walter barnett (22 Ergebnisse)

Zustand: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Hardcover. Zustand: Very Good. No Jacket. Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. Prompt Shipment, shipped in Boxes, Tracking PROVIDEDGay/Lesbian Nonfiction Very good. Minor creasing. Clean copy.

Hardcover. Zustand: Near Fine. 164 Illustrations In Text (illustrator). 3rd Edition. Xxxiii, 787 Pp. Third Edition, Revised (1928), First Printing With "1" At End Of Text. Slight Rubbing, Gilt Brilliant, Hinges Tight, Two 1/8" Frays At Two Lower Tips, Previous Owner's Name Stamp At Bottom Of Title Page.

Paperback. Zustand: Brand New. 1st edition. 300 pages. 9.90x6.90x0.70 inches. In Stock.

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Good. Barnett Freedman (illustrator). First. xx, 604 with ftispiece from a lithograph by Barnett Freedman with 18 illustrations of the authors whose works are reprodcued in the text. Red cloth with gilt tiles and decoration to spine, teg, fore edge uncut, near fine -some discolouration of green eps where they have come into contact with the dj; dj with frayed edges and loss to top and tail of spine.

First edition, trade issue. Ariel Poem number 31. Small octavo. pp [4]. Cover design and a full-page colour illustration by Barnett Freedman. Sewn wrappers with flaps. Printed at the Curwen Press. A fifty-one line poem. Spine starting to split at tail. Front cover slightly marked. Very good.

Hardcover. Zustand: Good. Zustand des Schutzumschlags: Fair. Freedman, Barnett (illustrator). 1st Edition. Good copy. No inscriptions. Binding secure. Some small marks on cloth cover. Includes colour illustrated frontispiece and illustrated title page. Fair dustwrapper - corner at top of spine is torn off but colour illustration on front of dustwrapper is intact.

Cloth. Zustand: Near Fine. Barnett Freedman (illustrator). Folio Society's smart illustrated edition of the ghost tales by Walter de la Mare. An anthology of the supernatural tales of Walter de la Mare, including 'Out of the Deep', 'The House', 'Revenant', 'The Green Room', 'Bad Company', 'The Quincunx', and 'An Anniversary'.Illustrated with colour lithographs by Barnett Freedman.The third impression of this Folio Society edition. In the original publisher's cloth binding. Externally, smart. Spine is age-toned. Blind stamp to the front free endpaper. Internally, firmly bound. Pages are bright and clean. Near Fine. book.

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Very Good. 333 pages in near fine condition. Pages are clean and unmarked. Blue-green endpapers. Blue publisher's stain on the head edges. Bound in black cloth with silver titles on the spine. Teal dustjacket in very good condition with white titles. Sticker residue on the front of the jacket. Lightly worn around the edges. SCARCE. NF/VG. Book.

Hardcover. Zustand: Very Good. Freedman, Barnett (illustrator). No. 31 in the Ariel Poems series. No. 67 in a signed edition limited to 500 copies. 16pp. Signed by the author on the half-title. Printed on hand-made paper. 8vo. Blue case bound (boards a little worn at edges). Two lithographs plates by Barnett Freedman, one in colour.

Cloth. Zustand: Very Good. Barnett Freedman (illustrator). First edition. A fourth impression of this anthology on Love by Walter de la Mare, with the original unclipped dust wrapper. The first edition, fourth impression. Illustrated throughout. An anthology on the theme of Love, here revealed and reflected is chiefly focused on that between a man and a woman although not wholly. This work includes many poems, and a good deal of prose, as well as letters. Collected by Walter John de la Mare, an English poet, short story writer, and novelist. Illustrated by Barnett Freedman, a British painter, commercial designer, illustrator, and lithographer. In the original full cloth binding. Externally, smart with light shelf wear and minor bumping to the extremities. Original unclipped dust wrapper is sound with wear and light chipping to the extremities. Sunning to the spine and the odd small closed tear. Loss to base of the rear panel and a 3" closed tear to the top of the rear panel which cold be lost with further handling. Pencil marks to the front panel. Internally, firmly bound. Pages are very bright with pencil annotations throughout. Very Good. book.

Zustand: Fine. - (The Ariel Poems No. 31). Octavo, blue paper covered boards titled in gilt on the front board. The boards are are lightly rubbed & bumped with scattered staining & spotting. The head & tail of the spine are lightly chipped. [6] leaves. Black-and-white pictorial half-title & 1 color plate by Barnett Freedman. There is an owner's attractive bookplate on the front pastedown, else the contents are near fine. Limited edition of 500 numbered large-paper copies, printed on English hand-made paper and signed by the poet on the colophon.

