thomas moore words (35 Ergebnisse)

Softcover. Zustand: Very Good. First edition thus. Quarto. Two nested bifolia making eight pages. Price stamp on the front cover, light rubbing to the exterior, and light bumping to the corners, very good or better. For voice and piano. Plate number, 1509.

Softcover. Zustand: Fair. First edition. Folio. 5pp. Wrappers. Notched and worn along the spine from once being bound within an album, the front wrapper nearly detached, significant foxing and dampstaining throughout though all the content remains easily legible, a complete but fair only copy. For voice and piano. Plate imprint, "79 = 3, C.W.H." Although this copy may look as if it had been thrown off a gondolier, it remains an uncommon and interesting piece. *OCLC* locates only a single holding and it appears equally scarce in the trade.

Softcover. Zustand: Very Good. Later printing. Quarto. Two nested bifoliums making eight pages. Publisher's stamps and name stamps on the front cover, foxing and soiling to the exterior, still a very good and complete copy. For voice and piano. Plate number, 2182 5. Includes short samples of six other songs, "Land of My Heart," "Incense," "The Road to Peggy's Heart," "I Shall Meet You (The Home-Coming)," "Beneath the Moon of Lombardy," and "If I Called You Back Someday." The name stamp is that of Fay Foster. a prolific American composer and pianist, who took first place in the American Composers Competition of 1913. *OCLC* locates seven holdings.

Zustand: Very Good. Vintage piano sheet music in white paper covers. 14'' x 10½''. Contains 4 pages including the covers, disbound sheet music carefully extracted from a previously stitched bound collection. Scored for the pianoforte and voice with lyrics. In Very Good condition. Member of the P.B.F.A. SHEET MUSIC.

Hardcover. Zustand: Very Good. Attractive marbled rebinding and marbled end papers with original front cover pasted on. No inscriptions. A few foxing spots on outer pages, but mostly clean . No inscriptions.

Softcover. Zustand: Good. Sheet music. Folio. Single sheet printed on the recto only and folded in half creating two pages of content. Soiling, offsetting, and edgewear including chips and tears, a good or better copy. For voice and piano. "Sung at the oratorio performed by the Handel & Haydn Society in Boston, July 5th 1817 in presence of the President of the United States.".

Softcover. Zustand: Good. Unknown edition. Folio. Originally a single sheet printed on the recto only and folded in half creating two pages of content. Separated at the fold with edgewear, corresponding dampstains to the bottom margins of both pages, and foxing, a complete but good only copy. For voice and piano.

Softcover. Zustand: Good. First edition. Folio. single bifolium with a single sheet insert making six pages. Bifolium nearly separated along the fold, edgewear including chips and tears, a mark left by a paper clip and a music shop stamp on the front cover, a complete but good only copy. For voice and piano. Plate number, 6418. The front cover states that this song is dedicated to W. Rotch Angier Esq. of Philadelphia. *OCLC* locates four holdings and it appears to be equally scarce in the trade.

Softcover. Zustand: Good. First edition. 7pp. Wrappers. Rear wrapper separated from the spine but present, the front wrapper and all leaves are nearly separated from the spine, notched and worn along the spine from once being bound within an album, light offsetting throughout, and light foxing to the exterior, a complete but good only copy. A duet for voice and piano. Plate imprint, "M.G. 239." *OCLC* locates six holdings.

Softcover. Zustand: Good. Stated second edition. Part two only (second number). Illustrated in black and white with a frontispiece of Henry Bishop and a title page illustration by Thos. Stothard R.A. engraved by Chas. Heath. Folio. [7], 59-113pp. Lacking the wrappers, owner name on the inscription page, foxing throughout, spine cocked with chips and tears, and a chip to the front free endpaper, still a good or better copy. For voice and piano. Plate number 356.

Softcover. Zustand: Very Good. First edition. Folio. 5pp. Wrappers. A bit of separation at the top of the spine, notches on the spine from once being bound within an album, toning, and very light bumping to the corners, very good or better. For high voice and piano. Plate number, 15890-4. *OCLC* locates only one holding.

Softcover. Zustand: Very Good. First edition. Folio. Two nested bifolia making eight pages. Offsetting throughout, light edgewear including a bit of separating at the end of the fold on the outer bifolium, music shop stamp on the front cover, and rubbing to the exterior, still a very good and complete copy. For voice and piano. Plate imprint, "C.P. 493." This piece is dedicated to, Arthur Rotch Esq., an architect active in Boston at the time this piece was published. Among his many accomplishments, Rocht, along with his partner Thomas Tildan, designed the art school and art museum at Wellesley College. This is piece is unrecorded by *OCLC* and it appears to be equally scarce in the trade.

Softcover. Zustand: Good. Unknown edition. Folio. 5pp. Wrappers. Owner name on the front cover, nearly separated at the spine, notched in the spine from once being bound within an album, early tape repair to the verso of the front wrapper and along the spine on the rear wrapper, edgewear, and creasing to the top of the pages, a complete but good only copy. For voice and piano. Plate number 918. *OCLC* locates only one holding of this edition and dates it at 1830.

Softcover. Zustand: Very Good. Sheet music. Folio. Single bifolium making four pages. Notched along the spine from once being bound within an album, foxing and light offsetting throughout, and a light dampstain on the top right corner of the front cover lightly affecting throughout, still a very good and complete copy. For voice and piano. Plate imprint, "Farewell But whenever: A.F. Keene. 3." "Composed and Respectfully Dedicated to Horatio Gates Esq. of Montreal" (from the front cover). Horatio Gates was a Canadian businessman and politician, he was the third president of the Bank of Montreal.

