vulgate (51 Ergebnisse)

Paperback. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less 1.01.

Paperback. Zustand: Brand New. 1408 pages. 8.00x5.60x1.20 inches. In Stock.

Zustand: New.

Paperback. Zustand: Brand New. 1408 pages. 8.00x5.60x1.20 inches. In Stock.

Paperback. Zustand: Brand New. 1408 pages. 8.00x5.60x1.20 inches. In Stock.

Leather Bound. Zustand: Brand New. lea edition. 1408 pages. 9.00x6.00x1.50 inches. In Stock.

Imitation Leather. Zustand: Brand New. 1408 pages. 8.80x6.00x1.50 inches. In Stock.

Hardcover. Zustand: Good. No Jacket. Genesis to Esther. Overall Condition: Good. No Dust Jacket. Cloth colour: burgundy. Remarks: Fading and shelf damage to cloth. Personalised inscription and foxing to flyleaf. Spine intact. Pages yellowed with some foxing in places. Foxing also to page edges. Number of Pages: 739. book.

Hardcover. Zustand: Good. No Jacket. Job to Machabees. Overall Condition: Good. No Dust Jacket. Cloth colour: Burgundy. Remarks: Fading and shelf damage to cloth. Yellowing and foxing to flyleaf. Spine intact. Pages yellowed with some foxing in places. Foxing also to page edges. Number of Pages: 741-1604. book.

Couverture rigide. Zustand: Assez bon. Rome/Tournai/Paris, Desclée/Société de Saint-Jean-l'Évangéliste, 1935 ; in-8° relié plein skivertex (trace d'étiquette sur le premier plat), huit planches hors texte, XXVI-289 pp.

Couverture souple. Zustand: Moyen. Société De Saint Jean L'Évangéliste, 1942. 1 volume broché in-18 couv usagée.

in-8, demi-chagrin vert, plats percaline, titre à l'or, 170 pages. Bon état.

Couverture rigide. Zustand: Très bon. Stuttgart, Deutsche Bibelgesellschaft, 1983 ; in-8° relié pleine toile verte, 958-1980 pp. (pagination continue).

Couverture rigide. Zustand: Satisfaisant. Paris, Letouzey et Ané, 1887 ; in-8° relié demi-balacron à coins, dos lisse, pièce papier portant titre manuscrit, un cahier fragilisé en fin de volume, XII-1366-28* pp.

In 8 (cm 18 x 26), pp. 20 con foto nel testo.ÂBrossura editoriale. Saggio in inglese relativo alla riforma della Vulgata voluta da papa Pio X che affido' l'incarico ai benedettini del collegio internazionale di Sant'Anselmo sull'Aventino (di cui compare foto in bianco/nero nel testo). In fine vi e' l'elenco dei sottoscrittori delle donazioni raccolte per finanziare il lavoro dei Benedettini. ITA.

Couverture rigide. Zustand: Bon. Le Nouveau Testament traduit en français d'après la Vulgate par l'abbé Jean-Baptiste Glaire Jean de Bonnot 1972 546p + 63p de notes 27,5x21cm Couverture avec toutes petites traces de frottements dans les coins, quelques rousseurs sur la tranche, intérieur propre et en bon état.

Couverture souple. Zustand: Très bon. Stuttgart, Deutsche Bibelgesellschaft, 1983 ; fort in-8° cartonnage éditeur, introduction en latin, allemand, français et anglais, texte en latin sur 2 colonnes, XXXI-1980 pp.

Couverture rigide. Zustand: bon. RO30371026: 1885. In-16. Relié. Etat passable, Coins frottés, Dos satisfaisant, Papier jauni. 559 pages. Rousseurs. Deux colonnes de texte. . . . Classification Dewey : 220-Bible.

Couverture souple. Zustand: Moyen. L. Curmer Éditeur, 1836. 1 volume format In-8 1 vol in-8 reliure chagrin noir, filets et motif dorés, dos orné, illustrations par MM. Tony Johannot, Cavelier, Gérard-Seguin et Brevière.

