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Zustand: New. Idioma/Language: Inglés. Esta guía describe e ilustra las especies y subespecies de primates de América del Sur, América Central y México. Esta región tiene el mayor número de taxones de primates en comparación con cualquier otra región importante en la que se encuentran primates, con un total de 217 especies y subespecies en 24 géneros y cinco familias. Con un formato fácil de usar y muy práctico para el campo, este nuevo libro permite a los visitantes ver de un vistazo qué especies están presentes en los 21 países de la región neotropical que tienen poblaciones silvestres de primates, y ofrece indicaciones que ayudarán en su identificación. La guía abarca todas las especies y subespecies de primates que se encuentran de manera natural en los Neotrópicos, así como tres especies africanas que han sido introducidas y que ahora son asilvestradas en algunas islas del Caribe, incluyendo Barbados, San Cristóbal y Nieves, Santa Lucía, Granada, Saint-Martin/Sint Maarten y Anguila. Los textos para cada especie incluyen nombres científicos, nombres comunes en inglés, nombres adicionales en portugués y español, así como en francés para las especies presentes en la Guayana Francesa y en sranan tongo para aquellas en Surinam. También se incluye el estado de conservación según la Lista Roja de Especies Amenazadas de la UICN, los detalles más relevantes sobre hábitats y distribución geográfica, breves notas descriptivas y, cuando está disponible, el rango altitudinal. Cada ficha de especie va acompañada de una o más ilustraciones y un mapa de distribución. Para estimular la observación de primates y la creación de listas de vida de primates, se proporciona una lista de verificación completa con los nombres comunes y los países donde se encuentran las diferentes especies, para que puedas marcar los primates que has visto en tu propia lista de vida. *** Nota: Los envíos a España peninsular, Baleares y Canarias se realizan a través de mensajería urgente. No aceptamos pedidos con destino a Ceuta y Melilla.

Zustand: New.

Paperback. Zustand: Brand New. 142 pages. 5.51x0.59x9.06 inches. In Stock.

Zustand: New. In.

Zustand: Gut. Zustand: Gut | Seiten: 424 | Sprache: Englisch | Produktart: Bücher | This edited collection explores the image of the wound as a ¿cultural symptom¿ and a literary-visual trope at the core of representations of a new concept of selfhood in Early Modern Italian and English cultures, as expressed in the two complementary poles of poetry and theatre. The semantic field of the wounded body concerns both the image of the wound as a traumatic event, which leaves a mark on someone¿s body and soul (and prompts one to investigate its causes and potential solutions), and the motif of the scar, which draws attention to the fact that time has passed and urges those who look at it to engage in an introspective and analytical process. By studying and describing the transmission of this metaphoric paradigm through the literary tradition, the contributors show how the image of the bodily wound¿from Petrarch¿s representation of the Self to the overt crisis that affects the heroes and the poetic worlds created by Ariosto and Tasso, Spenser and Shakespeare¿could respond tothe emergence of Modernity as a new cultural feature.

Taschenbuch. Zustand: Neu. The Wounded Body | Memory, Language and the Self from Petrarch to Shakespeare | Fabrizio Bondi (u. a.) | Taschenbuch | xii | Englisch | 2023 | Springer Nature Switzerland | EAN 9783030919061 | Verantwortliche Person für die EU: Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg, juergen[dot]hartmann[at]springer[dot]com | Anbieter: preigu.

Zustand: Hervorragend. Zustand: Hervorragend | Seiten: 424 | Sprache: Englisch | Produktart: Bücher | This edited collection explores the image of the wound as a ¿cultural symptom¿ and a literary-visual trope at the core of representations of a new concept of selfhood in Early Modern Italian and English cultures, as expressed in the two complementary poles of poetry and theatre. The semantic field of the wounded body concerns both the image of the wound as a traumatic event, which leaves a mark on someone¿s body and soul (and prompts one to investigate its causes and potential solutions), and the motif of the scar, which draws attention to the fact that time has passed and urges those who look at it to engage in an introspective and analytical process. By studying and describing the transmission of this metaphoric paradigm through the literary tradition, the contributors show how the image of the bodily wound¿from Petrarch¿s representation of the Self to the overt crisis that affects the heroes and the poetic worlds created by Ariosto and Tasso, Spenser and Shakespeare¿could respond tothe emergence of Modernity as a new cultural feature.

