volpi charles (19 Ergebnisse)

Hardcover. Zustand: Near fine. Zustand des Schutzumschlags: Good. XII, 17 p. + 184 b&w plates. 33 cm. Red cloth in dustjacket. Jacket has small tears, scuffs, and slightly faded spine. Inscribed by author on half title.

Hardcover. Zustand: Very good. Zustand des Schutzumschlags: Fair. xii, 17 p. + 181 b&w plates. Green cloth with pasted-on sepia illustration. Mylar-covered dustjacket has chips, tears and creases to edges. Small stain bottom front. Book itself has slightly bumped corners and spine ends.

Hardcover. Zustand: Very Good. No Jacket. Minor shelf and handling wear, overall a clean solid copy with minimal signs of use. Secure packaging for safe delivery.

Mit 189 Tafeln. XIV, 21 S., 1 Bl. Orig.-Leinen mit Schutzumschl. 33 : 25 cm. * "In this book are 188 reproductions of wood, copper and steel engravings, aquatints and lithographs, covering the work of the finest artists that visited the City of Quebec and vicinity, from 1608 to 1875. Their drawings, water colours or paintings were turned over to publishers and engravers to be put in printed form as decorative prints or illustrations . A chronology of the City of Quebec is embraced, brief and to the point, which will give the reader an important background of both the prints and this beautiful and historic area. Contemporary excerpts accompany each plate, and a brief biography of the artists and engravers who worked in Canada is also included." (Verlag) - Sehr gut erhalten.

Hardcover. Ref. F61224. 25x32. 200 pág. Enc. de la edit. con sobrec. Texto en frances. Fotos en b/n. Arte. 33-A Arte Sin categorizar.

EA. - First edition. 4°. Erste Auflage, XIV, 23 S., Tafeln, 1 Bl. OLeinen mit mont. Deckelbild / ill. editor's cloth (no dustjacket). Sprache: Französisch, Mit 189 Tafeln nach Kupferstichen, Stahlstichen, Holzschnitten etc. / With 189 plates. Einband gering berieben; Kapitale etwas bestoßen / Minimally rubbed and slightly knocked.

4°. XIV, 23 S., 189 Tfln., 1 S. Index. OLn. mit OU. (OU leicht angerissen. Widmung auf Titel).

A Pictoral Record. Historical Prints and Illustrations of the Province of Nova Scotia, Canada. 1605-1878. 1974. XII, 11 pages + 160 plates. 4:o. Original cloth in dustjacket with one-inch tear.[#61287].

Hardcover with dust jacket, Historical Prints and Illustrations of the Province of Nova Scotia, Canada 1605-1878, Heavily illustrated with black-and-white illustrations throughout, 160 pp.

Decorative cloth with picture of an old print of Toronto on the upper cover with original dust jacket, Size : 4to.

Zustand: A very good copy. contemporary full light blue cloth boards, title in gilt on flat spine, upper board with decorative gilt ruled illustration, blue dust jacket with the title on the upper cover and spine. , Historical prints and illustrations of the city of Quebec, Province of Quebec, Canada, 1608-1875.Charles P. de Volpi (1911 ? 1981) was an expert on Canadian postage stamps and postal history., Size : Small Folio, Text in English and French., Translation by Jules.

Zustand: A very good copy. contemporary full light burgundy cloth boards, title in gilt on flat spine, upper board with decorative gilt ruled illustration, pink dust jacket with the title on the upper cover and spine. , Historical Prints and Illustrations of the Niagara Peninsula Province of Ontario, Canada, 1697-1880.Charles P. de Volpi (1911 ? 1981) was an expert on Canadian postage stamps and postal history., Size : Small Folio,

Hardcover with dust jacket, Historical Prints and Illustrations of the Province of British Columbia, Canada 1778-1891, Heavily illustrated with black-and-white illustrations throughout, 183 pp.

Hardcover with plastic-covered dust jacket, Historical Prints and Illustrations of the City of Ottawa, Province of Ontario, Canada 1807-1882, Heavily illustrated with black-and-white illustrations throughout, 261 pp.

Reliure. Zustand: Très bon. Zustand des Schutzumschlags: Jaquette en très bon état. 1 volume reliure toilée bleue de l'éditeur sous jaquette illustrée en noir et blanc, vignette contrecollée sur le plat supérieur dans un encadrement de filets dorés, XIV et 23 pages, suivies de 189 planches hors-texte en noir et blanc à pleine page légendées en regard. Gravures historiques et illustrations relatives à la ville de Québec, Canada. 1608-1875. Traduction par Jules Bazin. Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request ) Size: in 4 (30x22).

Zustand: Gut. Seiten altersbedingt sehr guter Zustand, Schutzumschlag mit Rissen, leicht angestoßen 200710366 Sprache: Deutsch Gewicht in Gramm: 1650 Leinen mit Schutzumschlag 33*25.

Canada, Longman, 1971, in-folio, 188 pp, black/white illustrations, publisher's blue cloth , with printed original dustjacket. Fine copy.

A significant letter, filling gaps in the provenance of Bellini's Crucifixion, now in the Louvre. All that has been known hitherto about the painting's provenance is that at the beginning of the twentieth century it was in the Paris collection of the banker Rodolphe Kann, and that before the Second World War it was owned by the Florentine dealer Alessandro Contini Bonacossi, from whose heirs it was acquired by the Louvre in 1970. The present item reveals that the painting was acquired from the recipient Fisher [probably the auctioneer George Fisher] by the London art dealer Agnew, by whom it was sold to Kann. Nor has Murray's ownership of the painting hitherto been noted, and it seems that Bonacossi acquired it (as he did several other works) at the sale of Murray's collection in 1923. 4pp., 12mo. Bifolium. In fair condition, on aged and creased paper. After explaining that he has sent the letter in expectation that Fisher has returned from a foreign trip, Murray continues: 'I have a little piece of news that will interest you. Two days ago I re-purchased (this time definitely for myself) your Bellini "Crucifixion". I have been very sorry ever since Agnew [London art dealer] sold it to that ignoble Jew (German) Kann [the banker Rodolphe Kann] that I was unable to purchase it then. | The subsequent history is curious. When the Kann coll[ection] passed into the hands of Duveen [in 1907] it remained unsold, partly no doubt owing to the subject & partly to its being unsigned. It requires happily for me an intelligent art lover to appreciate its beauty. Duveen presented it to Dr. Bode [Wilhelm von Bode] in recognition of his help in selling the greater part of the coll[ectio]n. | For some reason (monetary perhaps) he Bode did not present it to the Berlin Mus[eu]m. but placed it in the hands of his crony Volpi [Count Elia Volpi], here for sale. Volpi included it in an auction he had here some time back but not getting the sum hoped for bought it in. It has remained in his hands since.' Murray had 'long ceased to visit' Volpi, but after writing to him was 'well received. I promptly seized the occasion to re-possess myself of the long coveted treasure together with a very fine bust of a cardinal ascribed to Bernini. So both now decorate my picture gallery since yesterday.' He concludes by giving his plans for returning to London, and in the hope that 'Mrs Fisher is better'.

Zustand: 2. Boitage luxueux rouge aux armes de Montrà al, Cyrille Emond Relieur Montrà al, dos muets.