White baldwin (22 Ergebnisse)

Hardcover. Zustand: Very Good. 3rd. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Hardcover. Zustand: Fair. 3rd. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Hardcover. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Zustand: Good. 1st Edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.…

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,500grams, ISBN:9781841102092.

Single Issue Magazine. Zustand: Acceptable. heavy wear, tear, chipping, tanning, wraps detached.

Hardcover. Zustand: Very Good. No Jacket. 313pp. Bound in blue cloth with illustrated onlay of a steam train and gilt titles to the spine. A gift inscription dated 1914 but otherwise clean and unmarked. A nice copy tightly bound. Chas.Pears. Frontis. and five other glossy Plates in black and white (illustrator).…

Zustand: Very Good. Prompt Shipment, shipped in Boxes, Tracking PROVIDEDvery good-used book.

Zustand: New. In English.

Zustand: New. 2003. Paperback. . . . . . Books ship from the US and Ireland.

Paperback. Zustand: Brand New. 284 pages. 9.33x6.22x9.00 inches. In Stock.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

No Binding. Zustand: Very Good. An attractive black and white charactersitic sketch of an eminent author, with excellent facsimile of the signature on each portrait. This is an excellent opportunity to purchase this splendid original print. Popular author of the Nineteeth century, works include 'Victorine'. Daniel MacLise (illustrator).…

Zustand: New. friends of EDConnor McDonald has worked with Oracle since the early 1990s, cutting his teeth on Oracle versions 6.0.36 and 7.0.12. Over the past 11 years, Connor has worked with systems in Australia, the U.K., southeast Asia, western Europe, and the Uni.

Zustand: New. In English.

Zustand: New. In English.

Zustand: New. A one-stop reference for all medical professionals who encounter ethicolegal problems during their management of patients. Num Pages: 222 pages, 8 b/w illus. BIC Classification: MBDC; MBQ; MMB; MNL. Category: (P) Professional & Vocational. Dimension: 229 x 153 x 11. Weight in Grams: 380. . 2004. Paperback. . . . . Books ship from the US and Ireland. …

Paperback. Zustand: Brand New. 1st edition. 216 pages. 8.75x5.75x0.50 inches. In Stock.

Hardcover. Zustand: Brand New. 266 pages. 9.25x6.25x1.00 inches. In Stock.

First edition, first printing. Hardcover. Signed by the author. Publisher's original illustrated boards with yellow titles to the upper board and spine. With 30 black and white illustrations throughout by Jeremy Zerfoss, Mike Dubisch, Yves Tourigny, Nick Gucker, Justine Jones, Sishir Bommakanti, Luke Spooner, Michael Bukowski, and Dave Felton. A fine copy, the binding square and firm, bright and fresh. The contents are clean throughout, and without previous owners' inscriptions or stamps. Signed by the editors and with an original signed hand-drawn illustration in black ink by the cover artist Nick Gucker on the title page. A collection of 29 illustrated short stories of a Cthulhu-Mythos-meets-space-opera nature. Further details and images for any of the items listed are available on request. All items are catalogued by humans. Lucius Books welcomes direct contact with our customers. Signed by Author(s). …

