william daniel phillips (26 Ergebnisse)

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: New. In.

Zustand: New. In.

166 pp.; 27 x 26.5 cm.; staple bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; September 1987 issue edited by Ingrid Sischy. Essays "The Tale That Wags the Dog: Documenta 8. A Bite Before the Show"; "What Was that Masked Museum? The Mind's Construction in the Face. Gaetano Pesce," by Germano Celant; "Hugo: Ink into Ocean," by Donald Kuspit; "A Foundry of the Figure: Antonin Artaud, To be Somebody," by Stephen Barber; "Nuclear Towers Town & Country: A Project for Artforum," by Ilona Granet; "An Encounter with a Secret: The Sculpture of Susana Solano," by Gloria Moure; "Untitled Drawings: A Project for Artforum," by William Bailey; "The Critics' Way: Sculpture Goes to Town," by Donald Kuspit, Max Wechsler, Dan Cameron, Pier Luigi Tazzi, and Ingrid Rein, with photography by Shigeo Anzai; "Icons at Large: Icontact," by Lisa Liebmann; "Like Art: Amaretto di Ollie," by Glenn O'Brien; "Believe it or Not: Comrades in People," by J. Hoberman; "Games People Play: From 'Diamonds Are Forever: Artists and Writers on Baseball;'" "Ground Up: Color," by Herbert Muschamp; "Remote Control: Hearings and Seeing and the Law on Diaries," by Barbara Kruger; "Curies' Children: The Known within the Unknown within the Known," by Vilem Flusser "Object: In Pursuit of Unrealism," by Alessandro Mendini. Reviews by Donald Kuspit, Gloria Moure, Pier Luigi Tazzi, Carlo McCormick, Kate Linker, Charles Hagen, John Yau, Jean Fisher, Thomas McEvilley, John Howell, Patricia C. Phillips, Ronny Cohen, Nancy Stapen, Paula Marincola, Glenn Harper, Buzz Spector, Bill Berkson, Kenneth Baker, Colin Gardner, Susan Freudenheim, Catherine Cafopoulos, Aurora García, Ida Panicelli, Jole de Sanna, Denys Zacharopoulos, Daniel Soutif, Helmut Draxler, Anne Krauter, Martin Hentschel, Doris von Drateln, and Stuart Morgan. Cover: William Wegman. Good. Yellowing, dusting, scuffing of covers with light soiling and light edgewear. 2 cm. dog-ear to top right corner of pages 5-10. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

[52] pp.; 21 x 24 cm.; sewn bound; black-and-white; edition size unkown; unsigned and unnumbered; offset-printed Two volume exhibition catalogue published in conjunction with two-part show held March 14 ? May 18, 2014 and May 25 ? August 3. "Other Primary Structures revisited the premise of and built upon the Museum''s seminal 1966 exhibition Primary Structures: Younger American and British Sculptors, the first American museum exhibition to survey the style now known as Minimalism. Primary Structures introduced the public to such artists as Carl Andre, Dan Flavin, Donald Judd, Sol LeWitt, Walter De Maria, Robert Morris, and others--figures unknown at the time but soon to become synonymous with a radically new approach to sculpture. Nearly 50 years later, Other Primary Structures revisits this formative moment in art history while also reexamining the period from today''s far more global perspective. "Presented in two parts, the first part of the exhibition titled Others 1, examined work created between 1960 and 1967, while Others 2, on view from May 25 ? August 3, presented work created between 1967 and 1970, some of which was directly influenced by the 1966 Primary Structures exhibition at the Jewish Museum." -- publisher''s statement. This publication includes a faithful reprint of the original 1966 catalogue published in conjunction with show held April 27 - June 12, 1966. Essay by exhibition''s curator Kynaston McShine. Includes works by Carl Andre, David Annesley, Richard Artschwager, Larry Bell, Ronald Bladen, Michael Bolus, Anthony Caro, Tony DeLap, Walter de Maria, Tom Doyle, Dan Flavin, Peter Forakis, Paul Frazier, Judy Gerowitz, Daniel Gorski, David Gray, Robert Grosvenor, David Hall, Douglas Huebler, Donald Judd, Ellsworth Kelly, Phillip King, Lyman Kipp, Gerald Laing, Sol LeWitt, John McCracken, Tina Matkovic, Robert Morris, Forrest Myers, Peter Phillips, Peter Pinchbeck, Salvatore Romano, Tim Scott, Anthony Smith, Robert Smithson, Michael Todd, Anne Truitt, William Tucker, Richard Van Buren, David von Schlegell, Isaac Witkin and Derrick Woodham. A seminal exhibition. Catalogue incorporates statements by many of the participating artists along with bibliographies and biographies. Catalogue design by Elaine Lustig Cohen. The second volume includes text by Jens Hoffmann and excerpts from the transcript of a symposium, "The New Sculpture," held May 2, 1966. Artists include Rasheed Araeen, Sérgio de Camargo, Willys de Castro, Saloua Raouda Choucair, Lygia Clark, Noemí Escandel, Gego, Stanislav Kolíbal, Edward Krasinski, David Lamelas, David Medalla, Hélio Oiticica, Lygia Pape, Alejandro Puente, Norberto Puzzolo, Branko Vlahovic, Oscar Bony, Benni Efrat, Yoshida Katsuro, Stanislav Kolíbal, Susumu Koshimizu, Ivan Kozaric, Amir Nour, Juan Pablo Renzi, Nobuo Sekine, Antonieta Sosa, Juro Takamatsu, and Lee Ufan. Also includes artist biographies. New. In publisher's plastic wrap as issued.

