Produktart
Zustand
Einband
Weitere Eigenschaften
Gratisversand
Land des Verkäufers
Verkäuferbewertung
Verlag: Recklinghausen, Verlag Aurel Bongers. 1967, 1967
Anbieter: Antiquariaat Schot, Hendrik-Ido-Ambacht, Niederlande
163 p. Cloth with dustjacket.
Verlag: Bongers, Recklinghausen, 1967
Anbieter: terrahe.oswald, Gangkofen, Deutschland
Gr.-8°. 163,(1) S., mit zahlreichen, teils farbigen Abbildungen. Orig.-Pappband mit Umschlag. Umschlag gering berieben.
Verlag: Wiesbaden: Harrassowitz., 1966
Anbieter: Antiquariat Schwarz & Grömling GbR, Berlin, Deutschland
Verbandsmitglied: GIAQ
4°. 25,5 x 26 cm. 218 S. und Tafeln. Original Leinen mit Rücken- und Deckeltitel. Schutzumschlag mit Rücken- und illustriertem Deckeltitel. Obere Ecke etwas gestaucht, leichte Gebrauchsspuren, insgesamt guter Zustand. (= Veröffentlichungen der Museums für Indische Kunst Berlin. Band 2, Teil 1). 5 Farbtafeln, schwarzweiße Abbildungen auf 28 Tafeln.
Verlag: Berlin, Museum für Indische Kunst, 1975., 1975
Anbieter: Versandantiquariat Lange, Berlin, Deutschland
Part II. Ragamala-Pictures from Northern India and the Deccan. 559 Seiten, zahlreiche Abbildungen, zum Teil farbig. Leinen. Zustand: 2+, neuwertig. Mit dem originalen Schutzumschlag. Gewicht über 1000 Gramm, Versandkosten weichen ab.
Verlag: Wiesbaden, Harrassowitz,, 1966
Anbieter: Göppinger Antiquariat, Göppingen, Deutschland
Buch
26 x 26 cm, Leinen mit OSchU. 218 S. mit Abb. Schutzumschlag mit Einrissen, berieben und angeschmutzt. Besitzerstempel auf Titel. Innen sauber. Gutes Leseexemplar. Sprache: Deutsch Gewicht in Gramm: 1100.
Verlag: Wiesbaden, Otto Harrassowitz,, 1966
Anbieter: Antiquariat Matthias Drummer, Berlin, Deutschland
218 Seiten. Mit zahlreichen, teils farbigen Abbildungen, Zeichnungen, Karten und mit Literaturverzeichnis. Gutes Exemplar. Sprache: Deutsch, Gewicht in Gramm: 1064. Original-Leinen, 26x26cm, Zustand: 2.
Verlag: Otto Harrassowitz; Wiesbaden, 1967
Anbieter: Fundus-Online GbR Borkert Schwarz Zerfaß, Berlin, Deutschland
Buch
Zustand: Gut. 218 S.; Illustrationen; 26 cm. Gutes Exemplar. - INHALT : Introducing and summarizing informations --- Introduction --- Miniature paintings in early Indian manuscripts --- The deification of melodies in manuscripts illustrated in the Western style of painting --- Miniature painting during the period of the Mughal dynasty --- The popular Mughal style and its influence on the local Indian schools of painting --- New ways of representing miniatures of musical inspiration --- The relations of miniatures of musical inspiration from Rajasthan and the Deccan to treatises on music from Hanu-mat's school --- Summarizing informations --- The Pahari Ragamala iconography --- The Berlin Pahari Ragamala (Section I): i Framing State of preservation coloration use of gold Partition of the pictorial space; the sky area Scenery in the open countrv Scenery in front of buildings Designs decorating portals and other components of palatial buildings --- The Berlin Pahari Ragamala (Section II): The acting persons Men's garment Women's garment Furniture and utensils Arms and musical instruments Animals --- Provenance and dating of the Berlin Pahari miniatures :: musical inspiration: General remarks on styles within the Pahari miniature painting Berlin miniatures of musical inspiration in varieties of the Basohli style Berlin miniatures of musical inspiration in the Kangra style --- Iconography --- The series of the Ragas Raginis and Ragaputras in --- alphabetical order --- Abhiii Ragini - Agada (Angada) Ragaputra - Andhiydli (Andhryari) Ragini --- - Asavaii Ragini - Bhaizava Raga - Bhaiiavi Ragini - Bhaskaia (Vi-bhasa] Ragaputra - Bhiamaiananda Ragaputra - Campaka Ragaputra - Candia(bitnba) Ragaputra - Candm(kdsa) Ragaputra - Desdkha Ragaputra - Devagandhdii (Gandhari) Ragini - Devagiii Ragini - Dhanasn Ragini - Dipaka Raga - Gajddhaia Ragaputra - Gambbiia Ragaputra - Gauda (Gumda) Ragaputra - Gauda (Gumda-Malara Mallara) Ragaputra - Gauda-Malldn (Gurnda-Malaraki Mallara) Ragini - Gaudi (Gauri) Ragini - Gudaii [Gurndagri Gumdagirika) Ragini - Gnjail (Gurjari) Ragini - Haisa Ragaputra - Hemala Ragaputra --- - Hindola Raga - Jalddhdia (Jalamdhara) Ragaputra - Kdccheli Ragini - Kalinga Ragaputra - Kamala Ragaputra - Kdmodi Ragini - KZnaxa Ragaputra - Kamdti Ragini - Kaumkani (Kurpkum) Ragini o- Kausa Ragaputra Plate A - Kedaia Ragaputra - Khokhaia (Sosara) Ragaputra - Kumbha Ragaputra - Kuntala Ragaputra - Kusuma Ragaputra - Lahula Ragaputra - Lalita Ragaputra - Mddhava Ragaputra - Madhu Ragaputra - Mdlakausa Raga - Mdlava Ragaputra - Mangala Ragaputra - Mdiu Ragaputra - Maydda (Mevada) Ragaputra - Megha Raga - Mistdnga Ragaputra - NaiandTdyana (Natanarayana) - Nata Ragaputra Plate D - Pancama Ragaputra - Vataman)ail Ragini - Punyaki Ragini - Rama Ragaputra - Rdmagin Ragini - Sandehi (Sneha) Ragini - Sankaiabhaiana Ragaputra - Sdianga (Gunasagara) Ragaputra - Saved Ragini - Sindhu (Saindhava) Raga . (u.v.a.) // The works of the Western school have gained considerable importance with regard to the further development of miniature painting in India, in so far as this style of painting has survived the Muslim conquest, and was practised up to the 16th century. Its oldest examples are found in the manuscripts of the religious community of the Jainas of Gujarat. The Western manner of expression is, in essential, linear, and differs strongly from the more plastic style of the Eastern school; it is also highly conventional, and its main features seem hardly to change from the nth to the 14th century. This is supposed to be a consequence of the religious character of this art. The illustration of manuscripts was in fact done not because of pure delight in art, but in order to gain religious merit. In those times, well-to-do laymen engaged scribes and illustrators for the manufacture of copies of important religious texts, which were written with precious materials, provided with decorative frames or borders, and adorned with symbols. Saints and the devotional legends they are the subject of, were reproduced therein in a stereotyped manner. Veritable pictograms for certain objects as river, wood, plants, house, and the like were used by the artists, and even the bodies of human or divine beings were submitted to some sort of ornamentalism. Sometimes, the persons are shown in a strict front view, stereotyped, like heraldic figures,- mostly, however, the bodies are painted in a motionless three-quarterview, occasionally with frontally seen shoulders and side-ward feet. What is most striking, is the representation of heads and faces. The hair and forehead appear in a three-quarterview, but the very pointed and relatively long nose juts out over the outlines of the forehead and cheek, and the lower part of the face with mouth and neck is shown in side-view. A characteristic of this style, lasting for centuries, is the pointedly oval second eye protruding beyond the face, the existence of which is thus rendered doubtless. The charm of the miniatures consists in the bright colours placed directly beside one another. Red, blue, white, green, and black are the main colours. The ample use of gold-leaf raised the value of such pious donations which were intended for respected religious teachers. Several libraries of the Jainas are abundant with that kind of precious manuscripts. Since the replacement of palm leaf manuscripts by those made of paper in the second half of the 14th century, the get-up of the books became still more exuberant; for, now it was possible to enlarge the height of the pages, whilst the oblong shape was preserved; on account of this change in size, the insertion of correspondingly larger illustrations was feasible. (Einleitung) Sprache: Deutsch Gewicht in Gramm: 800 Goldgeprägter Originalleinenband.
