tan dun (22 Ergebnisse)

Zustand: Very Good. First edition copy. . In protective mylar cover.

Zustand: New. 2006. Paperback. Dimension: 263 x 170 x 4. Weight: 114. . . . . . Books ship from the US and Ireland.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

CD. Zustand: Very Good. Companies, etc. ed ny Music Entertainment Inc.

Zustand: New.

Zustand: fine. 2011, 96pp. Nette hardcover, inclusief los programmaboekje/rolverdeling. Libretto: Engels- en Nederlandstalig.

Taschenbuch. Zustand: Neu. Neuware - (Piano). This eight-movement suite was written by composer Tan Dun when he was a student in 1978-1979, about the time he left his home in Hunan to study at the conservatory in Beijing. He was homesick, and wrote this suite as a diary of his longing, while also being immersed in studying Western classical and modern music. Twenty years after its composition, pianist Lang Lang premiered the suite at the Kennedy Center in 2003, and he also played it at Carnegie Hall, in a performance recorded by Deutsche Grammophon.

Taschenbuch. Zustand: Neu. Tan Dun - Eight Memories in Water Color | Tan Dun | Taschenbuch | Piano | Buch | Englisch | 2004 | G. Schirmer | EAN 9780634073793 | Verantwortliche Person für die EU: preigu GmbH & Co. KG, Lengericher Landstr. 19, 49078 Osnabrück, mail[at]preigu[dot]de | Anbieter: preigu.

Taschenbuch. Zustand: Neu. Neuware - (Ensemble). This work is a set of free variations drawn from a 13th-century Chinese drama by Kuan Han-Chimg. The complex cello and percussion writing focuses on the timbres, textures and fiddling techniques of Chinese ritual music and Ghost opera.

Taschenbuch. Zustand: Neu. Elegy: Snow in June | Concerto for Violoncello and Four Percussionists | Tan Dun | Taschenbuch | Partitur + Stimmen | Englisch | 2005 | G. Schirmer, Inc. | EAN 9780634099120 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.

Zustand: Gut. Zustand: Gut | Seiten: 48 | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Zustand: New.

Zustand: New. 01. Chant02. Little Prince03. Mantra04. Under the Bodhi Tree05. Equality06. Deer of Nine Colors07. Gratitude08. Betrayal09. Trees Wish to Be Still, yet the Wind Doesn t Let Go10. Karma11. Apsaras.

