Watson ernest william (33 Ergebnisse)
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Zustand: Muy bueno. : Este libro es una guía completa que enseña a los artistas cómo utilizar técnicas de perspectiva de uno, dos y tres puntos para crear composiciones dinámicas en diversos medios. Escrito por Ernest William Watson, el libro ofrece una visión profunda de la perspectiva creativa y cómo aplicarla en el arte. EAN:… 9781258475543 Tipo: Libros Categoría: Arte y Cultura Título: How to Use Creative Perspective Autor: Ernest William Watson Editorial: Literary Licensing, LLC Idioma: en Páginas: 160 Formato: tapa blanda.
Weitere BilderVerlag: Bell Publishing Company
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Hardcover. Zustand: Good. Zustand des Schutzumschlags: Fair. First Edition. Dust jacket in acceptable condition. First edition. Shelf and handling wear to cover and binding, with general signs of previous use. ***1965 PRINTING / PUBLISHER: "BELL PUBLISHING CO., INC.".*** CLEAN COVER AND CONTENT PAGES. New protective mylar applie…d to dust jacket before shipping. Secure packaging for safe delivery.
Weitere BilderVerlag: Bell Publishing Company
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Hardcover. Zustand: Good. Zustand des Schutzumschlags: Fair. Owner's name on upper edge of first free page. This could have light cosmetic flaws, but remains in good condition. Dust jacket condition is Acceptable. Secure packaging for safe delivery.
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Spanish Civil War Issue: Includes Hemingway's 30 NANA Dispatches [in] The Hemingway Review Vol. VII, No. 2, Spring 1988
(HEMINGWAY, Ernest). Charles M. Oliver, edited by. William Braasch Watson, guest editor
Verlag: Ohio Northern University, Ada, Ohio, 1988
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Softcover. Zustand: Very Good. Vol. VII, No. 2. Cover photo by Robert Capa. Octavo. 168pp. With several illustrations. Printed wrappers. Wrappers with a tanned spine and modest wear and soil, topedge a trifle foxed, very good. Prints together for the first time the 30 dispatches Hemingway wrote in 1937-38 while covering the Span…ish Civil War for the North American Newspaper Alliance, among other material.
Weitere BilderVerlag: Reinhold Pub. Corp
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Hardcover. Zustand: Very Good. No Jacket. Minor shelf and handling wear, overall a clean solid copy with minimal signs of use. Wear commensurate with age and use. Clean unmarked copy. Light foxing along page edges. Dust jacket wrapped in protective mylar sleeve. Secure packaging for safe delivery.
Verlag: Watson-Guptill publications, inc
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Hardcover. Zustand: Fair. No Jacket. Missing dust jacket; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.
Verlag: Watson-Guptill Publications
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Hardcover. Zustand: Good. No Jacket. Dust jacket missing. Shelf and handling wear to cover and binding, with general signs of previous use. Boards may have fading and nicks and other signs of wear and imperfection commensurate with age. Binding is tight and structurally sound. Pages unmarked. Sealed in plastic for shipping. Secu…re packaging for safe delivery.
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Kartoniert / Broschiert. Zustand: New. KlappentextThis work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly ot.
