translated angus davidson (15 Ergebnisse)

Hardcover. Zustand: Fair. No Jacket. Missing dust jacket; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good. Zustand des Schutzumschlags: Includes dust jacket. Dust jacket has some wear and tear to the edges.

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine. First American Edition. 334 Pp. Violet Cloth, Spine Git, Olive Endpapers. First Pinting Stated. Near Fine In Near Fine Dust Jacket Priced $5.95 With Short Tear On Top Edge.

Paperback. Zustand: Good. Good condition with minor cover wear. Writing on the first page only.

Paperback. Zustand: Good. viii, 251pp, 4pp titles in nyrb classics series, ink signature and date to title page, small dirty mark to top corner of following page, pages are otherwise clean, paperback covers. Alberto Moravia's story of a marriage in collapse. Size: 8 x 5 Inches. Modern Fiction.

Paperback. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Soft cover. Zustand: Good. paperback, large 8vo, 349pp, text clean and tight, no inscriptions, spine not creased, cover edges rubbed, corners scuffed, Good condition. ISBN: 0500270317.

Soft cover. Zustand: Very Good. Minor crease to cover, otherwise a very clean, bright, tight, square copy - no inscriptions.

Hardcover. Zustand: Very Good. First American edition. 8 x 10 in. 400 pp. Maroon cloth boards with gilt spine titles. Section of B&W plates. Condition is VERY GOOD ; mild shelf wear, covers very clean, rubbed. Binding tight and text bright and unmarked. Art. Stax.

First paperback edition in publisher's original illustrated card wrap covers (soft back). 8vo. 8½'' x 5¼''. Contains 349 pp. Ink name to the end papers and in Very Good condition, no dust wrapper as issued. Member of the P.B.F.A. ART [Italian].

First edition hard back binding in publisher's original terracotta cloth covers, gilt title and author lettering to the spine. 8vo. 7½'' x 5¼''. Contains 235 printed pages of text. Sun bleaching to the spine, mottling to the covers, tan age spots to the end papers, foxing to the page edges and in near Very Good condition, no dust wrapper. Member of the P.B.F.A. THEOLOGY & RELIGION.

Hardcover. Zustand: Very Good. First Edition. pp 306 + publisher's adverts, with twenty-four plates (b/w) and endpaper maps. Original blue cloth binding with gilt lettering, slight wear only, bright and fresh, no browning to spine. Contents clean and tight, no inscriptions. A very good copy of this book that describes travels through Libya. Size: 8vo. Book.

Cloth spine. Zustand: Fine. Zustand des Schutzumschlags: Fine. First US Edition; First Printing. A first Printing of the First American Edition that has a pencil marking on the title page, in otherwise Fine condition in a like dust-jacket; The Empty Canvas is a novel that tells the story of a painter who is in a rut. He is stuck in a cycle of producing the same paintings over and over again. He meets a girl who helps him break out of his rut and show him that he can be more creative.; 8vo; 306 pages.

Hardcover. Zustand: Good. Zustand des Schutzumschlags: Fair. London: Geoffrey Cumberlege, Oxford University Press, 1954. Second edition, second printing, 1954. Black cloth, black and white frontis plate, with dustjacket. The book is in good to very good condition with some uneven fading to the covers, good hinges, sound text block, lightly age toned but clean pages, no names or other markings. The mylar protected dustjacket is not priceclipped and darkened with some shelf soil and smudgint, a few very minor chips, little paper loss. Hard Cover. Good/Fair. 8vo - over 7¾" - 9¾" tall.

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine dj. Illustrated by (dj design) H. Lawrence Hoffman (illustrator). First American Edition. [nice clean copy, minor shelfwear only; jacket shows just a touch of wear to extremities]. "The story of two well-to-do Italian families, who are engulfed by the impersonal forces of world events. From the late thirties when the teenage youngsters are growing up -- the boys to become involved in anti-Fascist politics, the girls to seek marriage -- to the close of the war when the scattered group is reunited in their little town in northern Italy, this vivid story carries the stamp of living truth." Ginzburg (1916-1991) has been called "arguably the most important woman writer of post-World War II Italy." This book, her first full-length novel following two shorter works published in 1942 and 1949, earned her the prestigious Veillon International literary prize; it was published in England under the title "All Our Yesterdays." Decent copies of both English-language editions are quite scarce.