Ulmer sean (10 Ergebnisse)

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Profusely Illustrated (illustrator).

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Zustand: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good.

Paperback. Zustand: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less. Joan Liffring-Zug Bourret (illustrator).

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in fair condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1400grams, ISBN:9781930561083.…

hardcover. Zustand: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. First Edition. Edited by Sean M. Ulmer, Janice Blackburn, Terry Martin, and David McFadden. Ann Arbor: University of Michigan Museum of Art, in association with Hudson Hills Press New York and Manchester, (2004). First Edition. 12 x 9 in. 175pp. Black boards, letters in copper. Fine condition in fine dj. Comprehensive viewing of a contemporary and vital form with 148 pieces presented in full color, and with brief biographies of each artist. ISBN 1930561083; 12 x 9 inches; 175 pages. …

Hardcover. Zustand: Very Good. Dust Jacket Included. 1st Edition. English text; Hardcover (with dust jacket).; 24 x 31 cm; 1,3 Kg; 175 with colour illustrations.; Used book in very good condition. The dust jacket has tears ans scratches due to shelf wear. The dust jacket is now protected with a clearcover. Interior in very good condition with minor signs of wear.; Catalogue from the exhibition Nature Transformed: Wood Art from the Bohlen Collection held at: University of Michigan Museum of Art, Ann Arbor from June 12 - October 3, 2004; Mobile Museum of Art from October 7 - December 31, 2005; Museum of Art and Design, New York, 2006.; Artists working in wood are creating some of the most compelling contemporary art to be found in any medium, offering rich rewards for close investigation. Often deriving out of a functional past, much of today's wood art works as abstract sculpture, responding intuitively and uniquely to the rich and varied materials available to the wood artist. Nowhere is the vision, audacity, technical mastery, and sophistication of contemporary wood art better represented than in the collection of Robert Bohlen and Lilian Montalto Bohlen. Employing many different types of wood from the commonplace to the exotic as well as different carving, turning, and finishing techniques, the artists represented have created works that amuse, astonish, ans inspire. Their efforts broaden our understanding of what art can be and enrich our experience of the world around us, challenging us anew to think about materials, forms, and textures. Through essays and interviews that explore the evolution of wood art as well as current concerns and practices in the field. This book offers a comprehensive look at a unique contemporary art form at a vital moment in its evolution. Its publication is a welcome event for those who already know and love wood art - and a revelation to those who have not yet fully explored its possibilities.…

Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine. First Edition. Ann Arbor, MI / Berkeley, CA: University of Michigan Museum of Art / University of California Press, 2005. First Edition with full number line. Quarto (31cm); publisher's boards in pictorial dust jacket; 176pp.; full color illus. throughout. Small bump at top edge of rear board, else a Near Fine example. Inscribed and signed on half title page, "To Betty / w/ [heart] / Betye Saar." Splendid exhibition catalog for this solo show of the late Black artist Betye Saar (1926-2026), best known for her assemblage and installation art -- "I'll Bend But I Will Not Break": a chained ironing board superimposed with a 19th century illustration of a slave ship; or "The Band at The Libya," a photo of a band performing at The Libya Harlem restaurant affixed to an old violin. Signed.…