Verlag: Wiesbaden, Otto Harrassowitz u. Berlin, Museum für Indische Kunst., 1966 + 1975., 1966
Anbieter: Antiquariat Kunsthaus-Adlerstrasse, Stuttgart, Deutschland
Buch
2 Bde. 218 S. mit Abb. u. XII u. 79 Abb. auf Tafeln und 559 S. u. 148 Abb. auf Tafeln. Band I auf deutsch, Band II auf englisch. Umschl. mit leichten Gebrauchsspuren. Gutes Exemplar. Sprache: Deutsch Gr.-8°, Orig.-Leinen mit Orig.-Schutzumschlag.
Zustand: Good. Good condition. German. (Nepali art, exhibition catalogs, books in German) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.
Verlag: The Hague, Haags Gemeentemuseum,, 1967
Anbieter: Books and Beaches, Anna Bechteler, Icking, Deutschland
Buch Erstausgabe
Zustand: Sehr gut. Original softcover binding, 112 pages and 93 plates. Important exhibition catalogue, most objects lent by Nepalese museums - nowadays no longer to be seen in exhibitions. Dutch edition and as such quite uncommon. Sprache: Niederländisch Gewicht in Gramm: 570.
Verlag: Elek., London., 1969
Anbieter: Asia Bookroom ANZAAB/ILAB, Canberra, ACT, Australien
82 black and white and colour photographic plates, 160pp, biographical note, index, foxed edges and endpapers, dustjacket worn with some closed tears and soiling, a sound hardback copy. First published in German in 1967, this edition was translated by David Wilson.
Verlag: Elek., London., 1969
Anbieter: Asia Bookroom ANZAAB/ILAB, Canberra, ACT, Australien
5 black and white photographic plates laid down from another publication first leaves, 82 black and white and colour photographic plates, opening a little between gatherings in one section, 160pp, biographical note, index, good copy in slightly damaged dustjacket, now protected. First published in German in 1967, this edition was translated by David Wilson.
Verlag: London: Elek Books, [1969]., 1969
Anbieter: D & E LAKE LTD. (ABAC/ILAB), Toronto, ON, Kanada
Erstausgabe
Hardcover. 8vo. pp. 160. profusely illus. on many double-sided plates, incl. in the pagination (some colour). biblio. index. cloth. First Edition of the English Translation.
Verlag: Elek., London., 1969
Anbieter: Asia Bookroom ANZAAB/ILAB, Canberra, ACT, Australien
82 black and white and colour photographic plates, 160pp, biographical note, index, foxed edges and endpapers, front free endpaper stamp lower corner, price clipped dustjacket worn with some tearing, a sound hardback copy. 25 x 19cm. First published in German in 1967, this edition was translated by David Wilson.
Erscheinungsdatum: 1967
Anbieter: Boston Book Company, Inc. ABAA, Boston, MA, USA
WALDSCHMIDT, Ernst and Rose Leonore. NEPAL: ART TREASURES FROM THE HIMALAYAS. New York: Universe Books, (1970). HC w/dj. About very good. Art.
Verlag: Otto Harrassowitz, 1967
Anbieter: World of Rare Books, Goring-by-Sea, SXW, Vereinigtes Königreich
Zustand: Good. 1967. No edition remarks. 218 pages. No dust jacket. This is an ex-Library book. Brown cloth covered boards with gilt. Colour and black and white illustration plates throughout. Ex library copy with associated labels, inserts, stamps and annotations. Pages remain bright and clean. Binding remains firm. Boards have light shelf wear with minor corner bumping and crushing to spine ends. All surfaces tanned and sunned, particularly spine. Gilt lettering to spine is dulled but remains brighter on front.
Verlag: Otto Harrassowitz Wiesbaden, 1967
Anbieter: Antiquariat Herold, Berlin, Deutschland
fester Einband. . Brauner Ganzleineneinband, 25,5 x 25,5 cm, 218 Seiten mit Abb. im Text, Figures I-XII, Figures 1-79. * sehr guter Zustand. Text Englisch. (K54). 1100 gr.