Couverture rigide. Zustand: Satisfaisant. Cologne [Coloniae], Samuel de Tournes [Sumptibus Tornaesiorum], s. d. [1760-1790] ; in-8° relié pleine basane de l'époque (coins émoussés, dont deux très usés, quelques épidermures), dos à nerfs richement orné (coiffe supérieur ébréchée et coiffe inférieure en partie manquante), tranches rouges, page de titre rouge et noir comportant la marque de l'imprimeur (au centre, la devise : « Quod tibi fieri non vis alteri ne feceris »), mouillure claire dans les marges centrales des pp. I-15 (page de titre, introduction et Ancien Testament) et 150-256 (Nouveau Testament), texte sur deux colonnes, XXII-632-256 pp.

Couverture rigide. Zustand: Bon. Paris, Antoine Vitré, 1652 ; 8 volumes in-12 reliés plein maroquin rouge, dos à nerfs richement ornés (deux coiffes très légèrement frottées), triple filet or encadrant les plats, avec petits écoinçons aux angles, tranches dorées marbrées, culs-de-lampe. On trouve en tête du premier volume un beau titre-frontispice baroque et monumental gravé sur cuivre. Très bel exemplaire en excellent état, complet.

Hardcover. Zustand: VERY GOOD. xxiv, 1484pp. Rebound in black cloth with gilt spine lettering. From the non-circulating collection of Golden Gate Baptist Seminary with their bookplate noting donation from the library of Edward R. Dalgish as the only paraphernalia. Text entirely clean and fresh - a nice copy.

Couverture rigide. Zustand: Assez bon. Paris, Editeur L. Curmer, 1836. Grand et fort In-8 (267x175 mm), LXXX-263+440 pages (avec tables). Livre relié, Demi-Cuir, Dos orné de motifs dorés - Reliure d'époque signée Andrieux. Frontispice en chromolithographie. Nombreuses illustrations en noir hors-texte de MM. Tony Johannot, Cavelier, Gérard-Séguin et Brevière - Texte encadré. Reliure en bon état général malgré des frottements aux charnières, aux coupes et à la coiffe supérieure. Intérieur présentant des rousseurs éparses assez importantes par endroits. Poids : 2010 gr.

4to. 93, 16, 793, 228pp. With numerous full-page and text-illustrations. Contemp. full black calf with panelled covers, richly gilt, embossed and gilt edges, with 2 metall clasps. Family register and marriage certificate with contemp. handwritten entries. - 2 of the chromolithogr. plates with copyright imprint 1874 resp. 1876. - Four plates with a few marginal small tears, one plate with small missing corner piece otherwise a very good copy.

Couverture rigide. Zustand: Bon état. 2 volumes. In-32 12 x 6 cm. Reliures de l'époque maroquin grenat, dos lisses ornés de fers dorés, plats encadrés d'un triple filet doré, contreplats encadrés de roulette dorée, pages de gardes dominotées, vignette au titre, 661 pp. en pagination continue, index epistolarum et evangeliorum. Plats et contreplats brunis. Texte en latin.