Hardcover. Zustand: Good. Zustand des Schutzumschlags: No. Early Reprint. New York: Charles Scribner's Sons, 1914. 1914 printing, originally published in 1908. Early twentieth century exploration of the essentially little known areas of the high desert in what are now northwestern New Mexico and Arizona - the Four Corners and surrounding areas. Illustrated with eight color plates, two maps, other illustrations within the text, mainly from photographs. Red cloth lettered in gilt, color illustration of mountain sheep mounted on front cover, top edge gilt, other edges uncut, 366 pages plus publisher's ads. Covers somewhat soiled and edgeworn, spine a bit faded and spotted, light fraying beginning at corners and spine ends, good hinges (front hinge carefully repaired), sound text block, age-toned but clean pages with some foxing to a couple of the plates, no names or other markings. . Early Reprint. Hard Cover. Good/No. 8vo - over 7¾" - 9¾" tall.

Zustand: New. KlappentextbTitle:/b Outlines of the Geology of England and Wales, with an introductory compendium of the general principles of that science, and comparative views of the structure of foreign countries. Illustrated by a coloured map and .

Kartoniert / Broschiert. Zustand: New.

Kartoniert / Broschiert. Zustand: New.

Gebunden. Zustand: New. KlappentextThis work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the origi.

Zustand: New.

Zustand: New.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Portraitphoto (Repro), eigenhändig Signiert.

Zustand: New.

Zustand: New. In.

Zustand: New. 2025. hardcover. . . . . . Books ship from the US and Ireland.

Hardcover. Zustand: Brand New. 276 pages. 9.75x6.50x1.00 inches. In Stock.

Kein Einband. Zustand: Gut. Karte signiert von dem amerikanischen Physiker und Nobelpreisträger William Daniel Phillips (*1948) . card signed by Phillips. Vom Wissenschaftler signiert. Karte.

