text marc chagall (32 Ergebnisse)

Hardcover. Zustand: Good. "First Revised Edition, 1967;" xix and 111 p., immaculate and unmarked plus many beautiful plates, most in color; binding firm, but cracked between pp. xvi-xvii; red boards fine, though slightly faded at upper edge--they have been well protected by valiant efforts of a d.j. that has suffered much chipping and two closed tears at margins while protecting the volume. Old book aroma gratis. Unclipped and clean but has suff.

Hardcover. Zustand: G. Zustand des Schutzumschlags: No Dust Jacket. Red cloth boards. 1st revised edition. 119 pages. Pages suitable for framing. Light marks on the outer edges, Red boards have mild marks and rubbing. Includes 12 stained glass windows in color plus black and white pictures and explanatatory text . Translated from the French.

Paperback. Zustand: Very good +. Zustand des Schutzumschlags: very good. First Edition. 10 x 12 inches. Color illustrations. Text in French. Condition of the book is Very Good+; looks new on all points. Original clear plastic dust jacket with red printing is Very Good; very light surface wear. STK.

Hardcover. Zustand: Very Good. 5 x 9 in. Paper boards, color plates. Text in French. Condition is VERY GOOD ; covers rubbed, all else like new. Art. Stax.

ill. OBroschur. 11 pag. S. -- schön ill. -- Guter bis sehr guter Zustand. Sprache: Deutsch Gewicht in Gramm: 850.

First Edition. First Edition. Catalog for the traveling exhibition held December 7, 1956 to January 14, 1957 at the Stedelijk Museum in Amsterdam and January 19 to February 24, 1957 at the Palais Des Beaux-Arts in Brussels. With a "Printed in Holland" stamp on the first leaf. Text in French and Dutch. Very Good plus, in perfect-bound illustrated card wrappers, with light toning and rubbing to the front and rear wrappers.

30.0 x 23.0cms 96pp colour illusts very good+ paperback & cover The chapters are: Russia the early years 1887-1910; the paris years 1910-1914; war & revolution in Russia 1914-1923; France & America 1923-1948; the late work 1948-1985; chronology.

Hardcover. Zustand: Good. Marc Chagall (illustrator). First Revised Edition. xix, [1], 111, [11] pages. Note on fep. Includes Introduction, as well as the dimensions of the preparatory drawings, The Stained-Glass Windows, and the Details. Some scuffing and wear to cover and corners. Minor spine weakness at third color plate, restrengthened with glue. Each of the twelve stained-glass windows reproduced is preceded by a preparatory set of drawings and models, whose number, media, dimension, and order of presentation are exactly the same in the sequence of each Tribe and are arranged as follows: ----------------------------------------------------------------------------- --------------------------------Height Width First sketch, pencil pen and India ink.7-7/8'' X 5-7/8'', Preparatory drawing, India ink and wash.15-7/7-8" X 11 -5/8" First color skitch, India ink and watercolor.7-7/8'' X 5-7/8", Small model, gouache and collage.8-5/8'' X 18-7/8" Final model, gouache and collage.16-1/2'' X 12-1/2" Marc Chagall[a] (born Moïche Zakharovitch Chagalov;[7] 6 July 1887 - 28 March 1985) was a Russian-French artist of Belarusian Jewish origin. An early modernist, he was associated with several major artistic styles and created works in a wide range of artistic formats, including painting, drawings, book illustrations, stained glass, stage sets, ceramic tapestries and fine art prints. Art critic Robert Hughes referred to Chagall as "the quintessential Jewish artist of the twentieth century" (though Chagall saw his work as "not the dream of one people but of all humanity"). For decades, he "had also been respected as the world's pre-eminent Jewish artist". Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the UN and the Art Institute of Chicago and the Jerusalem Windows in Israel. He also did large-scale paintings, including part of the ceiling of the Paris Opéra. He had two basic reputations: as a pioneer of modernism and as a major Jewish artist. He experienced modernism's "golden age" in Paris, where "he synthesized the art forms of Cubism, Symbolism, and Fauvism, and the influence of Fauvism gave rise to Surrealism". Yet throughout these phases of his style "he remained most emphatically a Jewish artist, whose work was one long dreamy reverie of life in his native village of Vitebsk." In 1960, he began creating stained glass windows for the synagogue of Hebrew University's Hadassah Medical Center in Jerusalem. Leymarie writes that "in order to illuminate the synagogue both spiritually and physically", it was decided that the twelve windows, representing the twelve tribes of Israel, were to be filled with stained glass. Chagall envisaged the synagogue as "a crown offered to the Jewish Queen", and the windows as "jewels of translucent fire", she writes. Chagall then devoted the next two years to the task, and upon completion in 1961 the windows were exhibited in Paris and then the Museum of Modern Art in New York. They were installed permanently in Jerusalem in February 1962. Each of the twelve windows is approximately 11 feet high and 8 feet (2.4 m) wide, much larger than anything he had done before. Cogniat considers them to be "his greatest work in the field of stained glass". In 1973 Israel released a 12-stamp set with images of the stained-glass windows. The windows symbolize the twelve tribes of Israel who were blessed by Jacob and Moses in the verses which conclude Genesis and Deuteronomy. In those books, notes Leymarie, "The dying Moses repeated Jacob's solemn act and, in a somewhat different order, also blessed the twelve tribes of Israel who were about to enter the land of Canaan. In the synagogue, where the windows are distributed in the same way, the tribes form a symbolic guard of honor around the tabernacle." Leymarie describes the physical and spiritual significance of the windows: The essence of the Jerusalem Windows lies in color, in Chagall's magical ability to animate material and transform it into light. Words do not have the power to describe Chagall's color, its spirituality, its singing quality, its dazzling luminosity, its ever more subtle flow, and its sensitivity to the inflections of the soul and the transports of the imagination. It is simultaneously jewel-hard and foamy, reverberating and penetrating, radiating light from an unknown interior. At the dedication ceremony in 1962, Chagall described his feelings about the windows: For me a stained glass window is a transparent partition between my heart and the heart of the world. Stained glass has to be serious and passionate. It is something elevating and exhilarating. It has to live through the perception of light. To read the Bible is to perceive a certain light, and the window has to make this obvious through its simplicity and grace. The thoughts have nested in me for many years, since the time when my feet walked on the Holy Land, when I prepared myself to create engravings of the Bible. They strengthened me and encouraged me to bring my modest gift to the Jewish people-that people that lived here thousands of years ago, among the other Semitic peoples.