Softcover. Zustand: Good. Unknown edition. Adapted to a celebrated air of Haydn. Single sheet printed on the recto and folded in half making for two pages of content. Separated along the fold, notched and worn along the fold from once being bound within an album, foxing, light offsetting, and edgewear including nicks and tears, a good only copy. For voice and piano. Plate number, 144. *OCLC* locates five holdings.

Softcover. Zustand: Very Good. Unknown edition. Folio. A single sheet printed on the recto only and folded once creating two pages of content. Notched and worn along the fold from once being bound within an album, foxing and light offsetting, still a very good copy. For voice and piano. *OCLC* locates only a single holding and it appears to be equally scarce in the trade.

Softcover. Zustand: Very Good. Unknown edition. Folio. Single sheet printed on the recto only and folded in half creating two pages of content. Notches in the fold and the pages numbered in ink from once being bound within an album, offsetting, light foxing, and some light edgewear, still very good. For voice and piano.

Softcover. Zustand: Very Good. Unknown edition. Folio. Single bifolium making four pages. Owner inscription in pencil on the front cover, notches in the spine from once being bound within an album, a light dampstain to the top margin affecting throughout, and light foxing throughout, still a very good and complete copy. *OCLC* locates no holdings of this edition.

Softcover. Zustand: Very Good. Sheet music. Folio. Single sheet printed on the recto only and folded in half creating two pages of content. Notched and worn along the spine and numbered in ink on the front cover from once being bound within an album, edgeweear including a few small tears, and some light foxing, still very good with the music remaining quite bright. For voice and piano. There appear to be a few different collections of Irish melodies by Stevenson, which include this title, released by different publishers during the first half of the 19th century. Given the presentation of this edition, we don't believe it was never part of a larger published volume. *OCLC* locates no holdings of this edition published by J.A. & W. Geib.

Softcover. Zustand: Good. Unknown edition. Folio. Single sheet printed on the recto only and folded in half creating two pages of content. Separated along the fold but both leaves are present, notched and worn along the fold from once being bound within an album. music shop stamp on the front cover, and foxing and offsetting throughout, a complete but good only copy. For voice and piano. Plate imprint, "Light House. 2." *OCLC* locates only two holdings and it appears to be equally scarce in the trade.

Softcover. Zustand: Near Fine. Unknown edition. Folio. Single bifolium making four pages. Offsetting throughout, notched in the spine from once being bound within an album, light soiling and edgewear, and separating a bit at the bottom of the spine, still very good. For voice and piano. *OCLC* locates five holdings.

Softcover. Zustand: Good. First edition. Folio. Single bifolium making four pages. Separated at the fold, spine notched from once being bound within an album, toning, and light edgewear, a complete but good only copy. For voice and piano. Plate number 1122. *OCLC* locates three holdings.

Softcover. Zustand: Very Good. Unknown edition. Folio. Single bifolium making four pages. Notches in the spine from once being bound within an album, scattered foxing throughout, very good or better. For voice and piano. There are a few different versions of this song recorded by *OCLC*, all dated around the 1820's and '30's, but no record of this version published by E.H. Wade.

Softcover. Zustand: Very Good. First edition. Folio. 5pp. Wrappers. Notches in the spine from once being bound within an album, tear at the bottom margin of pages three and four not affecting any content, foxing throughout, and very light edgewear, very good. For voice and piano. *OCLC* locates two holdings.

Softcover. Zustand: Very Good. Unknown edition. Folio. Single bifolium making four pages. Notches in the spine from once being bound within a volume, offsetting, and some soiling, still a very good copy. For voice and piano. *OCLC* locates three holdings.

Softcover. Zustand: Very Good. Unknown edition. Folio. Single bifolium making four pages. Notches in the spine from once being bound within an album, foxing throughout, and light edgewear, still a very good copy. For voice and piano. *OCLC* locates seven holdings published by C. Bradlee.

Softcover. Zustand: Good. First edition. Folio. Single bifolium making four pages. Owner name stamp on the front cover, neat ink notations adding the lyrics for the second verse and numbering the pages, early tape mend along the fold with three holes punched through, tear to the bottom margin of the front cover not affecting any content, and foxing throughout, a complete but good only copy. For voice and piano. "Published and sold by the author, at his musical repository." *OCLC* locates eight holdings.

Softcover. Zustand: Very Good. Unknown edition. Quarto. Single bifolium making four pages. Foxing and rubbing throughout, notched along the spine from once being bound within an album, a bit of separation at the bottom of the fold, still a very good and complete copy. For voice and piano. *OCLC* locates only three holdings of this edition published by G. Willig. A canzonett (typically spelled "canzonet" or a "canzonetta) was a popular form of secular vocal music that originated in Italy in the 16th century, eventually spreading to England and Germany. By the 18th century, the term came to mean any song for voice with accompaniment that was secular and light in style. *OCLC* locates three holdings.

Softcover. Zustand: Good. Unknown edition. Folio. Wrappers. 5pp. Notched and worn along the spine from once being bound within an album, front wrapper nearly detached, a very clean right-angle cut towards the bottom of the front wrapper, music shop stamp on the front wrapper, edgewear, and some foxing, a complete but good only copy. For one or three voices and piano. Plate imprint, "Phantom Ship 4." *OCLC* locates two holdings.

Softcover. Zustand: Very Good. First edition thus. Folio. Seven nested bifoliums making 28 pages. Stamp on the front cover, foxing and offsetting throughout, all bifoliums have some separation at the bottom of the fold, still a very good and complete copy. For three voices and piano. "As sung by Mr. & Mrs. Wood and Mr. Brough, also by Miss Shirreff, Mr. Wilson & Mr. Maeder." *OCLC* locates three holdings.