Anbieter: Better World Books, Mishawaka, IN, USA
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In den WarenkorbZustand: Very Good. Used book that is in excellent condition. May show signs of wear or have minor defects.
Anbieter: Better World Books: West, Reno, NV, USA
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In den WarenkorbZustand: Very Good. Used book that is in excellent condition. May show signs of wear or have minor defects.
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In den WarenkorbPaperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less 1.01.
Anbieter: Anybook.com, Lincoln, Vereinigtes Königreich
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In den WarenkorbZustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,650grams, ISBN:9780674325029.
Verlag: Harvard University Press, Cambridge, 1993
ISBN 10: 0674325028 ISBN 13: 9780674325029
Sprache: Englisch
Anbieter: Any Amount of Books, London, Vereinigtes Königreich
Erstausgabe
EUR 21,34
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In den Warenkorb8vo. pp xviii, 435. Printed paperback. ISBN: 0674325028 Fine.
Verlag: Havard University Press, USA, 1993
ISBN 10: 0674325028 ISBN 13: 9780674325029
Sprache: Englisch
Anbieter: Book Express (NZ), Shannon, Neuseeland
EUR 16,17
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In den WarenkorbPaperback. Zustand: Very Good. 435 pages. clean tidy copy.
Verlag: Harvard University Press., Cambridge, Massachusetts., 1993
Anbieter: Asia Bookroom ANZAAB/ILAB, Canberra, ACT, Australien
EUR 17,27
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In den WarenkorbBlack and white photographic illustrations, xviii + 435pp, notes, edges little foxed, covers slightly shelf worn, a good paperback copy. "Drawing on a wide range of methodologies, from formal analysis to feminist criticism, from deconstruction to cultural critique, the authors demonstrate that the scholarship of modern Chinese literature and film has become integral to contemporary critical discourse. They respond to Eurocentric theories, but their ultimate concern is literature and film in China's unique historical context. The volume illustrates three general issues preoccupying this century's scholars: the conflict of the rural search for roots and the native soil movement versus the new strains of urban exoticism; the diacritics of voice, narrative mode and intertextuality; and the reintroduction of issues surrounding gender and subjectivity." (Publisher's description).
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 46,89
Währung umrechnenAnzahl: 2 verfügbar
In den WarenkorbPaperback. Zustand: Brand New. 215 pages. 8.50x5.50x0.75 inches. In Stock.
Verlag: Harvard Univ Council on East Asian, 1993
ISBN 10: 0674325028 ISBN 13: 9780674325029
Sprache: Englisch
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 85,09
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In den WarenkorbPaperback. Zustand: Brand New. 464 pages. 9.25x6.25x1.25 inches. In Stock.
EUR 71,59
Währung umrechnenAnzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New. What do Chinese literature and film inspired by the Cultural Revolution (1966-1976) have in common with media of the May Fourth movement (1918-1930)? This book demonstrates several shared aims: to liberate narrative arts from aesthetic orthodoxies, to draw .
Verlag: Harvard University Press Jan 1993, 1993
ISBN 10: 0674325028 ISBN 13: 9780674325029
Sprache: Englisch
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
EUR 89,06
Währung umrechnenAnzahl: 2 verfügbar
In den WarenkorbTaschenbuch. Zustand: Neu. Neuware - Drawing on a wide range of methodologies, from formal analysis to feminist criticism, from deconstruction to cultural critique, the authors demonstrate that the scholarship of modern Chinese literature and film has become integral to contemporary critical discourse. They respond to Eurocentric theories, but their ultimate concern is literature and film in China's unique historical context. The volume illustrates three general issues preoccupying this century's scholars: the conflict of the rural search for roots and the native soil movement versus the new strains of urban exoticism; the diacritics of voice, narrative mode and intertextuality; and the reintroduction of issues surrounding gender and subjectivity.