venturi robert steven izenour (35 Ergebnisse)

20.0 x 13.0cms b/w illusts good+ softcover with student highlights The Spanish translation of the American classic.

Zustand: New. pp. 210.

Paperback. Zustand: Brand New. revised edition. 209 pages. 9.25x6.25x1.00 inches. In Stock.

Paperback. Zustand: Brand New. revised edition. 209 pages. 9.25x6.25x1.00 inches. In Stock.

Zustand: New. Idioma/Language: Español. En 1968, un grupo de tres profesores y varios estudiantes de la escuela de arquitectura de la Yale University emprendieron un viaje a Las Vegas con el fin de llevar a cabo un proyecto de investigación sobre el análisis formal de la arquitectura de la peculiar ciudad del estado de Nevada. El resultado se materializaría cuatro años más tarde con la publicación de Aprendiendo de Las Vegas, un libro que agitó el mundo académico del momento y supuso un punto de inflexión radical en la historia y la crítica de la arquitectura. Siguiendo la estela de la tradición de libros de viajes escritos por arquitectos, Aprendiendo de Las Vegas documenta e investiga la dispersión urbana y los métodos de representación de la capital del entretenimiento. Venturi, Scott Brown e Izenour estudiaron detenidamente el simbolismo de una ciudad que había crecido en medio del desierto de Mojave a una velocidad jamás vista hasta entonces, una ciudad espejismo cuyas vallas publicitarias de neón y la extraordinaria baja densidad urbana conformaban, especialmente de noche, una suerte de espacio urbano de ficción. Con su análisis los autores ampliaron el uso dado hasta entonces a las formas de comunicación de la arquitectura y pusieron por vez primera el foco de atención en cuestiones que se consideraban ajenas al mundo de la arquitectura: el descubrimiento de lo trivial y la belleza de lo ordinario. Considerado como uno de los grandes manifiestos de la posmodernidad en arquitectura, Aprendiendo de Las Vegas es uno de los textos más influyentes de la teoría de la arquitectura de la segunda mitad del siglo xx. *** Nota: Los envíos a España peninsular, Baleares y Canarias se realizan a través de mensajería urgente. No aceptamos pedidos con destino a Ceuta y Melilla.

Zustand: New. Idioma/Language: Euskera. «Egileen ezagutza eta azterketa sakonak ?egoki argudiatua, kontuan hartuz, batetik, estiloaren eta sinbolismoaren historia eta, bestetik, aurrera begira, abiadurari, mugikortasunari, autobide erraldoiei eta estilo aldakorrei erantzungo dieten eraikin mota berriak? arte-historiaren teoria guztiz bakana du emaitza, oso-oso gutxitan sortzen den zerbait. Ez dago historialaririk, ez arkitektorik gai izan denik orain arte arkitektura modernoaren eboluzio azkarrari antzemateko, hots, 40 urte eskasean Le Corbusierretik Brasilera, Miamira eta errepide bazterreko motelera egindako bidaiaz eta horrek eragin dituen joera estetiko guztiez jabetzeko. » (Ada Louise Huxtable, The New York Times). *** Nota: Los envíos a España peninsular, Baleares y Canarias se realizan a través de mensajería urgente. No aceptamos pedidos con destino a Ceuta y Melilla.

Paperback. Zustand: Brand New. 208 pages. Spanish language. 9.00x6.25x0.70 inches. In Stock.

19:14 cm. 220 S. m. 146 Abb. Bibliographie. Abb. Ill. OKt. = Bauwelt Fundamente 53. Hrsg. von U. Conrads. ? 30,00. Richtungsweisende Publikation zur Erneuerung des Symbolischen in der Architektur. Ex. mit minim. Lagerspuren. With minimal traces of shelf wear.

Kartoniert / Broschiert. Zustand: New. Robert Venturi is an award-winning architect and an influential writer, teacher, artist, and designer. His work includes includes the Sainsbury Wing of London s National Galler renovation of the Museum of Contemporary Art, San Diego dozens of major academ.

