exception of a few historical romances and some miscellaneous works, Charles Paul De Kock wrote mainly stories of middle class Parisian life. Little Lise appears to be a romance between an artist the titular Lise. This is a limited edition, #819 of 1000. 247pp.

Zustand: New.

First edition. Softcover. Exhibition catalog for a show that ran November 18 through December 31, 1966 at the City Art Museum of Saint Louis and then traveled to Washington, D.C. and New York for additional dates. Foreword by Charles E. Buckley. Essay by Leslie Katz. Includes 2 color and numerous black and white illustrations. A very good plus copy in wrappers that are lightly soiled but internally a clean copy.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: No. First Edition. New York: Charles Scribners Sons , 1901. First edition, 1901. Illustrated with seven line drawings. Khaki cloth with black, red and grey cover illustration, uncut edges, gilt top edge, illustrated frontis, 261 pages. The book is in very good condition with some light external spotting, lightly rubbed corners and spine ends, sound text block, good hinges, attractive armorial bookplate of Howard J. Rogers on the front pastedown, very clean white pages with no other names or markings. . First Edition. Hard Cover. Very Good/No. 12mo - over 6¾" - 7¾" tall.

Hardcover. Zustand: Very Good. 1st Edition. 21 Pp. Red Cloth, Top Edge Gilt, Printed Paper Spine Label.One Of 1000 Numbered Copies. Lightly Used, Browning To Spine Label, No Marks Or Tears.

First edition. Softcover. 104 pages. Features a foreword by Elizabeth H. Hawkes, acknowledgements by Nancy E. Allyn, and essays by Ira Glackens, and Everett Shinn. Includes a chronology, numerous black and white illustrations, bibliography, chronological listing of magazines, author index and magazine index. A clean near fine copy in wrappers.

Hardcover. Zustand: Good. Zustand des Schutzumschlags: Very Good. Hardcover with DJ. Light blue cloth over boards with blue lettering on front cover. Covers are clean and tight. Pictorial DJ is glossy and fits snug to boards; just a bit of light shelf-wear along edges. Title page dated 2017. Copyright page dated 2017, stated first edition. 102 pages, free of marks or tears. Binding is strong. Please email with questions or to request a few photos.

Hardcover. Zustand: Very Good. No Jacket. 193 pages : illustrations (some color) ; 30 cm ; ISBN: 3791309668 ((hardcover ed.)); 9783791309668 ((hardcover ed.)); 3791324896; 9783791324890; National Library: 901222917; 379-13096 LCCN: 90-33501 ; LC: ND237.P85; Dewey: 760/.092 ; OCLC: 21228605 ; To accompany an exhibition at the Whitney Museum of American Art, New York, May 31, 1990-Sept. 2, 1990 and at other museums./ Includes bibliographical references (pages 179-180) and indexes. ; [this exhibition has been organized by the Williams College Museum of Art, Williamstown, Massachusetts ; exhibition itinerary: Whitney Museum of American Art, New York, May 31, 1990 - September 2, 1990 . The Phillips Collection, Washington, DC, May 18, 1991 - August 25, 1991] ; cloth ; no dustjacket ; tiny ding on spine ; Contents: La Belle Epoque : Observations on modern life (1891-1906) - Early modernism : studies in color and form (1907-1913) - Persol vision : Myth, fantasy and the idyll (1914-1924) - Postscript : the monotypes - Plates - Chronology - Selcetedbibliography - Catalogue of works ; "Maurice Prendergast's joyous, light-filled canvases have made him one of America's best-loved painters. His unique perception endowed his sensuous experiments in pattern and textures, in atmosphere and light with a stature achieved by few artists. Working in the last decade of the nineteenth century and the first several decades of the twentieth, he perfected his distinctive style, becoming one of the great colorists of all time. This major reappraisal contributes a wealth of new scholarship. Based on letters, sketchbooks, contemporary articles and reviews, it also brings to life an exciting and pivotal era, for Prendergast was in the forefront of modern painting in America. He exhibited as one of The Eight, becoming known as one of the "Red Hots, " and participated in the Armory Show. His experiences, including living and working in Europe, allowed him to draw on a wide variety of sources - including Cezanne, Signac, the Renaissance Italian painter, and Watteau. Out of these he created his own truly unique idiom." ; VG. Book.

Berman, Avis (ed). WILLIAM GLACKENS. 288 pages, fully illustrated in color. 4to, cloth. New York, Rizzoli, 2014. This long-awaited publication accompanies the first major exhibition in fifty years on the artist William Glackens (1870-1938), an early proponent of modernist painting in America and a founding member of the Ashcan School. The catalogue is arranged chronologically in thematic chapters, and thorougly examines his career as a part of "The Eight" and subsequently as his aesthetic transitioned towards the post-impressionism of Prendergast and Maurer. Also included are prints, etchings, watercolors, and archival photographs (Glackens and Albert Barnes sitting on a log in 1920, a treasure), all crisply reproduced in this outstanding catalogue.

hardcover. Zustand: Good. Ex library copy. Moderate wear/fading to the cover. Pages are tanning.

Decorative Cloth. Zustand: Very Good (-). No Jacket. William Glackens (illustrator). First Edition. 261 numbered pp; HB. Pages: generally clean, bright, tight, t.e.g., b.e./f.e. deckled, frontis; a.e. lt tanned, PO info inked ffep, copied several times, and offset to front ep, partially erased note inked lfep verso, front hinge cracked (intact). Cover: tan, artwork + black titles front/spine; modest shelfwear, extrems a bit worn. Moderate soil, several scratched front.