Hardcover. Zustand: Very good. First edition, thus. Two tomes (each in two parts), bound in one volume, folio: [6], lxxix, [1, blank], 544; [1, title], [1, blank], [545]-957, [1, blank], xx (Cantique des cantiques), 96 (La sagesse; Ecclesiastique de Jesus fils de Sirach); [1, title], [1, blank], 468; [1, title], [1, blank], 430, 16 (Oratio Manassae; Liber Esdrae - tertius et quartus) pp. Main titles for each tome in red and black; secondary titles in black only (all four titles with engraved printer's device; each dated 1701). Text in two columns (Latin and French). Illustrated with 6 engraved plates: frontispiece (Johann Friederich Karg von Bebenburg); folding plate with 16 vignettes (4x4) depicting well-known biblical scenes; 4 folding maps (The Holy Land; The Promised Land Apportioned by Tribe; Jerusalem in the Second Temple Era - after Lamy; The World Known to the Evangelists). Quarter-page engraved vignettes at the head of each of the 30 biblical books; historiated initials; printed marginalia. Exquisitely bound in the 19th century in levant morocco extra over wooden boards, with mosaic compartments in crimson, ochre; and dark brown bordered in fine gilt line; spine with raised bands (lightly rubbed); pair of brass mounts, finished in black, with steel rivets at both covers (clasps and catched perished). All edges gilt and elaborately gauffered in textured floral motif; gilt inner dentelles; decorative endleaves (renewed) in orange and black; crimson silk ribbon marker. The work of a master binder. Expertly repaired at spine caps. Occasional faint embrowning; marginal dampstains beginning in second half (mostly at outer corners; expanding to fore-edge and darkening considerably in final 20 leaves). Overall a very good copy, with crisp text throughout, though incomplete: lacks Antoine Arnould's "Concorde des quatre Evangélistes," along with its accompanying Latin version and the concluding index. Amply margined copy of this sumptuous edition of the Bible, comprising the Latin Sixto-clementine Vulgate and the Port-Royal French translation printed in parallel columns. Isaac-Louis Lemaistre de Sacy (1613-1684) was the principal translator of the French version, which was edited and completed after his death by Pierre Thomas du Fossé (1634-1698) and Henri-Charles de Beaubrun (1655-1723), who also provide annotations throughout. According to Barbier, the French controversialist Thierry de Viaixnes (1659-1735), who found himself often at odds with his superiors, was the principal editor of the work; at the time of its preparation he was serving as director of an academy at Hautvilliers in the diocese of Rheims (McClintock & Strong). Dedicated to Johann Friederich Karg von Bebenburg (1648-1719), whose signed portrait was drawn and engraved by C. Gustav of Amling. An advocate of maximal papal power, Karg served as Privy Councilor of the Prince-Bishop of Bamberg and Würzburg, Peter Philipp von Dernbach, then of Elector Max Emanuel of Bavaria. He served as Dean of Our Lady in Munich, and was entrusted by Emperor Leopold I with a legation to Pope Innocence XI. By these efforts he secured in 1688 the election of Prince Joseph Clemens of Bavaria as Archbishop of Cologne, as a result of which he was made Chancellor and Minister of State (here noted on the frontispiece). Provenance and annotations: Bookplate of Herman Blum (Blumhaven Library & Gallery), with his ticket below; two gilt-stamped ex-libris morocco labels: Henry W. Poor (oval); Adolph Lewisohn (octogonal). References: Darlow & Moule 3779; Deleveau & Hillard, Bibles imprimées du XVe au XVIIe siècles conservées è Paris, 605; ADB 15 (1882), "Karg: Johann Friedrich;".

