walead beshty (36 Ergebnisse)

Paperback. Zustand: Fair. A readable copy of the book which may include some defects such as highlighting and notes. Cover and pages may be creased and show discolouration.

Paperback. Zustand: Good. Zustand des Schutzumschlags: Good. Beshty, Walead (illustrator). 151pp. Minor edge-wear to the wraps, minor scuffing to the jacket, color photography throughout. Two paragraphs have highlighter marks on page 99. Size: 4to - over 9¾" - 12" tall M3.

First edition. Softcover. Guest edited by Walead Beshty. Includes images by Mel Bochner, Liz Deschenes, Wade Guyton, Jack Pierson, and numerous others. A fine copy in wrappers.

Paperback. Zustand: Brand New. 336 pages. 8.39x6.18x1.22 inches. In Stock.

Paperback. Zustand: Brand New. 502 pages. 6.50x4.25x1.25 inches. In Stock.

Soft cover. Zustand: New. 1st Edition. First edition, first printing. Soft cover. Photographically illustrated stiff wrappers; no dust jacket as issued. Edited by Shane Lavalette. Guest Editor Michael Bühler-Rose. Essays by Adam Bell, Alex Klein, Lesley A. Martin, Arthur Ou, Lyle Rexer, Noel Rodo-Vankeulen and James Welling. Photographs by Claudia Angelmaier, Sema Bekirovic, Charles Benton, Walead Beshty, Lucas Blalock, Talia Chetrit, Anne Collier, Natalie Czech, Jessica Eaton, Roe Ethridge, Sam Falls, Stephen Gill, Daniel Gordon, David Haxton, Matt Keegan, Elad Lassry, Katja Mater, Laurel Nakadate, Lisa Oppenheim, Noel Rodo-Vankeulen, Torbjørn Rødland, Joachim Schmid, Penelope Umbrico, Useful Photography (Hans Aarsman, Claudie de Cleen, Julian Germain, Erik Kessels and Hans van der Meer), Charlie White, Ann Woo and Mark Wyse. Includes notes on the contributors. Designed by Katherine Hughes. 104 pp., with 53 four-color plates. 10 x 7-3/4 inches. This first edition was limited to 2000 copies. New in publisher's shrink wrap. From the publisher: "Lay Flat 02: Meta brings together a selection of contemporary artists whose photographs are conceptually engaged with the history, conventions and materiality of the medium itself.".

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

151 S., 4 Bll. mit zahlreichen Abbildungen. sehr gutes Exemplar. Sprache: Englisch Gewicht in Gramm: 1200 4°. 28,5 x 23,8 cm. Orig.-Karton mit Orig.-Umschlag.

Hardcover. Zustand: Very Good. No Jacket. Minor shelf and handling wear, overall a clean solid copy with minimal signs of use. Clean and unmarked pages. Moderate loosening to binding. Secure packaging for safe delivery.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

paperback. Zustand: Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing, fanning, inscriptions, margin notes, yellowing, staining on edge or cover or pages, bumps, scuffs, etc etc (sometimes multiple of these). It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.

Softcover. Zustand: Sehr gut. 1. Auflage. Z : 10,6 x 16,5 cm, 608 pages, 128 color & 350 b/w illustrations - Since 2008, Walead Beshty photographs the art people he works with at every stage of his projects. This first volume features a gallery of black and white portraits spanning from 2008 to 2012.

Paperback. Zustand: Brand New. 502 pages. 6.50x4.25x1.25 inches. In Stock.

Paperback. Zustand: Brand New. 502 pages. 6.50x4.25x1.25 inches. In Stock.

Gebundene Ausgabe. Zustand: Gut. 100 S. Alle Bücher & Medienartikel von Book Broker sind stets in gutem & sehr gutem gebrauchsfähigen Zustand. Die Ausgabe des gelieferten Exemplars kann um bis zu 10 Jahre vom angegebenen Veröffentlichungsjahr abweichen und es kann sich um eine abweichende Auflage handeln. Unser Produktfoto entspricht dem hier angebotenen Artikel, dieser weist folgende Merkmale auf: Altersentsprechend nachgedunkelte/saubere Seiten in fester Bindung. Ohne Schutzumschlag. Sprache: Englisch Gewicht in Gramm: 900.

Cloth. Zustand: Fine Condition. Zustand des Schutzumschlags: No Jacket, As Issued. 86 pages. Hardcover exhibition catalogue, bound in illustrated paper covered boards with a canvas spine. A pinpoint spot of red ink on the left edge, but still essentially a sharp, clean, tight, and essentially as new condition with a binding in solid condition, and an interior that is clean and clear of markings. Text in English. Illustrated beautifully. Published on the occasion of the exhibition held from May 1-June 7, 2014.

Paperback. Zustand: Brand New. 192 pages. 11.00x9.25x0.75 inches. In Stock.

Softcover. Zustand: Sehr gut. 1. Auflage. Z : 24 x 29 cm, 192 pages, 146 color & 20 b/w illustrations - This reference monograph, realized in close collaboration with the artist, presents a 10-year overview of Walead Beshty's approach to photographic and sculptural representation. Alongside with new commissioned essays by Suzanne Hudson, Nicolas Bourriaud, as well as a conversation between Bob Nickas.

Softcover. Zustand: Sehr gut. 1. Auflage. Z : 24 x 29 cm, 192 pages, 146 color & 20 b/w illustrations - This reference monograph, realized in close collaboration with the artist, presents a 10-year overview of Walead Beshty's approach to photographic and sculptural representation. Alongside with new commissioned essays by Suzanne Hudson, Nicolas Bourriaud, as well as a conversation between Bob Nickas.