Broschur. Zustand: Gut. 28 Seiten Programmheft zum Konzert in der Hamburg am 12. und 13. Februar 2006 in Hamburg (Saisonheft 2005/2006) auf Seite 14 bei ihrem Konzert von Tan Dun und Anssi Karttunen mit schwarzem Edding signiert /// Autogramm Autograph signiert signed signee /// Tan Dun (chinesisch ?? / ??, Pinyin Tán Dùn, * 18. August 1957 in Si Mao, Provinz Hunan) ist ein in New York lebender chinesischer Komponist und Dirigent. Dun wurde im Dorf Simaonae, Changsha in der Provinz Hunan geboren. Während der Kulturrevolution in China musste er ab 1974 als Reisbauer arbeiten. Um den beengten Verhältnissen zu entfliehen, schloss er sich als Violinist und Arrangeur einer Peking-Oper-Gruppe an. In Peking studierte er von 1978 bis 1983 Komposition bei Li Yinghai und Zhao Xingdao am Zentralen Konservatorium. Er erhielt die Möglichkeit, an Seminaren bei bekannten Komponisten wie Hans Werner Henze, Chou Wen-chung, Yun I-sang, Alexander Goehr, George Crumb und Toru Takemitsu teilzunehmen. In den 80er Jahren zog er nach New York, studierte bei Chou Wen-chung, George Edwards und Mario Davidovsky und promovierte (Ph.D.) an der Columbia University. Die amerikanische Metropole eröffnete ihm Kontakte zu Experimentalmusikern wie Philip Glass, John Cage, Meredith Monk und Steve Reich. 2010 war er Kulturbotschafter für die Expo in Shanghai. Als Dirigent leitete er u. a. Concertgebouw-Orchester, London Symphony Orchestra, Berliner Philharmoniker, New Yorker Philharmoniker, Philadelphia Orchestra, Orchestre National de France, BBC Symphony Orchestra, Münchner Philharmoniker, Filarmonica della Scala und Orchestra dell?Accademia Nazionale di Santa Cecilia. Kompositionen In seinen Kompositionen verknüpft er klassische und moderne Musikelemente und verbindet asiatische mit europäischen Musikrichtungen. Neben Orchestermusik komponiert er Opern und Filmmusik. Von 1992 bis 1996 entstand seine erste Oper Marco Polo, die von der Kritik hoch gelobt wurde, 1998 gefolgt von der Oper Peony Pavilion (uraufgeführt unter der Regie von Peter Sellars). 2006 hatte die Oper The First Emperor mit dem Komponisten selbst am Pult und Plácido Domingo in der Titelrolle ihre Uraufführung an der New Yorker Metropolitan Opera. Im Jahr 2000 fand in Stuttgart die Uraufführung der Water Passion nach dem Matthäus-Evangelium statt; Auftraggeber war die Internationale Bachakademie, die zum 250. Todestag von Johann Sebastian Bach den Auftrag für neue Kompositionen der vier Evangelien jeweils an einen namhaften modernen Komponisten vergab. Für ein breiteres Publikum wurde Tan Dun im Jahre 2000 durch seine Oscar-prämierte Filmmusik für Tiger and Dragon bekannt. Das Klavierkonzert HEAR & NOW wurde von der New Yorker Philharmonie in Auftrag gegeben und im April 2008 mit dem Pianisten Lang Lang unter Leitung von Leonard Slatkin uraufgeführt. Im gleichen Jahr wurde er von Google beauftragt, eine Internet Symphony No. 1 für das YouTube Symphony Orchestra zu komponieren. Im Sommer 2009 übernahm Tan Dun beim Musik-Festival Grafenegg die Rolle als Composer in Residence. In diesem Rahmen hielt er einen Kompositionsworkshop, in dem Kompositionen für Film und Multimedia im Vordergrund standen. Am 6. September 2009 brachte er zusammen mit dem Tonkünstler-Orchester Niederösterreich und einer Reihe renommierter Schlagwerk-Solisten sein Earth Concerto for ceramic instruments and orchestra to commemorate the 150th anniversary of Gustav Mahler's birth, ein Auftragswerk des Musik-Festivals Grafenegg, zur Uraufführung. In der Spielzeit 2012/13 war er Composer in Residence beim MDR-Sinfonieorchester.[1] /// Standort Wimregal ESA-7735 zh Gewicht in Gramm: 77.

100 : 150 mm. Brustbild von vorn.

130 : 180 mm. Brustbild von vorn. Rollenportrait von vorn.

Audio CD. Zustand: Sehr gut. Hülle mit kleinen Lagerspuren, CD wie neu, mit Papp-Hülle umschlossen W53 Sprache: Deutsch Gewicht in Gramm: 505.

4to. Program of the 5th symphony concert by Tan Dun at the Saalbau, Großer Saal Essen. Signed and inscribed by the composer To my music friend". They performed Orchestral Theatre I-III" the premiere of the Gesamtzyklus". A leading figure of contemporary classical music, he draws from a variety of Western and Chinese influences, a dichotomy which has shaped much of his life and music. Having collaborated with leading orchestras around the world, Tan is the recipient of numerous awards, including a Grawemeyer Award for his opera Marco Polo (1996) and both an Academy Award and Grammy Award for his film score in Ang Lee's Crouching Tiger, Hidden Dragon (2000). His oeuvre as a whole includes operas, orchestral, vocal, chamber, solo and film scores, as well as genres that Tan terms "organic music" and "music ritual."Born in Hunan, China, Tan grew up during the Cultural Revolution and received musical education from the Central Conservatory of Music. His early influences included both Chinese music and 20th-century classical music. Since receiving a DMA from Columbia University in 1993, Tan has been based in New York City. His compositions often incorporate audiovisual elements; use instruments constructed from organic materials, such as paper, water, and stone; and are often inspired by traditional Chinese theatrical and ritual performance.

