Sprache: Englisch
Verlag: Samuel French, United States, 2017
ISBN 10: 0573691290 ISBN 13: 9780573691294
Anbieter: The Yard Sale Store, Narrowsburg, NY, USA
Paperback. Zustand: Good. THE SCRIPT! Reliable and presentable ACTING EDITION withdrawn from the university theater library. Some library marking and card pocket. Enjoy this ACTING SCRIPT in good condition for performance.
EUR 15,64
Anzahl: 2 verfügbar
In den WarenkorbPaperback. Zustand: Brand New. 80 pages. 5.00x0.17x8.00 inches. In Stock.
EUR 17,21
Anzahl: 2 verfügbar
In den WarenkorbPaperback. Zustand: Brand New. 78 pages. 5.00x0.16x8.00 inches. In Stock.
Verlag: Macfadden Publications, Incorporated, New York, 1939
Erstausgabe
Single Issue Magazine. Zustand: Good. Parks, Elise [cover]; Lewis, James; Singer, Malvin; Moore, Marthe; Tomaso, Rico; Berry, Phil (illustrator). First Edition. 66 pages. Features: Charming cover art by Elise Parks depicts mother holding infant; Is The President [FDR] A Well Man? - A look at some fantastic world-wide rumors - and an intimate, authoritative revelation of plain facts; Mothers Can't Help It - fiction by E.G. Morris; The Railroads Tell What is Wrong with Senator Burton K. Wheeler; Forgotten Lullaby - fiction by Rita Weiman; Filthy Rich - fiction by Cornelius Vanderbilt, Jr.; Five Hollywood Daughters and a Prayer - Article on the singing Lane Sisters [Leota, Lola, Rosemary, Priscilla, Martha] with photo of the girls with their mom at home in Indianola, Iowa; Twilight Cheats - fiction by Grace Perkins; Nice one-page color Gillette Blue [Shaving] Blade ad; Illustrated centerfold two-color Schlitz beer ad explains how a derby winning horse's pedigree goes a long way back; The Bright Eyes of Dangers - short story by Donald Barr Chidsey; Crossword; Half-page black and white photo ad for Old Gold cigarettes features Hollywood's Jean Parker; World's Fair Girl - fiction by Oscar Schisgall; A Fool and His Money - by the famous bridge maestro Sidney S. Lenz; The Ghost of Wall Street - an eye-opening tale of new cures for old crimes, by Frederick L. Collins; Black and white 2/3-page Sinclair motor oils features photos of Andrea Leeds, Gary Cooper's leading lady in upcoming film "The Real Glory"; Half-page black and white photo ad for Bromo-Seltzer ad features world speed record holder Captain George E.T. Eyston and his 357.5 mph car; Small Crosley Shalvador fridge ad features photo of Mrs. Philip Friedman of Kalamazoo; We Need Red-Blooded Men - former boxer Tom Sharkey looks at the past - and challenges the present; The Wilkes-Barre Way - Dr. Louis M. Levitsky's story of a little rabbi and a mighty blow against bigotry; Article for ladies by Princess Alexandra Kropotkin; Movie Reviews; Union Pacific ad features photo of Evelyn Keyes; Nice color ad for Listerine Tooth Paste inside back cover; Lovely color ad for Chesterfield cigarettes on back cover features illustration of well-dressed young lady in green hat, gloves and scarf. Clean and unmarked with moderate wear. A well-preserved copy of this wonderful vintage issue.
