weiner gregory (14 Ergebnisse)

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Fine. 1st Edition. No dust jacket, as issued. Very faint wear to covers. Otherwise a fine copy without marks, inscriptions or fading. Not ex-library. Not a remainder. s62f9a.

Zustand: New.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

64 pp.; 27.5 x 21.3 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; June/July 1979 issue of Journal. Edited by Debra Burchett and Bridget Johnson. Contents include: "For An Art Against the Mythology of Everyday Life," by Martha Rosler; "Exploring the Mathematical Option in Art," by Bernar Venet; "No Money Back Anytime," by Kristine Stiles; "A Diamond is Forever," by Gregory Battcock; "Chymical Wedding," by Carole Caroompas; "To Pico," by Peter Schjeldahl; "Conceptual Art and the Continuing Quest for a New Social Context," by Robert Morgan; "The Level of Water," by Lawrence Weiner; "A The A The," by Alan Sondheim; "Conceptual Comments," by Douglas Huebler; "On Art Writing/Part I," by Clair Wolfe; "L Three Leers/W Three Whys," by John Baldessari; "Media: TeleVisions," by Christopher Knight; "The Dinner Party," by Melinda Wortz; "With a Dinner Party You Get Cheerleaders," by Suzanne Muchnic; "Photographs from the Dinner Party," by Ruth Askey; "The Chelsea Girls Return," by David James; "Photography: Two Photographic Books: Speaking About the Process of Making," by James Hugunin "Painting: Back to Back," by Melinda Wortz. Cover by Ed Ruscha. Reference : "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 271. Very Good / Fine. 2.3 cm. dog-ear to bottom right corner of recto. 5.1 cm. of light yellowing along top edge of recto. Additional light rubbing of covers and yellowing of pages. Contents clean and unmarked.

Hardcover. Zustand: Sehr gut. Eine humorvolle Sammlung von Geschichten über Tiere, die von verschiedenen renommierten Autoren verfasst wurden. Die Anthologie bietet unterhaltsame Einblicke in die Welt der Vierbeiner und Federvieh. Zustand: Einband mit geringfügigen Gebrauchsspuren, insgesamt SEHR GUTER Zustand! Stichworte: Genres: Humor, Tiergeschichten, Anthologie; Schlagworte: Humor, Tiere, Geschichten, Anthologie, Lachen, Lesespaß, Autorenvielfalt, Fabeln, Tierwelt, Lesegenuss. 123 Seiten Deutsch 935g.

Hardcover. Zustand: Sehr gut. Eine humorvolle Sammlung von Geschichten über Tiere, die den Alltag auf unterhaltsame Weise beleuchten. Zustand: Einband mit geringfügigen Gebrauchsspuren, insgesamt SEHR GUTER Zustand! Stichworte: Genres: Humor, Fabel, Tiere; Schlagworte: Tiere, Humor, Vierbeiner, Federvieh, Lesebuch, Sammlung, Geschichten, Reader\ s Digest, deutsche Autoren, Tierfabeln. 123 Seiten Deutsch 929g.

Hardcover. Zustand: Sehr gut. Eine humorvolle Sammlung von Geschichten über Tiere, die aus der Feder verschiedener bekannter Autoren stammen. Die Anthologie bietet humorvolle Einblicke in die Tierwelt und sorgt für gute Laune. Zustand: Einband mit geringfügigen Gebrauchsspuren, insgesamt SEHR GUTER Zustand! Stichworte: Genres: Humor, Tiergeschichten, Anthologie; Schlagworte: Humor, Tiere, Geschichten, Anthologie, Lesespaß, Kultur, Unterhaltung, Tiererzählungen, Humorvolle Literatur, Klassiker. 123 Deutsch 920g.

Softcover. Zustand: Near Fine. Magazine. Edited by Vito Acconci and Bernadette Mayer. Quarto. About near fine with crease to rear corner, miniscule chip to front corner and a hint of toning. The seventh and final issue of Vito Acconci and Bernadette Mayer experimental and uncommon magazine. Contributors include Anne Waldman, John Giorno, Hannah Weiner, Lewis Warsh, Marjorie Strider, Adrian Piper, Lil Picard, Arakawa, Bobbi Gormley, Matthew Klein, Deborah Hollingworth, Keith Hollinger, Gregory Battcock, Scott Burton, James Lee Byars, Rosemarie Castoro, Eduardo Costa, Bill Creston, Stephen Kaltenbach, Les Levine, Lucy Lippard, Meridith Monk, Ben Patterson, and John Perreault.

[1] pp.; 28 x 21.6 cm.; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Flyer / announcement published to promote events held between 13th and 14th Streets and 6th and 5th Avenues, New York City, on April 18, 1969. Participating artists included Vito Hannibal Acconci, Terence Anderson, Arakawa, Gregory Battcock, Matthew Benedict, Michael Brownstein, Scott Burton, James Lee Byars, Rosemarie Castoro, Eduardo Costa, Bill Creston, Larry Fagin, Madeline Gins, John Giorno, Bobbi Gormley, Tom Gormley, Dan Graham, Katherine Greef, Stephen Kaltenbach, Joseph Kosuth, Leandro Katz, Alcides Lanzy, Lucy Lippard, Rosemary Mayer, Ben Patterson, John Perreault, Lil Picard, Adrian Piper, H Alexander Roberts, Marjorie Strider, Mr. T., Bernar Venet, Frank Lincoln Viner, Anne Waldman, Lewis Warsh, Luis Wells, Hannah Weiner and Lawrence Weiner. These organized street works can be understood as extensions of both the Pop art Happenings of the earlier 1960s and the street protests taking place in New York City and throughout the country during the 1968 elections, the Civil Rights Movement, and the Vietnam War. Whereas the Pop happenings usually took place in galleries and performance spaces, the street works were unconfined by physically walled-in spaces. Enacted in open environments, comingled with the natural flow of pedestrians, these performances created unlimited possibilities for happenstance with the sidewalk as the stage and the city as backdrop, the inhabitants of New York became active participants with the artists, willingly or not. Fair / Good. Folded in three and two tape stains. Name of recipient on verso in ink.