Original Decorative Hardcover. Zustand: Very Good. Marc Chagall (illustrator). First American edition (Printed in France) COMPLETE WITH ALL THE LITHOGRAPHS , MANY IN COLOUR. Insignificant marginal outside wear , A VERY GOOD CLEAN AND FRESH COPY.

Farbige Mappe, Format 31x44cm, mit dreisprachigen Erläuterungen zu jedem Motiv und den 6 Farbpostern im Format 31x44cm mit Chagall-Werken auf Hochglanzkarton. Sehr hochwertig, ideal zum Rahmen! Regal3 Mappe Randberieben bzw. Randgebrauchsspuren, Poster bestens.

Brosch. 8°, 119 S. mit 11 Tafeln. EInband etw. gebrauchsspurig u. tlw. etw. fleckig, innen tadellos. EA (W/G 74 für Claire Goll; kein Eintrag bei Yvan Goll). (= Limes Nova).

Hardcover. Zustand: Sehr gut. Zustand des Schutzumschlags: Sehr gut. 1. Auflage. Format 4°. 155 Seiten, 1 Blatt Druckvermerk, 1 weißes Blatt und 1 eingebundene farbige Original-Lithographie. Hellgraues feines Original-Leinen mit goldgeprägtem Rücken- und Deckeltitel mit dem beidseitig farbig illustrierten Original-Schutzumschlag und dem lilafarbenem Original-Pappschmuckschuber. Das Buch in sehr schönem, sauberem und frischem Zustand. Die Lithographie farbschön und in bestem Zustand. Schuber stellenweise leicht leichtem Lichtrand. Umschlag mit wenigen winzigen Kantenbereibungen. Erste Ausgabe. Mit der Original-Farblithographie "Le Ballet" sowie zahlreichen teils ganzseitigen teils doppelblattgroßen Abbildungen in Farbe und in Schwarz/weiß von Chagalls Illustrationenfolgen zu Aleko (1942), L'Oiseau du Feu (1945) und Daphnis et Chloé (1958) sowie im Text von Jacques Lassaigne. Die Original-Lithographie "Le Ballet" wurde sur les presses de Fernand Mourlot gedruckt. Sorlier Lithographe IV - Mourlot 581.

Kart. m. montiertem Rücken- u. Deckelschildchen. 8°, 49 S. mit 4 Tafeln, 1 Bl. Verlagsanzeigen. Schildchen etw. gebräunt, Fuss etw. berieben, innen tadellos. EA (W/G 35). (= Bücher der Ernte).

