Walter serra (25 Ergebnisse)

Zustand: New. In English.

Zustand: NEW.

Hardcover. Zustand: Very Good. Dust Jacket Included. hardback, large 4to, 240pp, numerous photo illustrations, clean and tight, no inscriptions, Very Good / Very Good dustwrapper.

Zustand: New. This is a Brand-new US Edition. This Item may be shipped from US or any other country as we have multiple locations worldwide.

gebundene Ausgabe. 335 Seiten, SU mit leichten Gebrauchsspuren, sonst in einem sehr guten Zustand 9783908161004 Sprache: Englisch Gewicht in Gramm: 501.

Zustand: New.

Zustand: Used. pp. 153.

Zustand: Used. pp. 153.

Ohne Stempel, keine An-und Unterstreichungen. Zustand: Einband mit leichten Gebrauchsspuren. Innen gut. Softcover. Original kartoniert. Kein Versand aufgrund von EPR Regelungen in EU-Länder außerhalb Deutschlands. No shipping to EU countries outside of Germany due to EPR regulations.

Broschiert. Zustand: Gut. 335 Seiten, Einband mit leichtem Lichtschatten, sonst in sehr gutem Zustand KU-4931 9783908161004 Sprache: Deutsch Gewicht in Gramm: 1550.

Encuadernación de tapa dura. Zustand: Muy bien. Idioma español. Ejemplar en muy buen estado. Encuadernación de tapa dura, en símil piel editorial, con sobrecubierta. Dimensiones: 30x24 - 220 pp. Franco Marzi - Giambattista Villa - Walter Serra (illustrator).

4°, OKart. 335 S. Guter Zustand. Sprache: Deutsch Gewicht in Gramm: 1500.

Hardcover. Zustand: Brand New. 128 pages. 5.00x0.44x8.00 inches. In Stock.

Zustand: gut. 1998. Portugals Moderne : 1910 - 1940 ; Kunst in der Zeit Fernando Pessoas In deutscher Sprache. pages.

597 pp.; 28.7 x 21.5 cm.; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held at Fondazione Prada, ca'' Corner della Regina, Venice, Italy, June 1 ? November 3, 2013. Exhibition was based on the original 1969 show--"Live in Your Head : When Attitudes Become Form : Works, Concepts, Processes, Situations, Information / wenn Attitüden Form werden : Werke, Konzepte, Vorgänge, Situationen, Information / quand les attitudes deviennent forme : oeuvres, concepts, processus, situations, information / quando attitudini diventano forma : opere, concetti, processi, situazioni, informazione"--held at Kunsthalle Bern, Bern, Switzerland, March 22 - April 27, 1969, curated by Harold Szeemann. The 2013 exhibition, curated by Germano Celant, in dialogue with Thomas Demand and Rem Koolhaas, was a physical reconstruction of the original show transported to a palazzo in Venice. This 2023 catalogue includes texts by Germano Celant, Dieter Roelstraete, Claire Bishop, Piere Bal-Blanc, Francesco Stocchi, Boris Groys, Mary Anne Staniszewski, Charles Esche, Christian Rattemeyer, Anne Rorimer, Jens Hoffmann, Benjamin H.D. Buchloh, Gwen L. Allen, Chus Martínez, Terry Smith, Jan Verwoert, and Glenn Phillips. Artists include Carl Andre, Giovanni Anselmo, Richard Artschwager, Thomas Bang, Jared Bark, Robert Barry, Joseph Beuys, Mel Bochner, Alighiero Boetti, Marinus Boezem, Bill Bollinger, Michael Buthe, Pier Paolo Calzolari, Paul Cotton, Hanne Darboven, Walter de Maria, Jan Dibbets, Ger van Elk, Rafael Ferrer, Barry Flanagan, Ted Glass, Hans Haacke, Michael Heizer, Eva Hesse, Douglas Huebler, Paolo Icaro, Alain Jacquet, Neil Jenney, Stephen Kaltenbach, Jo Ann Kaplan, Edward Kienholz, Yves Klein, Joseph Kosuth, Jannis Kounellis, Gary B. Kuehn, Sol LeWitt, Bernd Lohaus, Richard Long, Roelof Louw, Bruce McLean, David Medalla, Mario Merz, Robert Morris, Bruce Nauman, Claes Oldenburg, Dennis Oppenheim, Panamarenko, Pino Pascali, Paul Pechter, Michelangelo Pistoletto, Emilio Prini, Markus Raetz, Allen Ruppersberg, Reiner Ruthenbeck, Robert Ryman, Frederick Lane Sandback, Alan Saret, Sarkis, Jean-Frederic Schnyder, Richard Serra, Robert Smithson, Keith Sonnier, Richard Tuttle, Frank Lincoln Viner, Franz Erhard Walther, William Wegman, Lawrence Weiner, William T. Wiley, Gilberto Zorio, and an interview with Germano Celant. Includes a "Register" (list of works, documents, and objects related to both exhibitions) and a selected bibliography. NEW. As issued in publisher-issued shrink wrap. Due to large size and weight additional shipping charges will be required for international orders.…