, 20 pages, poem with one colour illustration. Signed by author on Half title. Limited Edition, 28th copy of 500 printed. , boards foxed, scratch on spine, good condition. ,bound with blue paper, with gilt lettering and stars on front board. ,22.5x14.5cm Hardback SIGNED by author ISBN:

Hardcover. Zustand: Good. Zustand des Schutzumschlags: No Dust Jacket. Illustrated by Freedman, Barnett (illustrator). First Edition. Moderate splotches of fading and foxing to papered boards. Small bump to tail of spine. Boards protected in loose-fitting non-adhesive plastic jacket.; Number 356 of an edition of 500 large-paper copies. Signed by the author in ink on the limitation page. Blue papered boards with gilt title on front board. Number 31 in the "Ariel Poets" series. ; 8vo.

Hardback. Zustand: Very Good. Barnett Freedman (illustrator). First edition. A limited first edition copy of this haunting poetic reflection on sudden news, paired with Barnett Freedman's evocative illustration, signed by the author, Walter de la Mare. In the publisher's original blue paper covered board binding.This is a limited, large paper edition, printed on English hand-made paper. This copy is number three hundred and eight six of five hundred copies.This copy is signed by the author, Walter de la Mare, on the limitation page.This volume provides a short lyrical poem by Walter de la Mare reflecting on the arrival of profound or unsettling tidings.This copy features a colour plate illustration by Barnett Freedman. Freedman (19011958), acclaimed British book designer and lithographer, commissioned by Faber early in his career In the publisher's original paper covered board binding. Externally, smart. Spotting to boards. Slight discolouration to perimeters. Slight rubbing and bumping to extremities. Very slight offsetting to upper right corner of front board. Internally, firmly bound. Pages bright and clean, with just one or two spots. Signed by the author on the limitation page. Very Good. signed by author. book.

Cloth. Zustand: Near Fine. Zustand des Schutzumschlags: Good. Barnett Freedman (illustrator). First edition. A pleasing first impression of Walter de la Mare's assembly of verse and prose on love. The first edition, first impression of this work.With the publisher's original unclipped dust wrapper.A wonderful survey on love and sensibility by English poet and writer Walter de la Mare, who was among the leading proponents of the so-called 'Georgian' poets.Relating to the writings of many figures, including Edith Sitwell, Victor Hugo, William Cowper and Thomas Gray.With illustrations by Barnett Freedman. In the original cloth binding. With the original unclipped dust wrapper. Externally, very smart, with bumping to the spine head and tail. Bookplate of one Lilian von Versen to the front pastedown. Dust wrapper is smart, with sunning to the spine and edge wear. With a chip to the rear panel and tape reinforcement made to a small closed tear. Internally, firmly bound with bright and clean pages. Near Fine. book.

First edition. Ariel Poem number 31. Octavo. pp [4]. Cover design and a full-page colour illustration by Barnett Freedman. Sewn wrappers with flaps. Printed at the Curwen Press. A fifty-one line poem. Presentation copy from the artist, inscribed by him inside the front cover: ''for Ann with love from Barnett.''Very good indeed.

Paperback. Zustand: Good. Dohanos, Stevan (cover); Fischer, Otto; Garland, George; Georgi, Edwin; Barnett, Isa; Coffey, Pat; Rubin, Hy; (illustrator). First Edition. 120 pages. Features: Nice 1-page color ad for Cutler-Hammer motor controls; 1-page color ad for Old Gold cigarettes; color ad for Pitney-Bowes Postage Meters; Zippo Lighter color ad; My Wonderful Uncle, Levi Coombs Gould - article with photos; Challenge the Tempest (fiction); My Three Years in Moscow, Part 3 - Why the Russian People Don't Rebel - with photos; The Camouflaged Crime (fiction); Robert Jones of Ohio Refused to be Smeared by Drew Pearson - article with photos; The Rape of Albania - how this former paradise between Tito and the men in the Kremlin is being slowly bled to death - article with photos; One Divorce is Enough (fiction); Charley Callahan is the shrewd press agent for Notre Dame football - article with photos; The Odds on Murder (fiction); Training New Kinds of Methodist Pastors in Denver at the Iliff School of Theology - article with photos; The Doctor of Unkown Island (fiction - conclustion); Colour photos of the Arseneau family's home and birds on Great Bird Rock; Nice 1-page color Lucky Strike ad features Raymond W. Crutchfield of Reidsville, NC; The Innocent Buccaneer (fiction); RCA Victor TV ad; Nice half-page color ad for Fatima cigarettes features Mrs. Ralph Ellis of Chicago, Mrs. Mary C. Wurdeman of Los Angeles, Mr. James S. Winterhalter of Detroit, and Miss Pamel Hendricks Bookman of New York; Nice two-color Shelby bicycle ad features Donald Duck; Nice color centerfold ad features General Electric (GE) Christmas lights; Color ad for Winchester's glowing flashlight; Honeywell thermistat ad features black and white photos of Linda Darnell; La Choy Chinese Food color ad features interesting drawing of Chinese man in pigtail; Nice 1-page 2-color ad for Fruehauf Trailers features Frank Benitz of Dugan Brothers Baked Goods; Nice color ad for Sunkist oranges on back cover. Average external wear. Moderate external soiling. A worthy vintage copy.