Softcover. Zustand: vg. Limited ed. 1/957. Small 8vo. 89pp. In the publisher's original, glassine protected printed wrappers. Some minor tears to mylar. All page edges untrimmed. Stamp to lose front endpaper. Some pages unopened. Signed and inscribed by the renowned German-French Jewish poets Claire (1890-1977) and Yvan Goll (1891-1950). Illustrated with eight b/w sketches by Marc Chagall. Cover in very good, book in fine condition. Yvan and Clair Goll were married. After Yvan's death in 1950, Claire dedicated most of her work to her late husband.

unknown_binding. Zustand: Used-Very Good. First English language edition. Cloth, dj., 4to., illus. A littel edgewear to dj., esp. at corners. Internally, very sound. With two original lithographs (dust wrapper and frontispiece).

Hardcover. Zustand: very good + to near fine. Zustand des Schutzumschlags: near fine. First American edition. Folio (14 x 10 1/2"). 155, (1)pp. Text in English (but with the original illustrated dust-jacket in French, "Le Ballet"), white lettering on spine, over gray-green cloth, with gold lettering to spine and front cover. Housed in the publisher's orignal cardboard slipcase. Frontispiece and illustrated title page in color. The binding, in otherwise fine condition, has a hint of sunning at the top and bottom edges of the spine and the partially sun-faded slipcase is slightly bumped at foot of spine. This exquisite work contains Marc Chagall's original designs for "Aleko, "The Firebird" and "Daphnis and Chloe." Fernand Mourlot printed the color plates and the original lithograph.

Hardcover. Zustand: g+ to vg. First limited edition. 1/500. Quarto. 200, [6]pp. Uncut. Modern half tan cloth over marbled paper covered boards with silver lettering on title label. Top edge red. Frontispiece. First edition of this rare Chagall illustrated title. Number 142 of 500 copies printed on Velin de Rives. This work is splendidly illustrated throughout with 92 striking illustrations after drawings by Chagall, many full-page. Lower margin of the first six leaves water-stained (not affecting text). Text in French. Binding in overall very good, interior in good+ to very good condition.

Hardcover. Zustand: Very Good. 96 black and white plates, 14 x 10.5", pict boards, 96 plates plus "An Introduction." and descriptions of plates, extremities bumped and worn, several pages detached (when the color plates were ruthlessly removed), but all pages (except the color litho plates) remain; in a rubbed, soiled and badly edge-worn/torn dustjacket. SWAF.

Hardcover. Zustand: Near fine -. Zustand des Schutzumschlags: very good +. First American edition. Folio. (13" x 10"). 211pp. Original red cloth with gilt lettering on cover and spine. Dust jacket protected with glassine wrapper. Pictorial endpapers. Original lithograph frontispiece. Dazzling, mostly color illustrations from cover to cover. "This book which was compiled by Andre Sauret was completed on June 7, 1962. The texts by Jean Leymarie were composed by hand in "Roman du Roi" and were printed by the Imprimerie Nationale De France. The thirty-six preparatory color designs, some of which are in twenty colors, were transferred to the stones by Charles Sorlier under the direction of Marc Chagall. These designs and the two original lithographs by Marc Chagall were printed by Mourlot Freres. The other reproductions and the binding are by Draeger Freres" (publisher). Translated from the French by Elaine Desautels. Dust jacket with 1/2" closed tear near top of spine and minor chattering at bottom edge (shelfwear), otherwise near fine.

Hardcover. First English Language Edition. Quarto, 210 pages. In Very Good minus condition and lacking issued dust jacket. Bound in light gray cloth with black lettering to front board and spine. Foxing to cloth. General shelf wear. Foxing to edges of textblock and to endpapers. Minor tearing and staining to title page. Includes two original lithographs created especially for this book. DL Consignment. Shelved in Case 11. 1395684. Shelved Dupont Bookstore.

Hardcover. First English Language Edition. Quarto, 210 pages. In Very Good minus condition, with a Very Good minus dust jacket. Bound in red cloth with gilt lettering to spine and front board. Mild shelf wear to boards, including rubbing to cloth and age-toning to text block, light foxing to top; occasional age-toning to margins of interior pages, artwork unaffected; signed by previous owner to front free endpaper; includes two original lithographs created especially for this book on pages 4 and 9. Dust jacket protected by a mylar covering; black spine with yellow lettering. Mild shelf wear to dust jacket, including chipping with material loss to margins and corners; small closed tear to top margin of front cover; price uncut: "$35". Shelved in Case 11. 1395875. Shelved Dupont Bookstore.

