warren hinkle (4 Ergebnisse)

Softcover. Zustand: Near Fine. First Edition. Inscribed by the author: " To Richard (Zybert), On election eve, 1987, Warren Hinckle." 108 pp.; square ocatavo; photo-pictorial slate wrappers; text pages on thick brown paper stock; black & white photographs throughout with extensive captions. Hint of fading to spine. From the collection of the late Richar Zybert.

Paperback. Zustand: Very Good. First Edition. 4to 11" - 13" tall; 78 pages; Scanlan's Monthly Number 5: July 1970. New York: Scanlan's Literary House, 1970. Single issue magazine in color pictorial covers with saddle-stapled binding. Soundly bound, bright and clean with no marks. Mild toning to the whites of the cover and just light shelf evidence to cover edges and surfaces. This issue includes major pieces on the San Francisco underground film scene ("San Francisco's Film Bastards") , an exposé on commercial cookbook frauds, and Peter Geismar's controversial essay "The CIA's Cancer Cure: The Strange Dying Days of Frantz Fanon. " Also features Warren Hinckle on Maoist influence in Limerick, Ireland, and a selection of revolutionary Latin American poetry. A strong example from this short-lived but incendiary journal of radical politics, cultural satire, and investigative journalism. VG or better.

Softcover. Zustand: Near Fine. Volume One Number Seven. Small quarto. 76pp. Stapled pictorial wrappers. Wraps lightly toned and soiled, a few small bumps, about near fine. The second-to-last issue of this short-lived counterculture magazine started by Warren Hinkle and Sidney Zion.

Paperback. First Edition. Complete run of seven issues plus the final, rare "Suppressed Issue" produced in Canada. Landmark article "The Kentucky Derby is Decadent and Depraved" in issue #4 signed by Ralph Steadman in red ink. A very Near Fine set, bright and clean set; truly excellent shape. No subscriber labels. Some wraps and contents age-toned, staples occasionally rusted. Scanlan's was a counterculture magazine that broke down nearly as many boundaries as its predecessor, Ramparts, during its short existence. It launched "gonzo journalism" with the article "The Kentucky Derby is Decadent and Depraved" by Hunter S. Thompson, illustrated by Ralph Steadman, in its June 1970 issue-- that's the one with Nixon's face being punched into oblivion. Steadman's splattery signature graces the negative space around the derby-goer's head on the article's title page. He and Thompson would go on to collaborate on the book Fear and Loathing in Las Vegas, which brought gonzo journalism widespread popularity. The set also features work by R. Crumb, Alfred McCoy (author of The Politics of Heroin), JFK investigator Jim Garrison's cohort William Turner, and Robert Altman well as other Thompson (AKA Raoul Duke) and Steadman work.