Kartoniert. 220 Seiten, Mit zahlreichen Abbildungen und graphischen Darstellungen; aus dem Amerikanischen von Heinz Schollwöck; [Bauwelt-Fundamente, Band 53 / Architekturtheorie]; mit Bibliographie; --- gutes Exemplar Sprache: Deutsch Gewicht in Gramm: 360.

Zustand: New. Robert Venturi is an award-winning architect and an influential writer, teacher, artist, and designer. His work includes includes the Sainsbury Wing of London s National Galler renovation of the Museum of Contemporary Art, San Diego dozens of major academ.

Zustand: New.

Hardcover. Zustand: Brand New. facsimile edition. 188 pages. 14.50x11.00x1.00 inches. In Stock.

Hardcover. Zustand: Brand New. facsimile edition. 188 pages. 14.50x11.00x1.00 inches. In Stock.

Hard cover. Sewn binding. Cloth over boards. 208 p. Contains: Illustrations. Audience: General/trade. Good. No dust jacket. Ex-library. Missing dust jacket. A few library stamps and labels, else unmarked. Light wear to cover.

Hard cover. Sewn binding. Cloth over boards. 208 p. Contains: Illustrations. Audience: General/trade. Very good. No dust jacket. Pages age-toned at edges. Light wear to cover. Text unmarked.

Hardcover. Zustand: Like New. First Edition. First edition, first printing. Signed and inscribed by Robert Venturi to previous owners "A graphics monstrosity for Tom and Marjorie with our thanks for a heavenly day / Bob and Denise / April '81" with Denise Scott Brown's signature ("and Denise") added to Venturi's inscription. Errata slip laid in. About Fine, with bottom rear corner and bottom edge of front board bumped, light shelf wear, light toning to pages. In a Near Fine dust jacket with toning, shallow chipping at the head, several tears and chips to the edges with very little loss, but still quite a remarkable survival of the notoriously fragile dust jacket.

Hard cover. Zustand: Very good. xvi, 188 p. illus. 37 cm. Includes Illustrations. Shelf wear and rubbing to cover, light fraying at upper and lower spine. Small surface scratch to rear cover. Previous owner's signature on ffep, else text is unmarked. Includes laid in errata slip. Creases, edge wear, light marks to jacket. Inquire for photos.

Zustand: Très bon. Merci, votre achat aide à financer des programmes de lutte contre l'illettrisme.

220 S. m. zahlreichen s/w Abb., OKart., leichte Lagerspuren. ISBN 3528087536.

220 S. Mit zahlreichen Abbildungen. *-*-*-*-*-*- SHIPPING COSTS to other EU-COUNTRIES occasionally may be different than indicated (according to the weight). To OTHER COUNTRIES IN THE WORLD they may be different (sometimes less or rarely more, according to the weight). - ! ! ! SHIPPING to USA at the moment NOT POSSIBLE! ! ! ! -*-*-*-*-*-* Sprache: Deutsch OBr.; Einband leicht berieben, sonst in gutem Zustand.

kart. Zustand: Gut. 220 S. : zahlr. Ill. (z.T. farb.), graph. Darst. ; 19 cm Mit altersbedingten Lager- und Gebrauchsspuren. Elk-35 Sprache: Deutsch Gewicht in Gramm: 315.

EA. Erstausgabe. Mit dem bedruckten originalen Pergamin-SchutzUmschlag (lädiert). Errata-Zettel vorhanden. Epochemachendes Buchs zum Beginn der postmodernen Architektur. First edition. Remarkable, exhaustive examination of the architecture of The Strip and a trailblazing manifesto in urban planning. The 1972 1st edition, in its printed glassine dustjacket (damaged). Errata sheet present. - Der empfindliche Pergamin-Umschlag mit einigen Randläsuren (teils alt mit Tesa hinterlegt) und zwei Fehlstellen (wenige Quadratzentimeter, allerdings fehlt das erste L des Rückentitels). Das Buch selbst minimal bestoßen, Besitzeretikett auf vorderem Innendeckel, sonst sehr gut erhalten. The fragile dustjacket with two smaller chips (costing the first L of the spine), some tears (old mended with adhesive tape) and some creasing. The book itself: sligthly worn at the edges, small owner's paper-label inside front cover. Else very good. - Paketporto; heavyweight, additional mailing costs. (MBW.04a).