3 vol. : vol. 1: 144 pp. ; vol. 2: 163 pp. ; vol. 3: 186+ pp.; 3 vol. : vol. 1: 27 x 20 cm. ; vol. 2: 26.5 x 21 cm. ; vol. 3: 27.5 x 21.5 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; All three published issues of the periodical The Fox, one of the most important publications of 1970s conceptualism. All issues printed on newsprint, with rough cardboard covers."It is the purpose of our journal to try to establish some kind of community practice. Those who are interested, curious, or have something to add (be it pro or con) to the editorial thrust . the revaluation of ideology . of the first issue are encouraged, even urged, to contribute to following issues. All other correspondences are welcome." -- preface to Volume One. Issue 1, published in 1975, edited by Sarah Charlesworth, Michael Corris, Joseph Kosuth, Andrew Menard, Mel Ramsden, and Preston Heller. Contents include: "A Declaration of Dependence," by Sarah Charlesworth; "For Thomas Hobbes," by Michael Baldwin and Philip Pilkington; " The Artist as Anthropologist," by Joseph Kosuth; " Are You Not Doing What You're Doing While You're Doing What You Are," by Andrew Menard; "A Note on Art in Yugoslavia," by Zoran Popovic and Jasna Tijardovic; "Pricing Works of Art," by Ian Burn; "To Art (Reg. Intrans. V.)," by Adrian Piper; "On Practice," by Mel Ramsden; "Historical Discourse," by Michael Corris; "Education Bankrupts," by David Rushton and Paul Wood; "Counterfeit Interview," by Preston Heller; "Optimistic Handbook," by Lynn Lemaster; "Looking Back, Going On," by Terry Atkinson; "Perimeters of Protest," by Mel Ramsden; "Buying Cultural Dependency: A Note on the Crazed Thinking Behind Several Australian Collections," by Ian Burn; "A Forum on Artforum," by Karl Beveridge; and "Thinking About Tim Clark and Linda Nochlin," by Ian Burn. Issue 2, published in 1975, edited by Sarah Charlesworth, Michael Corris, Joseph Kosuth, Andrew Menard, Mel Ramsden, Preston Heller, and Ian Burn. Contents include: "Book Review: John Berger's 'Ways of Seeing,'" by Eunice Lipton; "Review: Jeremy Gilbert-Rolfe's As-Silly-As-You-Can-Get"; "Brice Marden's Painting,'" by Mel Ramsden; "Review: Fighting Modern Masters," by Terry Smith; "Dear Fox." by Lizzie Borden; "Memo For the Fox," by Sarah Charlesworth; "Review: 'Cityarts Workshop: People's Art in New York City,'" by Mel Ramsden; "Conversation Pieces," by Mark Klienberg; "A Proposal For Pricing Works of Art," by Adrian Piper; "Book Review: 'On Understanding Art Museums,'" by Adrian Piper; "Book Review: 'On Understanding Art Museums,'" by Andrew Menard; "Review: Ian Wilson's Discussion at the John Weber Gallery," by Michael Corris; "Review: 'Art-Language' Volume 3 Number 2," by Ian Burn; "Bruce Kurtz: A Conversation with Robert Smithson"; "Stefan Morawski: Concerning an Attack by Sandra Harrison"; "Letters from Jean Toche, Robert Horvitz, Paul Kagawa, Annson Kenney, and others"; "Direct Speech," by David Rushton and Paul Wood; "1975," by Joseph Kosuth; "Doing Art History," by Terry Smith; "Media Madness," by Andrew Menard and Ron White; "Looking Back, Going On - Part 2," by Terry Atkinson; "Don Judd," by Karl Beveridge and Ian Burn; "Yet Another Palace Revolt in the Banana Republic?" by Michael Corris; "On Samuel Beckett's 'Waiting for Godot,'" by Trevor Pateman. Issue 3, published in 1976, edited by Sarah Charlesworth, Michael Corris, Joseph Kosuth, Andrew Menard, Mel Ramsden, Preston Heller, and Ian Burn. Contents include: "The Lumpen-Headache," by Peter Benchley; "Review: Not on the Development of Contradiction," by Kathryn Bigelow; "For Artists Meeting," by Sarah Charlesworth; "Review: Under the Rug," by Martha Rosler; "Review: Framing & Being Framed - Or, Are We Going to Let Barbara Rose Get Away with 'Dialectics' this Year?" by Mel Ramsden; "Having-Your-Heart-In-The-Right-Place is Not Making History," by Art & Language UK; "Worst of All Allies," by Art & Language UK; " The Edge of the Edge," Ca.…

Letter. Zustand: Near fine. Typed Letter. Typed letter, dated Feb. 1, 1963, on his personal stationery, with mailing envelope. The letter from Baldwin was in response to a letter from Mr. Francis J. Hughes, included within. The response from Baldwin is short, and reads: "Dear Mr. Hughes, Thanks for such a kind and warm letter. It is always a pleasure to hear from good people. Gods Speed. Sincerely, James Baldwin.". The letter from Mr. Hughes is notable for its praise of Mr. Baldwin and for it's comments about the Civil Rights movement. The letter reads: "Dear Mr. Baldwin: We are not black, we are not white, we are human. Your love and my love are one, I can not but love you. Thank you for what is the most profound - tragic and beautiful - commentary on the American tragedy that has ever been read by these eyes. Why so? Because we, you and I and untold millions, are there, here, now, right in the middle of that drama, and the climax of our drama will soon unfold, for better or for worse, as you well know. Some weeks ago the unforgettable [sic] - I repeat, unforgettable [sic] - spectacle of the German concentration camps was again presented to me. My only sad reply was that on this very night a Southern church had been set ablaze with two dozen children in it. One can not but feel remorse for the whole human lot whose fatality seems to be cruelty even beyond immediate technical means. Yes, Mr. Baldwin, the American dream - and life - must be re-examined, must be re-evaluated, in short, must become mature. But how? Is your voice alone in the wilderness? Is love to be denied? Are hearts, bigger than the American dream itself, to burst with fatigue? Ours is a task burdened with both human frailty and misunderstanding. How are we to accomplish on a human, national, international scale, a communion, a love, that transcends color, creeds, national boundaries, and all the baggage that constitutes sad history? Is our task impossible? Your last lines are encouraging. Let's go - I can but badly quote you: that from what I know of you I can trust you even with my life which I can't value except in the terms in which friends value it. Thanks [sic] again for you and for the thoughts that should and must set our country ablaze Sincerely Francis J. Hughes". "We are not black, we are not white, we are human." James Baldwin responds to a letter from an admirer. (illustrator). Signed.…