Dong Kingman: Portraits Of Cities
Dong Kingman; Foreword By Alexander Eliot, William Saroyan, Ernest W. Watson, Eugene M. Ettenberg, Herb Caen, Helena Kingman
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Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st Edition. 134 Pp. Red Boards, Gilt. First Printing. Fine In Fine Dust Jacket, Not Price-Clipped. Inscribed By Kingman To Architect Robert P. Meyerghofl, Dated In 1998, And Signed In Both English And Chinese. Dong Kingman (1911 -2000) Was A Chinese American Artist An…d One Of America's Leading Watercolor Masters. As A Painter On The Forefront Of The California Style School Of Painting, He Was Known For His Urban And Landscape Paintings, As Well As His Graphic Design Work In The Hollywood Film Industry. He Has Won Widespread Critical Acclaim And His Works Are Included In Over 50 Public And Private Collections Worldwide, Including Metropolitan Museum Of Art, Museum Of Fine Arts, Boston; Brooklyn Museum; Deyoung Museum And Art Institute, Chicago. Dong Kingman Was Born Dong Moy Shu In Oakland, California, The Son Of Chinese Immigrants From Hong Kong. At The Age Of Five And A Half, He Traveled With His Family Back To Hong Kong, Where His Father Established A Dry Goods Business. He Began His Formal Education At The Bok Jai School, Where He Was Given A School Name In Accordance With Chinese Customs. Hearing That He Aspired To Be An Artist, His Instructor Gave Him The Name "King Man" (Lit. "Scenery" And "Composition" In Cantonese). He Would Later Combine The Two Names Into Kingman, Placing His Family Name First In Accordance With Chinese Naming Conventions, Creating The Name Dong Kingman. Kingman Continued His Education At The Chan Sun Wen School, Where He Excelled At Calligraphy And Watercolor Painting. He Studied Under Szeto Wai, The Paris-Trained Head Of The Lingnan Academy. It Was Under Szeto's Instruction That Kingman Was First Exposed To Northern European Trends. Kingman Would Later State That Szeto Was His "First And Only True Influence." Kingman Returned To The United States In His Late Teens. In 1929 He Attended The Fox Morgan Art School While Holding Down A Variety Of Jobs. It Was At This Time That He Chose To Concentrate On Watercolor Painting. His Critical Breakthrough Occurred In 1936, When He Gained A Solo Exhibition At The San Francisco Art Association. This Exhibition Brought Him National Recognition And Success. In The Late 1930S, Kingman Served As An Artist In The Works Progress Administration, Painting Over 300 Works With The Relief Program. In 1942 And 1944, Kingman Received The Guggenheim Fellowship. During World War Ii, He Was Drafted Into The U.S. Army, But Was Transferred To Work As A Map Artist In The Office Of Strategic Services[1] At Camp Beal, California And Washington, D.C, By A Fan Of His Work, Eleanor Roosevelt. Kingman Settled In Brooklyn, New York After The War, Where He Held A Position As An Art Instructor At Columbia University And Hunter College From 1946 For The Next Ten Years. In New York He Was Associated With Midtown, Wildenstein And Hammer Galleries. During The 1950S, Kingman Served As A United States Cultural Ambassador And International Lecturer For The Department Of State. In The 1950S And 1960S, Kingman Worked As An Illustrator In The Film Industry, Designing The Backgrounds For A Number Of Major Motion Pictures Including "55 Days At Peking", The Sand Pebbles And The Hollywood Adaptation Of "Flower Drum Song". Over 300 Of His Film-Related Works Are Permanently Housed At The Fairbanks Center For Motion Picture Study At The Margaret Herrick Library Of The Academy Of Motion Picture Arts And Sciences In Beverly Hills, California. Kingman Was Faculty At The Famous Artists School And His Students Included Artists Win Pe And Paw Oo Thet, Among Others. In 1981, Kingman Made History As The First American Artist To Be Featured In A Solo Exhibition Following The Resumption Of Diplomatic Relations Between The U.S. And China When The Ministry Of Culture Of The People's Republic Of China Hosted A Critically Acclaimed Exhibition That Drew Over 100,000 People. The 1990S Saw Major Exhibitions In Taiwan At The Taipei Modern Art Museum In 1995 And The Taichung Provincial Museum In 1999. Color Illustrations And Photographs (illustrator). Inscribed by Author(s).