80 pp.; 27.5 x 20.8 cm.; sewn bound; black-and-white; edition size 3500; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held at the Stedelijk Museum, Amsterdam, December 21, 1979 - February 10, 1980. Traveled to Museum Boymans van Beuningen, Rotterdam, February 29 - April 13, 1980 Kölnische Kunstverein, Köln, April 30 - June 1, 1980 and Museum voor Hedendaagse Kunst, Gent, June 15 - August 30, 1980. With a foreword by Edy de Wilde, and texts by Dorine Mignot, Ursula Wevers, and the artist. Profusely illustrated in color and black-and-white, featuring many video stills. Artists include Giovanni Anselmo, Keith Arnatt, John Baldessari, Joseph Beuys, Alghiero Boetti, Marinus Boezem, Stanley Brouwn, Daniel Buren, Pierpaolo Calzolari, Jan Dibbets, Gino De Dominicis, Ger van Elk, Barry Flanagan, Gilbert & George, Wolf Knoebel, Gary Kuehn, Richard Long, Walter de Maria, Mario Merz, Dennis Oppenheim, Klaus Rinke, Ulrich Rückriem, Richard Serra, Robert Smithson, Franz Erhard Walther, Lawrence Weiner, Gilberto Zorio. Includes statements and descriptions of works, biography, and bibliography. Texts in Dutch and English. Very Good / Fine. Light cover wear. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders. …

Zustand: gut. 25-30 cm (Lex. 8° - Lexikonformat) Illustrierte Broschur mit Deckelillustration, 335 Seiten. Zahlreiche Abbildungen. Äußerlich mit leichten Gebrauchsspuren: Ecken leicht bestoßen, Buchrücken etwas aufgehellt, minimal fingerfleckig, oberer Schnitt minimal fleckig und etwas angestaubt. Innen in guter Erhaltung. Gutes Exemplar; Sachgebiet: Kunst; Schlagworte: Literaturgeschichte, Portugal. …

8°, gebunden Ausgabe. Zustand: Gut. 335 S. äusere Gebrauchsspuren, innen sauber und ordenlich. W21 Sprache: Deutsch Gewicht in Gramm: 1600.

Softcover. 335 S. : zahlr. Ill. ; 29 cm Guter Zustand. Die Leseseiten sind sauber und ohne Markierungen. Leichte Lager- und Gebrauchsspuren. Ansonsten gutes Exemplar. 9783908161042 Sprache: Deutsch Gewicht in Gramm: 1001.

Soft cover. Zustand: Very Good. Lovely copy of this scarce catalogue, group show with many artists, here presented in a catalogue with many rich color illustrations. Binding solid, sturdy, square. Interior is bright, crisp, and clean - free of any marks or damage. All white matte covers have some expected rubbing and scuffing, including some faint fingerprints, but not egregious at all - one stray faint apparent ink line on front. A couple of parts of the edges of the wraps are tinnily bumped, again not egregious at all.…

Hardcover. Zustand: Gut. 29 x 25 cm Original-Leinen-Band mit Schutzumschlag, NEU und originalverpackt--- Für Ihre Zufriedenheit versenden wir mit DHL und ausschließlich mit Trackingcode für eine sichere Sendungsverfolgung! Weitere Angebote unter antiquariat-kastanienhof , 335 Seiten. nein.