Leather and paper over boards. Zustand: As described. First editions. Hardcover quarter leather and paper (marbled) over boards. 8vo. 26+34+31+72+100+24+35+28+8+12+19+40+40+15+91+40+71 [686] pp. Illustrated with a single b/w engraved portrait of John Quincy Adams (on the occasion of his death). A sammelband book consisting of 17 pamphlets published between 1827 to 1852. All pamphlets are first editions unless noted. Dimensions of text block: 21 cm x 13.5 cm unless noted. Binding condition: boards are worn, frayed, and bumped. Leather on the spine and hinges is flaking. Dark brown leather label with gilt stamped title. No cracks in the hinges or gutters, and the leaves are bound securely. Text block condition: decorated with red speckled edges. All pamphlets have browning and foxing to various degrees, but none overwhelmingly so. Some inscriptions, including a hand written table of contents. Pamphlets have been trimmed to size (with two exceptions) but there has been no loss of text. Contents: 1)ÂRalph Waldo Emerson.ÂAn Oration, Delivered Before the Phi Beta Kappa Society, at Cambridge, August 31, 1837. 26 pp. James Munroe and Company, Boston. 1837. First edition (BAL 5183). 2)ÂRalph Waldo Emerson.ÂAn Address Delivered in the Court-house in Concord, Massachusetts, on 1st August, 1844, on the Anniversary of the Emancipation of the Negroes in the British West Indies.Â34 pp. James Munroe and Company, Boston. 1844. First edition (BAL 5199). 3)ÂRalph Waldo Emerson.ÂAn Address Delivered Before the Senior Class in Divinity College, Cambridge, Sunday Evening, 15 July, 1838. 31 pp. James Munroe and Company, Boston. 1838. First edition (BAL 5184). 4)ÂCharles Sumner.ÂThe Scholar, the Jurist, the Artist, the Philanthropist. An Address Before the Phi Beta Kappa Society of Harvard University, at their Anniversary, August 27, 1846. 72 pp. William D. Ticknor and Company, Boston. 1846. First edition. 5) Rufus Choate.ÂA Discourse Delivered Before the Faculty, Students, and Alumni of Dartmouth College, on the Day Preceding Commencement, July 27, 1853, Commemorative of Daniel Webster. 100 pp. James Munroe and Company, Boston. 1853. First edition. 6)ÂDaniel Webster.ÂMr. Webster's Speech at Marshfield, Mass. Delivered September 1, 1848, and His Speech on the Oregon Bill, Delivered in the United States Senate, August 12, 1848. 24 pp. Press of T. R. Marvin, 24 Congress Street, Boston. 1848. First edition. Â7) Metcalf and Company.ÂA Description of Mr. Healy's Picture of the Great Constitutional Debate in the Senate of the United States, January 26, 1830; with Biographical Sketches of Mr. Webster and General Hayne. 35 pp. Metcalf and Company, printer's to the university, Cambridge. 1851. First edition. 8)ÂWilliam Ware and William Cullen Bryant.ÂNotices of the Life and Character of Roger Gerard Van Polanen. From the Christian Register of October 12, 1833.Â28 pp. William Ware (printed but not published according to preface). 1847. First edition. Inscription on first blank page reads: " To the Rev. C. A. Dall with the best respects of B. A. van Polanen van Doorninck. Haverhill Augt. 11th 1848. Residing in Bridgepor[t] Cam[bridge]" (sections in brackets have been trimmed away).  9)ÂWendell Phillips.ÂSketch of the Life of Mrs. Eliza Garnut. 8 pp. Unknown publisher. No date (c. 1850). No edition marks: "This sketch was first published in the Christian Register, and afterwards published, with some alternations by the Author, in the Liberty Bell of 1850." 10)ÂHarriet Beecher Stowe.ÂThe Two Altars; or, Two Pictures in One. By Mrs. Harriet Beecher Stowe, Author of "Uncle Tom's Cabin."Â12 pp. John P. Jewett & Co. 1852. First edition. Dimensions: 9 x 11.5 cm approx. 11) William I. Bowditch.ÂThe Anti-Slavery Reform, Its Principle and Method. 19 pp. Robert F. Wallcut, Boston. 1850. First edition. 12)ÂCharles C. Shackford.ÂA Citizen's Appeal in Regard to the War with Mexico. A Lecture at Lyceum Hall, Lynn, January 16, 1848. 40 pp. Andrews & Prentiss, Boston. 1848. First edition. 13) United States Congress. Tokens of a Nation's So.

177:126 mm. Mit einem ms. Begleitschreiben mit eh. U. samt ms. adr. Kuvert. Brustbild en face in S/W. William D. Phillips hatte 1997 zusammen mit Steven Chu und Claude Cohen-Tannoudji den Nobelpreis für Physik erhalten für ihre Entwicklung von Methoden zum Kühlen und Einfangen von Atomen mit Hilfe von Laserlicht".

