tarantino michael (82 Ergebnisse)

Zustand: Used - Very Good. 2003. Hardcover. Dec. cloth, no d.j. (as issued). 4to. Profusely illus. Some shelf-wear. Else clean copy. Very Good.

Zustand: Used - Like New. 2003. Hardcover. Fine.

Illustrated Boards. Zustand: Near Fine. Zustand des Schutzumschlags: No Dust Jacket. Numerous Black and White and Color Photographs (illustrator). First Edition. 97 Immaculate Pages. Text In German And In English. Exhibition Of Artists Holzer, Millican And Weiner. The Title "Rosebud" Refers To The Key Word In Orson Wells' "Citizen Kane". Boards Are Slightly Scuffed, Near Fine.

paperback. Zustand: Good. Paperback; articles published in parallel in Galician, Spanish and English languages. Lightly marked covers; lightest of exterior shelfwear. Lower leading corners of front cover and early pages are lightly creased. pages are clean and sound. TS. Used.

hardcover. Zustand: Very Good. Hardcover without a dust jacket. Overall very good condition. Cover is crisp. Binding is tight. Corners are square. Pages are bright and clean. Title page is not dated. Copyright is dated 1994. 97 pages. We ship every day from a real neighborhood bookstore. This listing was written by an actual person with the book in front of them for inspection. Please email with questions or to see any photos.

Zustand: New. pp. 394 Illus.

Zustand: Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.

Paperback. Zustand: Brand New. Tarantino, Michael (illustrator). 36 pages. 10.00x8.00x0.09 inches. In Stock.

Hardcover. Zustand: Very Good.

Zustand: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.

Zustand: D'occasion - Comme neuf. ===ENVOI LE JOUR MÊME===T18.

Soft Cover with Self-Wraps. Zustand: Fine. First Edition. No marks or inscriptions. No creasing to covers or to spine. A very clean very tight copy with bright unmarked boards, minor traces of storage and no bumping to corners. 85pp. This study brings together a number of works dealing both directly and indirectly with the master of suspense and his art. Illustrated. We do not use stock photos, the picture displayed is of the actual book for sale. Every one of our books is in stock in the UK ready for immediate delivery. Size: 7.75 x 9.5 Inches.

28.5 x 23.5cms 301pp colour illusts very good+ hardback & dustwrapper This book provides a comprehensive overview of Cabrita Reis''s work from the mid-1980s until today.

Encuadernación de tapa blanda. Zustand: Bien. Catálogo de la exposición celebrada en el Centre d'Art Contemporain de Vassière en Limousin, Galleria Giorgio Persano, Torino, Galerie Renos Xippas, Paris entre abril y diciembre de 1995. Textos de Liliana Albertazzi, Michael Tarantino en francés. 65 pp. Rústica con solapas. 23 x 19 cm.

First edition. Softcover. Exhibition catalog. Text in English, French and German. Features contributions by Michael Bracewell and Jan Winkelmann along with the text of a conversation between Michael Tarantino and Morris. Includes numerous color illustrations. A clean very near fine copy in wrapers.

Hardcover. Zustand: Très bon. Edition 2004. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Edition 2004. Ammareal gives back up to 15% of this item's net price to charity organizations.

Softcover. Zustand: Near Fine. First Edition. [miniscule handling wear, essentially as-new]. (B&W and color photographs, facsimiles) Catalogue for a museum exhibition highlighting the relationship between art and film as seen through the prism of Alfred Hitchcock's works. Includes two essays: "Hitch-hiking in Dreamscapes," by Kerry Brougher, and "How He Does It, or The Case of the Missing Gloves," by Michael Tarantino. Artists and filmmakers whose work figured in the exhibition were: John Baldessari, Judith Barry, Cindy Bernard, Victor Burgin, Stan Douglas, Atom Egoyan, Christoph Girardet & Matthias Müuuler, Douglas Gordon, Pierre Huyghe, Christian Marclay, Chris Marker, David Reed, and Cindy Sherman.

hardback. Zustand: Very Good. No Jacket. 1st Edition. hardback, printed in both English and German, a very good tightly bound copy, dust wrapper not called for, paper a little age-toned at edges, the text clean and unmarked, colour and b&w illustrations, 97pp.

Paperback. Zustand: Very Good. First Edition. 6 X 0.75 X 9 inches; 92 pages; B&W photographs. Minor shelf rubbing. Very Good condition otherwise. No other noteworthy defects. No markings. ; - Your satisfaction is our priority. We offer free returns and respond promptly to all inquiries. Your item will be carefully cushioned in bubble wrap and securely boxed. All orders ship on the same or next business day. Buy with confidence.

SOFTCOVER. Zustand: As New. 1st Edition. 8vo in colour printed stiff card covers, 95pp on stiff art paper, colour plates, etc . [CONDITION: NEW unread and unmarked copy ] . __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.

First edition. Oblong softcover. 213 pages. Exhibition catalog for a show that ran April 18 through June 16, 2002. Text in English, Galician, and Spanish with contributions by Michael Tarantino,Miwon Kwon,Miguel Fernández-Cid, Jorge Luis Borges,and Adolf Loos. Features the text of a conversation between McElheny and Louise Neri. Includes numerous illustrations. A fine copy in wrappers. As new and still in the publisher's shrinkwrap.

Soft Cover. Zustand: Fine. Exhibition Catalog. Text: English. 59 p.; b/w photographs; 17 x 23,5 cm; 240g. The catalogue features various images of Luyten's work from 1985 - 1992 along with several texts by curator Louise Dompierre and editor Michael Tarantino.