Hardcover. Zustand: Brand New. 304 pages. 10.75x8.00x1.25 inches. In Stock.

Hardcover. Zustand: Brand New. 304 pages. 10.75x8.00x1.25 inches. In Stock.

Hardcover. Zustand: Brand New. illustrated edition annotated edition. 354 pages. 6.50x9.50x1.00 inches. In Stock.

Couverture rigide. Zustand: Bon état. In-4 relié 31,3 cm sur 26,4. 279 pages. Bon état d'occasion. in-4°.

Hardcover. Zustand: Brand New. 304 pages. 10.75x8.00x1.25 inches. In Stock.

Hardcover. Zustand: Brand New. 304 pages. 10.75x8.00x1.25 inches. In Stock.

Gebunden. Zustand: New.

First Edition. Near fine in the original title-blocked pictorial cloth. Panel edges very slightly dust-toned as with age. Corners sharp with an overall tight, bright and clean impression. ; 261 pages; Description: xi, 261 p. Incl. Front. , illus. 18 cm. Form/genre: Fiction. 1 Kg.

Sonstiges. Zustand: Neu. Gruger, F R; Glackens, W (illustrator). Neuware.

Zustand: Good. 4to. Soft Covers. Very Good. 48 pp. Color plates.* There might be an additional charge due to the large size of the book.

First Edition. Quarto. Cloth boards (hardcover); dustjacket; 279pp; illus. Fine but for a small abrasion/sticker ghost to front free endpaper. In crisp, unworn jacket - an attractive copy.

Hardcover. Zustand: Very Good. First Edition. New York: Charles Scribner's Sons, 1899. First edition, first printing. Exceptional, near fine copy with all seven plates plus title page vignette, illustrated in color by noted artist William Glackens, present and in fine condition. Late Victorian era Christmas themed fiction. Bright red cloth lettered and extensively decorated in gilt and in blind, top edge gilt, other edges uncut (and partially unopened). Very minor rubs to corners and spine ends, red color and gilt very bright and unfaded, good hinges, firm text block, very clean pages free from names or other markings. The few outer edges that remain unopened (connected) will be neatly opened upon request before shipping. Very clean and attractive copy. First Edition. Hard Cover. Very Good. 12mo - over 6¾" - 7¾" tall.

Illustrations by William Glackens (illustrator). Very Good (front cover bright but some soil rear cover and little spine; contents clean & tight). 12mo., pictorial tan cloth, stamped in black, red & light brown, top edge gilt; 261 pages First Edition. With a signed inscription by Seawell tipped on a small card to the front endpaper: "It is the dream of my life to see Papa Bouchard on the stage. Molly Elliott Seawell." A portion of a typed page is also tipped to the same page" Papa Bouchard enjoys the distinction of having been pirated by the present Marquis of Hertford, when he was known as Eric Hope. He not only stole the book and produced a dramatic version of it in London, but claimed to be its writer." The typed message says that Seawell took the matter to court, which helped result in the present British copyright law where foreign works are protected. With the bookplate of the Authors Club Library on the front pastedown, signed by George Wharton Edwards. George Wharton Edwards [1859-1950) was an American Impressionist painter and illustrator, and the author of several books of travel and historical subjects. He was a member of the Authors Club and may have designed this bookplate. Or, he may be responsible for placing the book into the library. Molly Elliot Seawell [1860-1916] was an early American historian and writer. She was the niece of U.S. President John Tyler. Her 1891 essay "On the Absence of Creative Faculty in Women" attracted more attention than any of her books. Women answered it, and the discussion was joined by Andrew Lang, Thomas Wentworth Higginson, and others. The Critic said that essay attracted more attention than any single article ever published in its columns.

4to. pp. 279. profusely illus. (many colour). biblio. index. cloth. dw. First Edition.

Illustrated by F.R. Gruger and W. Glackens (illustrator). Very Good (covers nice & bright with very minor bump to lower rear corner; contents clean & tight). Small 8vo., embossed ribbed red cloth, stamped in gilt; 369 pages First Edition, first printing. Signed presentation from White on the half-title page: "For C.N. Ayers with the kind regards of William Allen White." A Merle Johnson High Spot of American Literature. This book is a series of short stories about the goings-on of White's small town (Emporia, Kansas) and the lives of its residents.

Illustrations by F.R. Gruger and W. Glackens. (illustrator). Very Good (covers nice & bright with little fading spine; contents clean & tight). A nice copy with a nice association! Small 8vo., embossed, ribbed red cloth, stamped in gilt; 369 pages First Edition, first printing. Signed presentation from White on the half-title page: "For Mr. and Mrs. E.C. Franklin with affectionate regards from W.A. White. Emporia Kansas April 4, 1906." Edward Curtis Franklin [1862-1927] taught chemistry at Stanford University and was president of the American Chemical Society in 1923, the first from Stanford. He grew up in Kansas and got his degrees in chemistry at Kansas University, where he met his wife, Effie Scott. Both were good friends of William Allen White, a famous Kansan. This book is a series of short stories about the goings-on of White's small town (Emporia, Kansas) and the lives of its residents. A Merle Johnson High Spot of American Literature.

Zustand: Very Good. Color lithographic poster. Measures approximately 14½" x 22". One thin horizontal center crease, small chip to one corner and bumping to the others, a couple of tiny edge tears, very good. A beautiful poster of William Glackens' pastel painting of a family observing a rainbow over the ocean, from a *Scribner's Magazine* advertisement for its special 1899 August fiction issue. Glackens co-founded the Ashcan School in New York City and was one of its leading "Eight" artists. Scarce. *OCLC* locates only one copy at the Library of Congress.