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In den WarenkorbZustand: Gut. 230 Seiten; Illustr.; 2 CD; 24,5 cm; fadengeh., illustr. Orig.-Pappband. Sehr gutes Exemplar. - Eva Weininger (1903 - 2007) (gewidmet). - Mit 2 Audio-CDs ("Andor Weininger talks about the repertoire of the Bauhaus Band and illustrates it at the piano"). - Englisch. - Andor Weininger (* 12. Februar 1899 in Karancs, Österreich-Ungarn; 6. März 1986 in New York City, USA) war ein in Deutschland, den Niederlanden und den USA lebender und arbeitender Künstler, Designer und Architekt. . (wiki) // ANDOR WEININGER (1899-1986) studied at the Bauhaus between 1921 and 1928, and the designs he prepared during this time for the Spherical Theater and the Mechanical Stage Revue are some of the most important and radically new theater designs of the twentieth century. His paintings and drawings can be found in the collections of many significant museums in the United States, Germany, the Netherlands, Canada, and Hungary. The book quotes generously from Weininger's letters and his taped recollections, so the reader can enjoy Weininger's lively and frank account about the most important art school of the twentieth century and the famous artists he met there, including Kandinsky, Klee, Schlemmer, and Moholy-Nagy. One hundred twenty full-color reproductions of Weininger's work and fifty fascinating photographs, mainly from the time he spent at the Bauhaus, illustrate the book. The book also includes two CDs featuring Weininger's previously unpublished piano performances of pieces from the repertoire of the Bauhaus Band, which he founded in 1924, and his spoken recollections of the band. The band was an important Bauhaus institution and these are the first CDs to present its repertoire. (Verlagstext) // INHALT : preface --- Katherine Janszky Michaelsen --- introduction --- While looking at the first painting I received from him, I recall my friendship with Andor Weininger. --- chapter one --- How I met the Weiningers and how they told me their life story. --- chapter two --- My friendship with the Weiningers. Some of Andor's paintings from the Canadian period (1951-1958). --- chapter three --- Andor's unvarnished account of the Bauhaus masters (Moholy-Nagy, Kandinsky, Klee, Schlemmer, and others) and everyday life at the school. --- chapter four --- A typical day of Andor's in New York, His artist friends there. His work on the reconstruction of the Bauhaus Dances and on his taped recollections. --- chapter five --- A comparison of different periods in Andor's art. His works from the Bauhaus (1921-1928), Berlin (1928-1938), and Amsterdam (1938-1949) periods. --- chapter six --- The influence of New York on Andor's art. Some special features of his art, such as the long series of related paintings spanning several decades and periods. --- chapter seven --- How Andor worked in New York. A closer look at the work of the New York period (1958-1986). --- chapter eight --- The Bauhaus Band. --- chapter nine --- Andor as a storyteller and the way his art reflected this. --- chapter ten --- Andor as a stage performer and his designs for the theatre. The significance of the theatre in his art. The stage as metaphor and force of synthesis. --- epilogue --- My last visit to Andor. A summing up of his significance. --- appendix --- Course of Development (Andor Weininger). --- contents of the CD inserts list of illustrations bibliography index of names acknowledgements. ISBN 9780615197036 Sprache: Englisch Gewicht in Gramm: 1000.