Pas de couverture. Zustand: Bon. Authentic photo signed in the 2000s. Size : 18x12.5 cm. Condition : see scans please. Certificate of Authenticity and lifetime guarantee. Signé par l'auteur.

Signed photograph, shows William Daniel Phillips during a speech, 12 x 8 inch, signed in blue felt tip "William D. Phillips", in very fine condition.

IP signed photograph, shows William Daniel Phillips in a chest-up portrait, 8 x 12 inch, obtained In-Person in Berlin, signed in blue sharpie, in very fine condition.

No Binding. Zustand: Near Fine. 1st Edition. 1988. Flyer, double-sided. 8 1/2 × 14". Near fine. Two rubber stamps, one "TRACE ROBERT WATTS" and the other "DO NOT CONFUSE THIS WITH THE IMPRINT OF A RUBBER STAMP" which is a Bill Gaglione piece. Participants include: Eric Andersen, David Behrman, George Brecht, Robert Delford Brown, Greg Calvert & Juliet Mondot, Buster Cleveland, Peter Cohen, Philip Corner, Bob Daily, Letty Eisenhauer, Robert Filliou, Peter Frank, Ken Friedman, William Gaglione, John Geldersma, Daniel Goode, Coco Gordon, Al Hansen, William Hellerman, Geoff Hendricks, Dick Higgins, Alice Hutchins, Joe Jones, Allan Kaprow, Milan Knizak, Alison Knowles, Pamela Kraft, Jackson Mac Low & Anne Tardos, George Maciunas, Larry Miller, Barbara Moore, Peter Moore, Francois Morelli, Charles Morrow, Haig Oundjian, Rafael Montanez Ortiz, Ben Patterson, Chas. Phillips, Ely Raman, Peter Van Riper, Takako Saito, Paul Ryan, Diane Siprelle, Laurie Steelnik, Allan Tannenbaum, Yasunao Tone, Ben Vautier, Yoshi Wada, John Wilkes, Emmett Williams, and Helen Wong. " FluxLux was a set of written instructions by Watts for his Last Event, a ceremony that he directed Larry Miller and Sara Seagull to execute with Fluxus friends. They, together with Ben Patterson, Joe Jones, Alison Knowles, Dick Higgins, Philip Corner, Yoshi Wada, Rafael Ortiz, myself, and others realized the event. George Brecht, Eric Andersen, Milan Kní ák and Ben Vautier sent scores or texts. A phone call from Al Hansen in Cologne was amplified over the PA system. Francesco Conz came from Italy and Michael Berger from Germany. Many of Bob s former students and my graduate students were all actively engaged in the organization and performance of the various activities and events. It began with Bob s iconic piece 2 Inches on the porch roof, and then helium filled balloons stamped with TRACE BOB WATTS were pushed out of the window of the room where Bob died to float up into the blue sky and join Bob s spirit. It was a fantastically beautiful day. The day was filled with food, music, performance, conversation and fellowship among a great gathering of friends. There was an auction to raise funds for a Robert Watts Scholarship for the Rutgers MFA graduate program that Bob had helped to start. Phil Corner was auctioneer. Joe Jones, Larry Miller and Ben Patterson collaborated to adapt a remote controlled battery-powered boat with a paddle wheel dispenser to spread some of Bob s ashes into the pond. It took some coaxing from them for it to achieve its mission. There was a 21-gun salute with a variety of funny guns and some real ones fired by members of the local gun club. Ben Patterson as Flux Admiral fired the final shot, a rocket from the canon of his USS Robert Watts that he had built and which capsized when launched. As events at the pond drew to a close, a small plane, at Eric Andersen s request, circled overhead with a banner saying "MOON." The pilot waved. We waved back. The day ended with a score sent by Allan Kaprow, What s Watts Watts, where we added up the wattage of all the lights in Bob s house, turning them on as we counted, with Larry Miller announcing the totals, and leaving the house ablaze as we departed into the fading evening light." - Geoff Hendricks, From Job Interview to FluxLux, a 32 year friendship with Bob Watts.