Verlag: 0, London
Anbieter: William Allen Word & Image, London, Vereinigtes Königreich
EUR 4.434,46
Anzahl: 1 verfügbar
In den WarenkorbPaperback. Zustand: Near Fine. Book. Complete set of Stephen Willats' seminal periodical 'Control'. First 5 issues: 310 x 225 mm with screenprinted wrappers. Later issues have printed pictorial wrappers and are slightly smaller in format. Since 1965, this pioneering conceptual art magazine has published original artwork and writing from over 150 artists, alongside collectives and collaboratives such as Artists Placement Group. Issue 13 features an original work by Anish Kapoor of an insect-object sprayed blue; together with a photocopy collage intervention by Glenys Johnson entitled Agent Orange. Issue 3 comes complete with inserts: Poem-Blanc by John Sharkey and Peter Upward's untitled painting. This seminal publication is significant for its community-based approach, and its theories based on cybernetics and social science. Its content rejected a traditional mode of criticism and instead concentrated on theoretical ideas, technical models and artistic methods: Control is purely a magazine of art theory, in the sense that it presented text by artists looking at the thinking behind their work (Willats, Publishing Interventions, 2 in In Numbers: Serial Publications by artists since 1955, PPP Editions, Zurich, 1999, p. 129). While within the remit of the art magazine, Control is notable for its interdisciplinary reach. As the artist has commented, the magazine's origins were a reaction to a very strong inheritance from previous decades that constrained the artists into very set roles of painting, sculpture and traditional mediums (ibid). Contents - Issue 1, 1965, contributors (C): Loggie Barrow, Roy Ascot, Stephen Willats, Mark Boyle et al/No.2, 66, C: Stroud Cornock, Adrian Berg, Willats, Tom Phillips et al/ No.3, 67, C: Joe Tilson, Noel Forster, Peter Cook-Archigram Group, John Latham (Noit for Control), Willats, an original painted insert by Peter Upward, John Sharkey (Poem-Blanc) et al. Comes with a tipped-in envelope containing Three Light Modulators/No.4, 68, C: Victor Burgin, Norman Toynton, Sharkey, Willats, Douglas Sandle, et al/No.5, 69, C: Laurie Burt, Don Mason, Sharkey, Rick Oginz, Willats (on APG) et al/No.6, 71, C: Jan Kopinski, Willats, Sharkey, Ernest Edmonds, David Budgen et al/No.7, 73, C: Kevin Lole, Peter Smith, Willats, Howard O' Conner, John Stezaker/No.8, 74, C: Lole, Joe Wilson, Andrew Ironside, Willats, Gerald Laing, Stezaker et al/No.9, 75, C: Peter Smith, Dan Graham, Herve Fischer, Willats, Alan Sondheim et al / No.10, 77, C: Jon Bird, Peter Dunn & Loraine Leeson, Jane Kelly, Mary Kelly et al/ No.11, 79, C: Tony Rickaby, Willats, Ray Barrie, Kelly, Fern Tiger, Graham et al/No.12, 81, C: Lili Fisch, Willats, Helen Chadwick, Michael Peel, Bernhard Sandfort, Fred Forest et al/No.13, '82, C: Bill Woodrow (TV Blind), Glenys Johnson (Agent Orange), Jenny Holzer, Kate Blacker, Jean-Luc Vilmouth, Willats, Sue Arrowsmith, Tony Bevan, Tony Cragg and a blue sprayed insect work by Anish Kapoor: I once saw an insect in a pile of colour, it seemed to me that this was almost a work. (p32)/No.14, 90, C: Andrew Wilson, Lawrence Weiner, Rita Pacquee, Andreas Seltzer, Dennis Adams, Stephen Bann & Bob Chaplin, Martha Rosler, Willats, Michael Gibbs, Endre Tot, Simon Cutts & Colin Sackett et al/No.15, 96, C: Poster Studio, Alan Murray, Denise Hawrysio, Oliver Whitehead, Alan Kane & Jeremy Deller, Oliver Cieslik & Barbara Schenk, Les Levine, Liam Gillick, Willats et al/No.16, 01, C: Jakob Jakobsen, David Goldenberg, Art Lab, Nils Norman, Elinor Jansz, Christabel Stewart & Emily Pethick, Hamish Fulton, Sarah Staton, David Beech, Willats, et al / No.17, 07, C: French Mottershead, Jakobsen, Dan Kidner, Langlands & Bell, Nils Norman, Miriam Steinhauser, Willats, Chris Hammond et al/No.18, 09, C: Vito Acconci, Karolin Meunier, Willats, Erwin van Doorn, Dan Mitchell, Annette Krauss, Thomas Hirschhorn, Harmen de Hoop et al. / No.19, 14, C: Christian Nyampeta, Rosalie Schweiker, Ricardo Basbaum, Andrea Francke, Emma Smith, Willats, Eva Weinmayr, Taylor & Zaharia et al / No.20, 17, C: Merlin Carpenter, Bedfellows, Francisco Camacho Herrera, Radio Anti, Willats, Eliana Otta et al / No.21, C: Helen Walker & Harun Morrison, Pete Clarke, Lucie Kolb, Gary Bratchford & Robin Parkinson, Rebecca Davies & Eva Sajovic, Elina Otta, Stephen Willats, Javier Calderon, Chalton Gallery. Collated and correct. Near fine.