127 : 185 mm. A nice head and shoulders half-profile photograph signed in in silver ink.A leading figure of contemporary classical music, he draws from a variety of Western and Chinese influences, a dichotomy which has shaped much of his life and music. Having collaborated with leading orchestras around the world, Tan is the recipient of numerous awards, including a Grawemeyer Award for his opera Marco Polo (1996) and both an Academy Award and Grammy Award for his film score in Ang Lee's Crouching Tiger, Hidden Dragon (2000). His oeuvre as a whole includes operas, orchestral, vocal, chamber, solo and film scores, as well as genres that Tan terms "organic music" and "music ritual."Born in Hunan, China, Tan grew up during the Cultural Revolution and received musical education from the Central Conservatory of Music. His early influences included both Chinese music and 20th-century classical music. Since receiving a DMA from Columbia University in 1993, Tan has been based in New York City. His compositions often incorporate audiovisual elements; use instruments constructed from organic materials, such as paper, water, and stone; and are often inspired by traditional Chinese theatrical and ritual performance.

127 : 185 mm. A nice head and shoulders half-profile photograph signed in in silver ink.A leading figure of contemporary classical music, he draws from a variety of Western and Chinese influences, a dichotomy which has shaped much of his life and music. Having collaborated with leading orchestras around the world, Tan is the recipient of numerous awards, including a Grawemeyer Award for his opera Marco Polo (1996) and both an Academy Award and Grammy Award for his film score in Ang Lee's Crouching Tiger, Hidden Dragon (2000). His oeuvre as a whole includes operas, orchestral, vocal, chamber, solo and film scores, as well as genres that Tan terms "organic music" and "music ritual."Born in Hunan, China, Tan grew up during the Cultural Revolution and received musical education from the Central Conservatory of Music. His early influences included both Chinese music and 20th-century classical music. Since receiving a DMA from Columbia University in 1993, Tan has been based in New York City. His compositions often incorporate audiovisual elements; use instruments constructed from organic materials, such as paper, water, and stone; and are often inspired by traditional Chinese theatrical and ritual performance.

8vo. 2 pp. An original head and shoulders photograph of the composer, signed and dated by the Tan Dun during a visit to Essen (26.1.2000) mounted loosly with an autograph musical quotation signed and inscribed from his work Orchestral Theatre I-III., which was premiered in Essen that date, Jan. 15, 1999. Rare in that format. A leading figure of contemporary classical music, he draws from a variety of Western and Chinese influences, a dichotomy which has shaped much of his life and music. Having collaborated with leading orchestras around the world, Tan is the recipient of numerous awards, including a Grawemeyer Award for his opera Marco Polo (1996) and both an Academy Award and Grammy Award for his film score in Ang Lee's Crouching Tiger, Hidden Dragon (2000). His oeuvre as a whole includes operas, orchestral, vocal, chamber, solo and film scores, as well as genres that Tan terms "organic music" and "music ritual."Born in Hunan, China, Tan grew up during the Cultural Revolution and received musical education from the Central Conservatory of Music. His early influences included both Chinese music and 20th-century classical music. Since receiving a DMA from Columbia University in 1993, Tan has been based in New York City. His compositions often incorporate audiovisual elements; use instruments constructed from organic materials, such as paper, water, and stone; and are often inspired by traditional Chinese theatrical and ritual performance.

127 : 185 mm. A nice head and shoulders half-profile photograph signed in in silver ink.A leading figure of contemporary classical music, he draws from a variety of Western and Chinese influences, a dichotomy which has shaped much of his life and music. Having collaborated with leading orchestras around the world, Tan is the recipient of numerous awards, including a Grawemeyer Award for his opera Marco Polo (1996) and both an Academy Award and Grammy Award for his film score in Ang Lee's Crouching Tiger, Hidden Dragon (2000). His oeuvre as a whole includes operas, orchestral, vocal, chamber, solo and film scores, as well as genres that Tan terms "organic music" and "music ritual."Born in Hunan, China, Tan grew up during the Cultural Revolution and received musical education from the Central Conservatory of Music. His early influences included both Chinese music and 20th-century classical music. Since receiving a DMA from Columbia University in 1993, Tan has been based in New York City. His compositions often incorporate audiovisual elements; use instruments constructed from organic materials, such as paper, water, and stone; and are often inspired by traditional Chinese theatrical and ritual performance.