Hardcover. Zustand: g+. First edition. Folio. 159, [1]pp. Original red cloth spine over red leatherette with gilt lettering and gold embossed illustration on front cover. Decorative endpapers. Photo-illustrated title-page. Exquisite work intended to be the most comprehensive collection of erotic images of pin-up style Parisian women at the turn of the 20th Century. This work is profusely illustrated throughout with 500 tinted photographic reproductions, many within decorative or illustrated frames, and numerous illustrations by J. Wely, F. Bac, and B. de Monvel. Includes 2 reproductions of posters designed by Grün for the Parisian cabaret "La Cigale" and for the "Grand Guignol" play performed at "Le Theatre Montmartre". The duotone photographs depict some of the most beautiful Parisian theater actresses and dancers of the period, such as: Luce Lhéry by Reutlinger; Lili Pinson, by Prof. Stebbing; Mademoiselle Laparcerie, by Reutlinger, etc. Slight age-wear on binding with minor abrasion on upper spine, and very few scratches on covers. Title-page slightly foxed. Previous owner's name on title-page. Text in German. Binding in overall good+, interior in very good condition.

100 pp.; 22.5 x 24.5 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Catalogue for the auction of works from the collection of Robert C. Scull held at Sotheby''s on October 18, 1973. Features works by Lee Bontecou, John Chamberlain, Dan Christensen, Willem de Kooning, Walter De Maria, Jim Dine, Mark di Suvero, Philip Guston, Robert Indiana, Jasper Johns, Franz Kline, Robert Morris, Barnett Newman, Claes Oldenburg, Larry Poons, Robert Rauschenberg, Larry Rivers, James Rosenquist, Lucas Samaras, George Segal, Frank Stella, Ernest Trova, Cy Twombly, Andy Warhol, Tom Wesselmann and Peter Young. ". The sale, held simultaneously in Sotheby Parke Bernet''s main selling gallery, at Madison Avenue and 76th Street, as well as in several television-equipped side galleries, was preceded by a brace of demonstrations attacking Mr. Scull, his taxicabs, and his collecting habits. Despite the uproar a number of record sales were recorded. . Jasper Johns''s works set five different auction records at the sale. His huge canvas, "Double White Map," executed in 1965, brought $240,000. The price was $90,000 higher than the previous high recorded for a Johns painting, reportedly paid by a private - European collector recently. It was double the auction record for a living American artist, which had been held by Georgia O''Keeffe, whose "Poppies" sold for $120,000 last March. It topped the auction record of $75,000 for a work of Pop Art held since 1970 by Roy Lichtenstein, as well as the auction record for any 20th-century American work of art. The previous holder was Yasuo Kuniyoshi with $200,000 for "Little Joe With Cow," sold in March. Johns''s sculpture., "Painted Bronze," consisting of bronze replicas of two Ballantine Beer cans on a platform was sold for $90,000 and established an auction record for a sculpture by a living American artist. Claes Oldenburg''s "Stove," at $45,000, had held the record since 1970. Their entry was not facilitated by a noisy, and well televised, demonstration by the Taxi Rank and File Coalition, a group of cab drivers vying for recognition as an opposing bargaining group for cabbies. They carried signs suggesting that Mr. Scull was a "parasite" who "lived off the backs of cabbies" so he could "be with the beautiful people."."--Fred Ferretti, "Scull''s U.S. Art Brings Record $2 Million," New York Times, October 19, 1973 Good. Scruffing to dust jacket with two long horizontal abrasions over cover image, mild edge wear and light foxing. Mild foxing to endpapers. Sales results and sales estimates stapled to first inside page. Due to size and weight additional shipping charges will be required for international order.

Zustand: Fine. Seventh impression. Originally published in 1943. 8vo. (8.6 x 5.5 inches). cxliv, 592pp. Finely illustrated with colour frontis and several full page plates by Freedman. Finely bound for Hatchards Booksellers of Piccadilly, London, in early full deep red morocco leather. Spine with raised bands, each decorated with gilt dotted lines, and gilt ruled lines, decorations and lettering in the compartments. Board edges with gilt ruled lines. Turn-ins with double gilt ruled borders. Attractive marbled endapers. Neat colour bookplate on the front pastedown endpaper. All edges gilt. A finely bound copy of this popular work, containing many of the best poems and prose works about love written over many centuries, with most major writers in the English langauge represented.