Soft cover. Zustand: Very Good. 1st Edition. 9" x 11.5" softcover book in card wraps with French flaps. 121pp. with illustrations in color. Text in English and Russian. Clean and unmarked. Binding sound. Catalogue of a 2009 group exhibition featuring artists Walead Beshty, Matthew Brannon, Wade Guyton, Sterling Ruby, and Kelley Walker. Curated by Maria Baibakov and Kate Sutton. Wraps with subtle rubbing, minimal shelfwear excepting a heavy bump at foot of spine and a small bump to front upper corner. Page interiors crisp. Overall very good condition.

Soft cover. Zustand: Very Good. Contributions from over 50 writers and artists. Paperback with French flaps. Small 6x2cm strip neatly cut from opening page. Otherwise a fine copy with no marks to inside pages and no reading crease to spine. Binding is firm. 240 pages. s230.

330 p 25 cm Encuadernación en cartoné editorial. Estado de conservación: Bien.

First edition and first printing. Hardcover. 863 pages. Edited and with an introduction by Walead Beshty and with a foreword by Maja Hoffmann and Tom Eccles. Includes numerous illustrations. A fine copy in illustrated boards. No dust jacket as issued. Signed and inscribed by Beshty on the title page and uncommon as such.

Paperback. Zustand: Brand New. 01 edition. 376 pages. French language. 8.25x6.50x1.22 inches. In Stock.

Zustand: as new. Wie neu/Like new.

Hardcover. Zustand: New. 1st Edition. First edition, first and only printing. Hardcover. Photographically illustrated laminated paper-covered boards, no dust jacket as issued. Photographs by Tim Davis. Texts by Bill Berkson and Walead Beshty. 72 pp., with 48 four-color plates, beautifully printed on fine matte art paper. 13-3/4 x 13 inches. This first edition was limited to 1000 copies. New in publisher's shrink-wrap. From Bill Berkson: "Davis is a sort of new-fangled Luminist, attuned to visuality in our current variant of the frenetic urbane. Luminism starts from an initial wonder: What is it about objects that allows us to see them?" From the publisher: "Throughout his various bodies of work, Tim Davis photographs "grand and gorgeous failures of light to sync up to its supposed functions." In Permanent Collection, he focuses on paintings in museums, photographing them from oblique angles so that existing museum lighting glares off the paintings' surfaces, changing their often-reproduced meanings. By then enlarging the photographs to the size of the original painting, the light is allowed to do more than illuminate a painting's image, but instead can obscure, erase, add humor, sadness, strangeness or narrative to objects we think of as fixed and permanent. Davis's work has been widely exhibited and written about, and is included in numerous collections, including The Museum of Modern Art, New York, the Guggenheim Museum, and Fotomuseum Winterthur. Permanent Collection opens with essays by Bill Berkson and Walead Beshty. This first printing is limited to 1,000 hardbound copies.".

Hardcover. Zustand: Sehr gut. 1. Auflage. Z : 17 x 24 cm, Hardcover, 864 pages, 370 color & 220 b/w illustrations. - Curated by Walead Beshty, the book Picture Industry explores the rich history of mechanically reproduced imagery from the 19th century to the present. It reflects upon transformations in the production, distribution, and consumption of photographic images as realized through its varied constructions of the corporeal, from its origin as a scientific tool and a means of cultural investigation to its phenomenological effects on the viewer. The exhibition complexifies traditional accounts of the medium, drawing on its application within science and the humanities to contemporary art, and includes works and photographic documents by over 100 artists and practitioners spanning the late 19th century to the present.

Zustand: Good. 4to. 176 pp. Soft Cover. Very Good+. Printed pictorial paper wraps with French folds. Color plates throughout. ISBN: 9780917493423 0917493427.

Zustand: New. What does it mean to be in the studio? What is the space of the studio in the artist s practice? How do studios help artists envision their agency and, beyond that, their own lives? This title locates the studio both spatially and conceptually - at the cent.

Hardcover. Zustand: Fine. 1st Edition. First edition, first and only printing. Signed in blue ink on the half-title page by Davis. Hardcover. Photographically illustrated laminated paper-covered boards, no dust jacket as issued. Photographs by Tim Davis. Texts by Bill Berkson and Walead Beshty. 72 pp., with 48 four-color plates, beautifully printed on fine matte art paper. 13-3/4 x 13 inches. This first edition was limited to 1000 copies. Fine. From Bill Berkson: "Davis is a sort of new-fangled Luminist, attuned to visuality in our current variant of the frenetic urbane. Luminism starts from an initial wonder: What is it about objects that allows us to see them?" From the publisher: "Throughout his various bodies of work, Tim Davis photographs "grand and gorgeous failures of light to sync up to its supposed functions." In Permanent Collection, he focuses on paintings in museums, photographing them from oblique angles so that existing museum lighting glares off the paintings' surfaces, changing their often-reproduced meanings. By then enlarging the photographs to the size of the original painting, the light is allowed to do more than illuminate a painting's image, but instead can obscure, erase, add humor, sadness, strangeness or narrative to objects we think of as fixed and permanent. Davis's work has been widely exhibited and written about, and is included in numerous collections, including The Museum of Modern Art, New York, the Guggenheim Museum, and Fotomuseum Winterthur. Permanent Collection opens with essays by Bill Berkson and Walead Beshty. This first printing is limited to 1,000 hardbound copies." Signed by Author.