Pictorial wrappers. Zustand: Near Fine. A handsome copy of the 2003 presumed 1st Portuguese edition of the seminal architectural title "Learning from Las Vegas". Clean and Near Fine in its original pictorial wrappers. Octavo, dozens and dozens of crisp black-and-white plates throughout. Translated from its original English into Portuguese by Pedro Maia Soares.

Hardcover. Zustand: Near fine. Zustand des Schutzumschlags: good. First Edition. Large Quarto, 188p, illustrated. A near fine copy, small pen mark on bottom edge of textblock else fine, in a good dust jacket. Jacket is creased, with small nicks and closed tears along extremities and a large chip at upper right corner of front cover.

Pictorial cloth. Zustand: Near Fine. Zustand des Schutzumschlags: Very Good -. The 1972 1st edition, in its printed glassine dustjacket. Tight and Near Fine in a perfectly serviceable, VG- example of the fragile dustjacket, with a 3" chip at the front panel's upper tip and light loss --with small closed tears and minor creasing-- along the panel edges. Still though, quite presentable. Folio, a remarkable, exhaustive examination of the architecture of The Strip.

First edition of this groundbreaking work. Folio, original blue cloth with illustrated frontispiece, illustrated throughout. Signed by both Robert Venturi (who has added a large drawing of Venturi's Mother's House) and Denise Scott Brown. In near fine condition, name to the front free endpaper. A very sharp example. "Their insight and analysis, reasoned back through the history of style and symbolism and forward to the recognition of a new kind of building that responds directly to speed, mobility, the superhighway and changing life styles, is the kind of art history and theory that is rarely produced. The rapid evolution of modern architecture from Le Corbusier to Brazil to Miami to the roadside motel in a brief 40-year span, with all the behavioral esthetics involved, is something neither architect nor historian has deigned to notice" (The New York Times).

First edition; large 4to (354 x 269 mm, 14 x 10½ in); colour and black & white photographs, diagrams, plans and maps; plain endpapers; dark grey cloth-covered boards, titles stamped in gold on sides and spine, colour photographic reproduction mounted on upper side, publisher's printed glassine dust-jacket, tiny chip to rear flap at fold, nicks to head and foot, errata slip laid in, a fine copy in a remarkably well preserved example of the fragile dust-jacket, housed in a custom black cloth drop spine box. This early manifesto of postmodernism was designed by Muriel Cooper (1925-1994), a pioneering graphic designer and one of the first designers to see the potential of computers as tools for inventing new ways to organise visual information. She was the first design director of the MIT Press, cofounder of the Visible Language Workshop at MIT, and the first woman to be granted tenure at MIT's Media Lab, where she taught a new generation of designers. Her work spans print to software interfaces. Learning from Las Vegas is compiled from research materials gathered in 1968 by students of a third-year graduate class at Yale School of Architecture, taught by Robert Venturi, Denise Scott Brown, and Steven Izenour. The class Learning from Las Vegas, or Form Analysis as Design Research, required the students to make a nonjudgemental study of the city and how it functioned, and their research was documented through photographs, films, maps, and diagrams. Muriel Cooper was tasked with translating the diverse materials from the studio into a book, initially planning for the book to be protected by a bubble wrap dust-jacket, with fluorescent dots on the boards. 'The visual materials were not only graphically rich but as content-laden as the text, so the interdependent rhythms of those relationships were important. I wanted to arrange visual and verbal materials spatially in a nonlinear way to enhance the reader's comprehension.' Robert Venturi and Denise Scott Brown were unimpressed and enacted a complete, much more traditional redesign for the 1977 paperback second edition, dismissing Cooper's work in their preface. Cooper's reputation and legacy have grown and grown since. Reinfurt & Wiesenberger, Muriel Cooper.

First edition. Small folio, green cloth with inset label. Fine copy, scaqrce dust jacket lacks small chips on the spine costing two letters (the first "L" and "M"), and with some little edge wear. Errata sheet present.