Flexi-bound. Zustand: Fine Condition. 222 pages. Flexi-bound or paperback exhibition catalogue. Texts in English. Tight binding, sharp edges and corners on the covers, and a clean, unmarked interior. Bound in stiff paper covered flexi-boards and published on the occasion of the exhibition from January 27-March 29, 2000. Well illustrated.

8vo. pp 112. Colour illustrated soft covers. Illustrated throughout in colour. Published on the occasion of the exhibition at Tate Gallery Liverpool 15 September 1996 5 January 1997 and Museo Nacional Centro de Arte Reina Sofia, Palacio de Velázquez, Madrid 11 February 22 April 1997.ISBN: 1854372084 good plus condition, with sunned spine and some light rubbing at corners. Previous owner's name at inside of front cover; art Jane Grisewood.

132 pp.; 26.6 x 26.7 cm.; staple bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed February 1988 issue of Artforum, edited by Ingrid Sischy. Includes the following artists in conversation with Thomas McEvilley, Lucas Samaras, and Ingrid Sischy: Arthur Danto, Peter Schjeldahl, C. Carr, Robert Rosenblum, Gary Indiana, Jack Burnham, Roberta Smith, Glenn O'Brien, Thomas Lawson, Bernard Tschumi, Rosetta Brooks, Sidney Geist, Ben Lifson, Brian O'Doherty, Donald Kuspit, Guerrilla Girls, Carter Ratcliff, Kay Larson, Germano Celant, Thomas McEvilley, and Lucas Samaras. Reviews by Donald Kuspit, Charles Hagen, Jean Fisher, Patricia C. Phillips, Carlo McCormick, Kate Linker, John Yau, Ronny Cohen, John Howell, Michael Tarantino, Paula Marincola, Buzz Spector, Bill Berkson, Colin Gardner, Susan Freudenheim, Catherine Cafopoulos, Aurora García, Alessandra Mammi, Jole de Sanna, Daniel Soutif, Max Wechsler, Helmut Draxler, Anne Krauter, Doris von Drateln, and Michael Archer. Final issue of Artforum edited by Ingrid Sischy. This issue incorporates a full facsimile reprint of the inaugural issue of Artforum, Vol. 1, No. 1 (June 1962). Cover: Lucas Samaras. Fair / Good. Dust soiling of covers with curl to text block. 13 cm. scratch with surface tearing to verso, 1.3 cm. dog-ear to top left corner of corner, 9 mm. tear to left side ege and 5 mm. loss. Yellowing of pages. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hard Cover. Exhibition Catalogue. Text: English. 184 p.; ill.; 16x22 cm. Book design by Luc Derycke. Michael Tarantino, who has died (2003) of cancer at the age of 55, was one of the best, and most creative, curators of contemporary art, with a career that encompassed work in Boston, Brussels, Oxford and across the continent. Born in New Jersey, he held an MA in cinema studies from New York University, and his career in America, before he moved to Belgium in 1988 was impressive. As director of the new works programme for the Massachusetts council for the arts, in Boston in the 1980s, he commissioned and produced more than 200 projects, working not just with visual artists like Judith Barry and Antoni Muntadas, but also with the Wooster Group experimental theatre company, composer John Adams and with Robert Wilson, whose mammoth The Civil Wars he commissioned for the American Repertory Theatre. He was a pioneering supporter of artists' video and film installations, at a time when many institutions did not know how to deal with this emerging form. Tarantino became more widely known in Britain when, in 1998, he was made head of exhibitions at the Oxford Museum of Modern Art. Among other exhibitions, he curated shows about the relationship between architecture, gardens and landscape (Enclosed & Enchanted), and about the influence of Alfred Hitchcock on contemporary art (Notorious). He was always fascinated by the links between art and film, and another exploration of the theme, So Faraway, So Close, pitched Jean-Luc Godard against Ed Ruscha, Jeff Wall against Dennis Hopper. His ability to make unexpected conjunctions - setting up startling juxtapositions which shed new light on their works - meant that artists were as keen to have him curate their monographic exhibitions as to take part in his thematic group shows. Michael Tarantino, curator and writer, born May 27 1948; died November 28 2003. "The Event Horizon is an exhibition about narrative, landscape and cultural identity. The title is taken from an essay by Michelangelo Antonioni, where the filmmaker sets out his ideas concerning the ways in which we may construct a narrative. For Antonioni, to describe an event is to be at the edge of the horizon, always ready to shift into another register, another approach to the story. It is impossible to tell one tale without suggesting another. As an exhibition, The Event Horizon, started from the same premise: how do artists approach the question of narrative? What relationship does landscape have to the stories we tell? And how are our identities influenced by the ways in which those stories are told? " Artists: Michelangelo Antonioni, Marie-José Burki, Ann Veronica Janssens, Sam Taylor-Wood, Jean-Pierre Temmerman. Fine.

Paperback. Zustand: Very Good. Qto., 111 pages, illustrated. The text is in Spanish with a substantial summary in English. There are two art gallery ink stamps.Overall, a Very Good copy.

Near fine condition with some minor rubbing. This book documents Belgian artist Marin Kasimir's panoramic photographic project Zoom in/Turn around, commissioned for the Stadhuis (City Hall) of The Hague. Tarantino's essay connects Kasimir's sweeping urban panoramas to 16th-century Flemish painting, especially the panoramic "world as stage" concept of Pieter Bruegel the Elder. The publication exemplifies the mid-1990s intersection of architectural photography, installation art, and urban semiotics in European public art projects.

Zustand: Nuevo. Ciudades editado por Universidad de Salamanca. Ediciones Univ.