2 volumes bound as 1. Extraordinary copy of the first edition, published by Moretus (Moerentorf) & Van Keerberghen, of the famous Moerentorf Bible in the vernacular Dutch language, printed in 1599, especially interesting for its vivid contemporary hand-colouring and for its richly blind-tooled contemporary binding. The authoritative Moerentorf Bible or Moretus Bible, was a revision of the 1548 Louvain Bible in Dutch, but corrected based on the improved Latin Vulgate of 1592 published by the authority of Pope Clement VIII. The Moerentorf Bible met extraordinary success and "became the standard Bible for Dutch Roman Catholics" (Darlow & Moule) for almost three centuries, being repeatedly reprinted as the official Dutch translation of the Vulgate in the Low Countries.Jan Moerentorf, better known as Jan I Moretus, published this revised Dutch translation of the Old and New Testament together in 1599 with the title Biblia sacra. The first woodcut of the Old Testament, in Genesis, is signed "P.B" by Peter van der Borcht, a Flemish painter, draughtsman and etcher who was full-time assistant to Christopher Plantin and illustrated many of his liturgical works. The other woodcut illustrations in the Old Testament are copied from the engraved print series of the German painter and printmaker Hans Sebald Beham (1500-1550), who was especially known for his very small engravings. The present edition appeared in two issues, one with the imprint of Moretus alone and the present one with the imprint of both Moretus and Van Keerberghen. Poortman shows a completely different first woodcut illustration (not signed P.B.) for the Moretus version, says its other illustrations are printed from a different series of blocks, differing in detail and rendering the scenes in mirror image, and also notes differences in the orthography. With the bookplate (on the front paste-down) and library stamp (on a free endleaf, the back of the title-page, and the first text page) of Wetenschappelijke Bibliotheek Eindhoven, the former monastic library of the Augustinian monastery in Eindhoven and one of the most important scholarly theological libraries of the Netherlands. Also with one contemporary annotation on Pp1 of the Old Testament.Binding slightly worn around the edges, especially around the spine, edges a little dust-soiled and some damage to the back board where the leather fastenings were originally attached to the boards with brass pins. Minor marginal stains, spots and dust-soiling, mostly in the first part, and a few creases throughout the book, a small tear in the right lower corner of Oo6 in the Old Testament (not affecting the text), a larger tear (partly restored) and restoration in the foot margin in L6 of the Old Testament. The colouring of the initials and woodcuts has slightly browned the paper. Overall, however, the Bible is in good condition. A beautiful copy of one of the most important Dutch Bibles ever published, here in a richly blind-tooled contemporary binding and complete with all the illustrations coloured by a contemporary hand.l Belgica typographica 1541-1600, 473 & 7886; Biblia Sacra 1599.B.dut.JM1.A; Bibliotheca Catholica Neerlandica impressa 4529; BM STC Dutch, p. 24; Darlow & Moule 3300; Dirk Imhof, Jan Moretus and the continuation of the Plantin press (1589-1610), B-36B; Pettegree, Netherlandish Books 3891; Poortman, Bijbel en prent I, and pp. 131-133, 217; STCV 12923651; USTC 402496; not in Adams. Contemporary richly blind-tooled calf over wooden boards, sewn on 5 supports, with brass catchplates, remnants of leather strap fastenings, brass corner pieces on all corners and a brass centrepiece on each board, all with brass bosses. With an engraved title page (coloured by a contemporary hand with extensive use of gold) showing Moses on the left, David on the right, and the four evangelists below, and 90 woodcuts in the text of both the Old and the New Testament, all except one vividly coloured by a contemporary hand. The woodcuts in the Old Testament after a series by Hans Sebald Beham, except for the first by Peter van der Borcht, signed "P.B."; those in the New Testament are by an unidentified artist. Further with numerous woodcut decorated initials and headpieces, also coloured by a contemporary hand. Set in two columns of gothic textura type with the marginal notes, chapter headings and preface in roman type. Pages: [4], 410; [106] ll.