Taschenbuch. Zustand: Neu. Neuware -This edited collection explores the image of the wound as a ¿cultural symptom¿ and a literary-visual trope at the core of representations of a new concept of selfhood in Early Modern Italian and English cultures, as expressed in the two complementary poles of poetry and theatre. The semantic field of the wounded body concerns both the image of the wound as a traumatic event, which leaves a mark on someone¿s body and soul (and prompts one to investigate its causes and potential solutions), and the motif of the scar, which draws attention to the fact that time has passed and urges those who look at it to engage in an introspective and analytical process. By studying and describing the transmission of this metaphoric paradigm through the literary tradition, the contributors show how the image of the bodily wound¿from Petrarch¿s representation of the Self to the overt crisis that affects the heroes and the poetic worlds created by Ariosto and Tasso, Spenser and Shakespeare¿could respond tothe emergence of Modernity as a new cultural feature.Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg 424 pp. Englisch.

Buch. Zustand: Neu. Neuware -This edited collection explores the image of the wound as a ¿cultural symptom¿ and a literary-visual trope at the core of representations of a new concept of selfhood in Early Modern Italian and English cultures, as expressed in the two complementary poles of poetry and theatre. The semantic field of the wounded body concerns both the image of the wound as a traumatic event, which leaves a mark on someone¿s body and soul (and prompts one to investigate its causes and potential solutions), and the motif of the scar, which draws attention to the fact that time has passed and urges those who look at it to engage in an introspective and analytical process. By studying and describing the transmission of this metaphoric paradigm through the literary tradition, the contributors show how the image of the bodily wound¿from Petrarch¿s representation of the Self to the overt crisis that affects the heroes and the poetic worlds created by Ariosto and Tasso, Spenser and Shakespeare¿could respond tothe emergence of Modernity as a new cultural feature.Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg 424 pp. Englisch.

Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - This edited collection explores the image of the wound as a 'cultural symptom' and a literary-visual trope at the core of representations of a new concept of selfhood in Early Modern Italian and English cultures, as expressed in the two complementary poles of poetry and theatre. The semantic field of the wounded body concerns both the image of the wound as a traumatic event, which leaves a mark on someone's body and soul (and prompts one to investigate its causes and potential solutions), and the motif of the scar, which draws attention to the fact that time has passed and urges those who look at it to engage in an introspective and analytical process. By studying and describing the transmission of this metaphoric paradigm through the literary tradition, the contributors show how the image of the bodily wound-from Petrarch's representation of the Self to the overt crisis that affects the heroes and the poetic worlds created by Ariosto and Tasso, Spenser and Shakespeare-could respond tothe emergence of Modernity as a new cultural feature.

Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - This edited collection explores the image of the wound as a 'cultural symptom' and a literary-visual trope at the core of representations of a new concept of selfhood in Early Modern Italian and English cultures, as expressed in the two complementary poles of poetry and theatre. The semantic field of the wounded body concerns both the image of the wound as a traumatic event, which leaves a mark on someone's body and soul (and prompts one to investigate its causes and potential solutions), and the motif of the scar, which draws attention to the fact that time has passed and urges those who look at it to engage in an introspective and analytical process. By studying and describing the transmission of this metaphoric paradigm through the literary tradition, the contributors show how the image of the bodily wound-from Petrarch's representation of the Self to the overt crisis that affects the heroes and the poetic worlds created by Ariosto and Tasso, Spenser and Shakespeare-could respond tothe emergence of Modernity as a new cultural feature.

Paperback. Zustand: Brand New. 411 pages. 8.27x5.83x0.86 inches. In Stock.

Zustand: New.

Zustand: New. 2022. Hardcover. . . . . . Books ship from the US and Ireland.