Hardcover. First American Edition. Quarto, unpaginated. In Good condition. Bound in publisher's illustrated boards. Spine blue with black lettering. Binding extremely fragile, though still in tact. Bottom halves of front and rear hinges split. General shelf wear to head and tail of spine and to edges and corners of boards. Mild scuffing and soiling to boards. Staining to fore edge of textblock, affecting the margins throughout the interior. Scattered foxing throughout textblock, primarily to endpapers, title page, and "Captions" in rear, leaving the lithographs largely unaffected. Age toning throughout. Previous owner's signature to front free endpaper. Includes the front inner flap of dust jacket stored loosely within. DL Consignment. Shelved in Case 11. 1395231. Shelved Dupont Bookstore.

Zustand: Good. First American edition. Folio. 26 x 35.7 cm. Fully illustrated by Chagall with ninety-six black-and-white reproductions and twenty-four color lithographs on wove paper. Illustrated paper over boards, with cloth spine and dust jacket; loss in lower right corner and extremities of dust-jacklet. Lithographs are clean. Bookplate of Renée L. Gelman, M.D."This double number of VERVE contains the drawings made by Chagall in 1958 and 1959 on biblical themes which in general he had not dealt with in his illustrations for the bible reproduced in VERVE 33/34. The present work comprises 96 reproductions in black and white and 24 lithographs in color, as well as a cover specially designed for this volume. The heliogravure in black and white by the master printers DRAEGER Frères and the lithography in color by Mourlot Frères." Cramer 42. Mourlot 230-277. Sorlier 75.

First edition of this work by the famed artist. Folio, original red cloth. With two original color lithographs specially prepared by Chagall for this edition. Fine in a very good dust jacket. Jerusalem Windows illustrates and chronicles the creation of twelve stained glass windows, one for each of the twelve tribes of Israel, designed by Chagall for the Hadassah-Hebrew University Medical Center Synagogue in Jerusalem.

First edition. Folio, original red cloth. With two original color lithographs specially prepared by Chagall for this edition. Fine in a fine dust jacket. Contains the rarely seen original slipcase, also present is the original blue ribbon. The rear panel of the acetate shows some wear. Jerusalem Windows illustrates and chronicles the creation of twelve stained glass windows, one for each of the twelve tribes of Israel, designed by Chagall for the Hadassah-Hebrew University Medical Center Synagogue in Jerusalem.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. Very good with very good dust jacket in a clear plastic jacket. Plastic jacket has a one inch chip at top of spine and has a thin black stain along bottom front edge. Dust jacket is worn at top of spine and top corners. 211 pages. 4to size.

Brosch. 8°, o. P.: 1 Vakatblatt, 24 Bl. mit Titelvignette u. 4 Tafeln, 1 Bl. Impressum. Rücken an der vorderen Kante berieben, an den Kapitalen durchgerieben, daher an den Kapitalen lädiert u. geleimt, Einband etw. lichtrandig u. tlw. fleckig, EA. (= Collection de Littérature, [Nr.] 5). Ex. Nr. 495 der 1000 Ex. der Normalausgabe «sur vélin d'Alfa» (neben 40 Ex. der Vorzugsausgaben in grösserem Format).

35.0 x 26.0cms 160pp b/w & colour illusts very good hardback with very good- dustwrapper (archivally sealed tear) This book reproduces Chagall's costume & set designs for 'Aleko': 'L'Oiseau de Feu' and 'Daphnis et Chloe'.

Zustand: Good. Folio. 1 original double page lithograph inside; 24pp. Untrimmed. 28 x 38cm. Derrière le Miroir édité en 1977 pour accompagner l'exposition CHAGALL à la Galerie Maeght. Textes originaux de MAEGHT AIME. Format 38 x 28 cm, 24 pages incluant 1 illustrations en lithographie originale et 18 reproductions. Derrière Le Miroir n°225.

First English language edition. Small folio (33 x 26 cm), 210, [4 pp. Cloth. Color plates and photographs. Fine in dust jacket with tiny nicks along the lower edge and two short closed tears on the rear panel. Partial card slipcase. Translated from the French by Elaine Desautels. Illustrated with two full-page original color lithographs executed by Chagall for this work and printed by Mourlot, as well as 36 multi-color preparatory color designs transferred to stones under Chagall's supervision and printed by Charles Sorlier. The text was printed at the Imprimerie Nationale. A splendid overview of the various stages of Chagall's twelve stained glass window designs for the synagogue of the Hadassah-Hebrew University Medical Centre in Jerusalem.