387 pp.; 28.5 x 22.5 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue and documentation of preparation for exhibition held in 1971. Large-scale book documenting the thrills and chills of when artists and scientists [or corporations] joined together by the Los Angeles County Museum of Art attempted to produce collaborative works. Amazingly self-critical of the failures [and limited success] of the program. Full documentation of each of the invited artists in narrative, blow-by-blow detail. Includes sections on Stephen Antonakos, Avigdor Arikha, Michael Asher, John Baldessari, Iain Baxter, Larry Bell, Max Bill, Ronald Bladen, George Brecht, James Byars, Greg Card, Anthony Caro, John Chamberlain, Christo, Ron Cooper, François Dallegret, Channa Davis, Ron Davis, Walter de Maria, Mark di Suvero, Jean Dubuffet, Jean Dupuy, frederick Eversley, Oyvind Fahlstrom, Dan Flavin, Sam Francis, Hans Haacke, Newton Harrison, Erich Hartmann, Robert Irwin, Donald Judd, Aleksandra Kasuba, Ellsworth Kelly, Philip King, R.B. Kitaj, Piotr Kowalski, Rockne Krebs, Wesley Duke Lee, Les Levine, Roy Lichtenstein, Len Lye, Jackson MacLow, Robert Mallary, Charles Mattox, John McCracken, Glenn McKay, Boyd Mefferd, Michael Moore, Robert Morris, Bruce Nauman, Claes Oldenburg, Jules Olitski, Eduardo Paolozzi, Otto Piene, Pulsa, Jeff Raskin, Robert Rauschenberg, Jess Reichek, Vjencenslav Richter, James Rosenquist, James Seawright, Richard Serra, Tony Smith, Robert Smithson, Karlheinz Stockhausen, Takis, Gerhard Trommer, James Turrell, Victor Vasarely, Stephan Von Huene, Peter Voulkos, Andy Warhol, Robert Watts, Martial Westburg, Robert Whitman, and William T. Wiley. Black-and-white illustrations throughout. Fair / Good. 1.6 cm. tear to top edge of recto. Significant rubbing of cover edges. 18 cm. scratch to recto. 7.5 cm., 17.6 cm., 6.5 cm., 7 cm., and 2.5 cm. creases to verso. Light soiling of text block edge. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders. …

Softcover/Paperback. Zustand: Sehr gut. 335 S. : zahlr. Ill. ; 29 cm Zustand: sehr gut; Seiten altersbedingt leicht gebräunt; MGV1219G 9783908161042 Wenn das Buch einen Schutzumschlag hat, ist das ausdrücklich erwähnt. Rechnung mit ausgewiesener Mwst. Sprache: Deutsch Gewicht in Gramm: 1540.

4°. 334 S., durchgehend Farb- und sw-Abbildungen, Chronologie, Pappband (sehr gut erhalten) Anhand der in diesem Band vorgestellten Gemälde, Skulpturen, Zeichnungen und Zeitschriften lässt sich erstmals der Aufbruch der portugiesischen Künstler der Moderne nachvollziehen. Essays namhafter portugiesischer Autoren beleuchten die enge Verbindung von Kunst und Literatur sowie Politik und Gesellschaft der damaligen Zeit.…

240 pp.; 22.5 x 20.5 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed "This book does not aim at being an objective and general analysis of the phenomenon of art or life, but is rather an attempt to flank (both art and life) as accomplices of the changes and attitudes in the development of their daily becoming. This book does not attempt to be objective since the awareness of objectivity is false consciousness. The book, made up of photographs and written documents, bases its critical and editorial assumptions on the knowledge that criticism and iconographic documents give limited vision and partial perception of artistic work. The book, when it reproduces the documents of artistic work, refutes the linguistic mediation of photography. The book, even though it wants to avoid the logic of consumption, is a consumer's item. . This book produces a collection of already old material. . In this book there is no need to reflect in order to seek a unitary and reassuring value, immediately refuted by the the authors themselves, rather there is the necessity to look into it for the changes, limits, precariousness and instability of artistic work." -- text from Celant's introduction "Stating That." Includes artists Walter de Maria, Michelangelo Pisteletto, Stephen Kaltenbach, Richard Long, Mario Merz, Douglas Huebler, Joseph Beuys, Eva Hesse, Michael Heizer, Ger van Elk, Lawrence Weiner, Luciano Fabro, Bruce Nauman, Joseph Kosuth, Jan Dibbets, Giovanni Anselmo, Robert Barry, Pier Paolo Calzolari, Dennis Oppenheim, Barry Flanagan, Robert Smithson, Giulio Paolini, Reiner Ruthenbeck, Alighiero Boetti, Giuseppe Penone, Franz Erhard Walther, Hans Haacke, Gilberto Zorio, Robert Morris, Marinus Boezem, Carl Andre, Emilio Prini, Richard Serra. Text in Italian. Fair / Good. Two 3 cm. tears to upper spine edge. Moderate rubbing and light yellowing of covers. Moderate Foxing on inside front and back covers and scattered throughout the interior. Name of previous owner in ink on first free inside page. 1 cm. dog ear to corner of folded interior of back cover.…