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In den WarenkorbPaperback. Zustand: Brand New. 232 pages. 9.76x6.89x0.43 inches. In Stock.
Sprache: Englisch
Verlag: University of Chicago Press, 2005
ISBN 10: 0826514634 ISBN 13: 9780826514639
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In den WarenkorbPAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
Sprache: Englisch
Verlag: Vanderbilt University Press, 2004
ISBN 10: 0826514634 ISBN 13: 9780826514639
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In den WarenkorbPaperback. Zustand: Brand New. 1st edition. 258 pages. 8.25x5.75x0.75 inches. In Stock.
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Taschenbuch. Zustand: Neu. Neuware - Because I Love Him spotlights women's issues surrounding parenting, relationships, family, self-love and domestic abuse. Deanna, a single mother recovers from toxic relationships and finds the meaning of true love in this Christian fiction. This piece of fiction follows a young single mother who later discovers and deepens her relationship with Christ. This book showcases Deanna's self-determined strength, and an inspiring spiritual connection. This narrative is appropriate for Christian audiences (both single parents and single women), as the protagonist gains insight of God's love.
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In den WarenkorbKartoniert / Broschiert. Zustand: New. KlappentextrnrnThis provocative study traces Gertrude Steins career-long fascination with conversation and its cumulative impact on her writing. Dana Cairns Watson shows that while Stein recognized the role of language in oppressive social struc.
Sprache: Englisch
Verlag: Univ Of Chicago Press Behalf Of Vanderbilt Univ. P Jan 2005, 2005
ISBN 10: 0826514634 ISBN 13: 9780826514639
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Neuware - In this provocative study, Dana Cairns Watson traces Gertrude Stein's growing fascination with the cognitive and political ramifications of conversation and how that interest influenced her writing over the course of her career. No book in recent decades has illuminated so many of Stein's works so extensively--from the early fiction of The Making of Americans to the poetry of Tender Buttons to her opera libretto The Mother of Us All. Seeking to sustain Stein's lively, pleasant, populist spirit, Watson shows how the writer's playful entanglement of sight and sound--of silent reading and social speaking--reveals the crucial ambiguity by which reading and conversation build communities of meaning, and thus form not only personal relationships but also our very selves and the larger political structures we inhabit. Stein reminds us that the residual properties of words and the implications behind the give-and-take of ordinary conversation offer alternatives to linear structures of social order, alternatives especially precious in times of political oppression. For example, her novels Mrs. Reynolds and Brewsie and Willie, both written in embattled Vichy France, contemplate the speech patterns of totalitarian leaders and the ways in which everyday discourse might capitulate to--or resist--such verbal tyranny. Like recent theorists, Stein recognized the repressiveness of conventional order--carried in language and thus in thought and social organization--but as Watson persuasively shows, she also insisted that the free will of individuals can persist in language and enable change. In the play of literary aesthetics, Stein saw a liberating force.
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In den WarenkorbZustand: New. In this study, Dana Cairns Watson traces Gertrude Stein s growing fascination with the cognitive and political ramifications of conversation and how that interest influenced her writing over the course of her career.KlappentextrnrnIn this st.
Sprache: Englisch
Verlag: Vanderbilt University Press Jun 2026, 2026
ISBN 10: 0826514626 ISBN 13: 9780826514622
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch. Zustand: Neu. Neuware - In this provocative study, Dana Cairns Watson traces Gertrude Stein's growing fascination with the cognitive and political ramifications of conversation and how that interest influenced her writing over the course of her career. No book in recent decades has illuminated so many of Stein's works so extensively--from the early fiction of The Making of Americans to the poetry of Tender Buttons to her opera libretto The Mother of Us All. Seeking to sustain Stein's lively, pleasant, populist spirit, Watson shows how the writer's playful entanglement of sight and sound--of silent reading and social speaking--reveals the crucial ambiguity by which reading and conversation build communities of meaning, and thus form not only personal relationships but also our very selves and the larger political structures we inhabit. Stein reminds us that the residual properties of words and the implications behind the give-and-take of ordinary conversation offer alternatives to linear structures of social order, alternatives especially precious in times of political oppression. For example, her novels Mrs. Reynolds and Brewsie and Willie, both written in embattled Vichy France, contemplate the speech patterns of totalitarian leaders and the ways in which everyday discourse might capitulate to--or resist--such verbal tyranny.Like recent theorists, Stein recognized the repressiveness of conventional order--carried in language and thus in thought and social organization--but as Watson persuasively shows, she also insisted that the free will of individuals can persist in language and enable change. In the play of literary aesthetics, Stein saw a liberating force.