7 volumes bound as 9 (Old Testament I-VII & New Testament I-II). A small Latin Vulgate bible printed by the Plantin-Moretus office in Antwerp, the smallest-format edition of the Sixtine-Clementine authorized Catholic text. The first volume of the Old Testament has only the engraved general title-page, while each of the remaining Old Textament volumes as printed has a separate volume title-page naming the books it covers (including the volume with the apocrypha, miscellaneos texts and the indexes. After the general title-page follow a preface to the reader, the decree of the Council of Trent, "Paulus Papa V. Ad futuram rei memoriam" (Pope Paul V died in 1621) and a privilege, dated Brussels, 1611. The Old Testament also has prefaces to the books. The New Testament has no preliminaries except its title-page. In 1546 the Council of Trent ordered a revision of the Vulgate Latin Bible to establish an authorized Catholic text. Pope Sixtus V ordered the preparation of the new edition, printed by the Vatican Press and published in 1590. The book has been variously described as 12mo, 16mo and 24mo, but it is in fact a 24mo in 8s. The three divisional titles possibly printed specially for this copy have vertical chainlines and may be in 18mo format. The binding stamps are finely cut and skilfully applied, especially the curls on the spine, so it is likely to have been executed by one of the great French binders of ca. 1700.With an owner's inscription on a free endleaf in volume IV as bound ("ce livre apartient a monseigneur L[']Evesque D[']Evreux"), presumably Jean Le Normand (1662-1733), Bishop of Evreux from 1711 to his death, whose bookplate appears in 7 of the 9 volumes: the handwriting is old-fashioned for 1711, so the book could have come to Le Normand from an earlier Bishop of Evreux, but perhaps he simply wrote in an old-fashioned style. The pagination of volume ii accidentally omits numbers 577-578 but no leaf is missing there. Very slightly browned, with an occasional minor spot and with the library stamps on the letterpress title-pages abraded, but still generally in very good condition. With small cracks in the hinges of 4 volumes, minor wear on the board edges and corners, and volume III as bound (vol. ii as printed) darkened, but the binding is also otherwise in very good condition, with the tooling clear and sharp. A lovely little Catholic bible beautifully bound ca. 1700 in French gold-tooled red morocco, an unusually small format for a Catholic bible.l Darlow & Moule 6211 (New Testament only); STCV 6650952; USTC 1003882; not in www.bibliasacra.nl. Uniform gold-tooled goatskin morocco (ca. 1700), sewn on 4 supports, richly gold-tooled spines, gold-tooled turn-ins and board edges (the boards in a panel design, each board with a double frame of triple fillets, the inner 2 fillets in each frame closer together than the outer, with an ornament stamped on the intersections of the fillets at the corners of both frames, and a flower in each corner between the frames, with its head toward the corner; the spine with the title - "BIBLIA|SACRA" or "NOVVM|TESTA" - and volume - "TOM. I." etc. - in the 2nd of 5 compartments, "INDEX" in the 3rd compartment of volume VII, and the other compartments filled with curls and dots: a style sometimes called "grotesque"), gold-tooled turn-ins, marbled pastedowns (blue, red, white and yellow, extensively swirled), headbands in green and white, gilt edges. Seven volumes with the ca. 1711 engraved armorial bookplate of Jean Le Normand (1662-1733), Bishop of Evreau, and probably bound for him (his bookplate probably removed from volumes II and III as bound). With a richly engraved general title page, 6 volume title pages (each with the same Plantin-Moretus woodcut compasses device), a smaller woodcut compasses device plus 3 (of 4) repeats (2 appear on the back of the colophon; each of the others on an otherwise blank leaf), woodcut tailpieces, woodcut decorated initials. Set in roman and italic types. The present copy with 3 extra letterpress divisional title pages, perhaps specially printed for this copy when it was bound. Pages: 574; [2], 575-729, [2], [5 blank]; "637" [= 635], [1], [1 blank], [4 blank] (in place of [1], [3 blank]); 192; 479, [1 blank]; 861, [2], [1 blank]; 128, [186], [6 blank]; 336, [2], 337-758, [2], [8 blank] pp.

Hardcover. Zustand: g. First edition thus. Folio. 76, 1080 columns (38, 540pp), 708 columns (354pp), [127]pp (plates). Splendid blind and gilt-stamped crushed full morocco with gold lettering and decoration on front covers and spines. Beveled edges. Raised bands. All edges gilt. Decorative endpapers. Double ribbon marker in each volume. Title pages in red and black lettering. Text in two columns within double red and black ruled box. This remarkable edition of The Old and New Testaments is magnificently illustrated with 127 captioned chromolithographs after classical and modern paintings by the most renowned German, Italian, Spanish, Dutch, and French artists, such as Ridinger, C. W. E. Dietrich, Luca Giordano, Andrea Appiani, Giorgio Barbarelli, Ferdinand Boll, Philippe de Champagne, Nicolas Poussin, Alessandro Turchi, Jean Germain Drouet, Carlo Dolci, Rafael Santi, Paolo Veronese, Francesco Barbieri, Leonardo da Vinci, Michelangelo, etc. Each plate is protected with a tissue-guard. Paper size 14 1/2 x 11 inches; image size varies (ca 11 x 8 1/4 inches). Spine of first volume slightly discolored. Spine and front cover of second volume partly discolored. Bottom edge of the first six leafs (first volume) and of the first four leafs (second volume) partly damaged by silverfish (not affecting pages throughout). Text in German, gothic script. Bindings in overall good+, interior in good+ to very good condition.

Zustand: Fair. in-8. 1836. relié. 440 pages. Grand et fort In-8 (267x175 mm) LXXX-263+440 pages (avec tables). Livre relié Demi-Cuir Dos orné de motifs dorés - Reliure d'époque signée Andrieux. Frontispice en chromolithographie. Nombreuses illustrations en noir hors-texte de MM. Tony Johannot Cavelier Gérard-Séguin et Brevière - Texte encadré. Reliure en bon état général malgré des frottements aux charnières aux coupes et à la coiffe supérieure. Intérieur présentant des rousseurs éparses assez importantes par endroits. Poids : 2010 gr. Fair.