Dong Kingman: Portraits Of Cities
Dong Kingman; Foreword By Alexander Eliot, William Saroyan, Ernest W. Watson, Eugene M. Ettenberg, Herb Caen, Helena Kingman
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- Erstausgabe
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Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st Edition. 134 Pp. Red Boards, Gilt. First Printing. Fine In Fine Dust Jacket, Not Price-Clipped. Inscribed By Kingman To Art Expert And Publisher Ruth Westphal, Dated In 1998, And Signed In Both English And Chinese. Dong Kingman (1911 -2000) Was A Chinese American A…rtist And One Of America's Leading Watercolor Masters. As A Painter On The Forefront Of The California Style School Of Painting, He Was Known For His Urban And Landscape Paintings, As Well As His Graphic Design Work In The Hollywood Film Industry. He Has Won Widespread Critical Acclaim And His Works Are Included In Over 50 Public And Private Collections Worldwide, Including Metropolitan Museum Of Art, Museum Of Fine Arts, Boston; Brooklyn Museum; Deyoung Museum And Art Institute, Chicago. Dong Kingman Was Born Dong Moy Shu In Oakland, California, The Son Of Chinese Immigrants From Hong Kong. At The Age Of Five And A Half, He Traveled With His Family Back To Hong Kong, Where His Father Established A Dry Goods Business. He Began His Formal Education At The Bok Jai School, Where He Was Given A School Name In Accordance With Chinese Customs. Hearing That He Aspired To Be An Artist, His Instructor Gave Him The Name "King Man" (Lit. "Scenery" And "Composition" In Cantonese). He Would Later Combine The Two Names Into Kingman, Placing His Family Name First In Accordance With Chinese Naming Conventions, Creating The Name Dong Kingman. Kingman Continued His Education At The Chan Sun Wen School, Where He Excelled At Calligraphy And Watercolor Painting. He Studied Under Szeto Wai, The Paris-Trained Head Of The Lingnan Academy. It Was Under Szeto's Instruction That Kingman Was First Exposed To Northern European Trends. Kingman Would Later State That Szeto Was His "First And Only True Influence." Kingman Returned To The United States In His Late Teens. In 1929 He Attended The Fox Morgan Art School While Holding Down A Variety Of Jobs. It Was At This Time That He Chose To Concentrate On Watercolor Painting. His Critical Breakthrough Occurred In 1936, When He Gained A Solo Exhibition At The San Francisco Art Association. This Exhibition Brought Him National Recognition And Success. In The Late 1930S, Kingman Served As An Artist In The Works Progress Administration, Painting Over 300 Works With The Relief Program. In 1942 And 1944, Kingman Received The Guggenheim Fellowship. During World War Ii, He Was Drafted Into The U.S. Army, But Was Transferred To Work As A Map Artist In The Office Of Strategic Services[1] At Camp Beal, California And Washington, D.C, By A Fan Of His Work, Eleanor Roosevelt. Kingman Settled In Brooklyn, New York After The War, Where He Held A Position As An Art Instructor At Columbia University And Hunter College From 1946 For The Next Ten Years. In New York He Was Associated With Midtown, Wildenstein And Hammer Galleries. During The 1950S, Kingman Served As A United States Cultural Ambassador And International Lecturer For The Department Of State. In The 1950S And 1960S, Kingman Worked As An Illustrator In The Film Industry, Designing The Backgrounds For A Number Of Major Motion Pictures Including "55 Days At Peking", The Sand Pebbles And The Hollywood Adaptation Of "Flower Drum Song". Over 300 Of His Film-Related Works Are Permanently Housed At The Fairbanks Center For Motion Picture Study At The Margaret Herrick Library Of The Academy Of Motion Picture Arts And Sciences In Beverly Hills, California. Kingman Was Faculty At The Famous Artists School And His Students Included Artists Win Pe And Paw Oo Thet, Among Others. In 1981, Kingman Made History As The First American Artist To Be Featured In A Solo Exhibition Following The Resumption Of Diplomatic Relations Between The U.S. And China When The Ministry Of Culture Of The People's Republic Of China Hosted A Critically Acclaimed Exhibition That Drew Over 100,000 People. The 1990S Saw Major Exhibitions In Taiwan At The Taipei Modern Art Museum In 1995 And The Taichung Provincial Museum In 1999. Color Illustrations And Photographs (illustrator). Inscribed by Author(s).
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Zustand: Gut. Zustand: Gut | Seiten: 160 | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.
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