Produktart
Zustand
Einband
Weitere Eigenschaften
Land des Verkäufers
Verkäuferbewertung
Verlag: CHIZINE PUBN, 2017
ISBN 10: 1375814648ISBN 13: 9781375814645
Anbieter: moluna, Greven, Deutschland
Buch
Kartoniert / Broschiert. Zustand: New.
Verlag: CHIZINE PUBN, 2018
ISBN 10: 1378503414ISBN 13: 9781378503416
Anbieter: moluna, Greven, Deutschland
Buch
Zustand: New.
Verlag: Legare Street Press, 2022
ISBN 10: 1016612966ISBN 13: 9781016612968
Anbieter: moluna, Greven, Deutschland
Buch
Kartoniert / Broschiert. Zustand: New.
Verlag: FRANKLIN CLASSICS, 2018
ISBN 10: 0342481843ISBN 13: 9780342481842
Anbieter: moluna, Greven, Deutschland
Buch
Gebunden. Zustand: New.
Verlag: LIGHTNING SOURCE INC, 2016
ISBN 10: 1357502672ISBN 13: 9781357502676
Anbieter: moluna, Greven, Deutschland
Buch
Gebunden. Zustand: New.
Verlag: WENTWORTH PR, 2019
ISBN 10: 0469363819ISBN 13: 9780469363816
Anbieter: moluna, Greven, Deutschland
Buch
Zustand: New.
Verlag: Palala Press, 2016
ISBN 10: 1356962645ISBN 13: 9781356962648
Anbieter: moluna, Greven, Deutschland
Buch
Gebunden. Zustand: New. KlappentextThis work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original w.
Zustand: Very Good. Varanasi-1 (India), Chowkhambra Sanscrit Series Office, 1963. 8vo. (10),+ VI,+ 354,+ XX,+ (2) pp. Publ. cloth with dustwrapper. (Chowkhambra Sanscrit Studies vol. XXXI.) Second edition, first published in 1896. This is indeed a universal history. The national chapters cover: I. ASIA: 1. China. 2. Siam. 3. Japan. 4. Corea. 5. Thibet. 6. Burmah. 7. India. 8. Ceylon. 9. Persia. 10. Arabia. 11. Turkestan. 12. Turkey in Asia. II. AFRICA: 1. North Eastern Africa. 2. Northern Africa. 3. Western Africa. 4. Central Africa. 5. Southern Africa. 6. Eastern Africa. 7. Madagascar. III. EUROPE: 1. Greece. 2. Turkey. 3. Austria. 4. Russia. 5. Scandinavia. 6. Denmark. 7. Holland. 8. Belgium. 9. Germany. 10. Switzerland. 11. Italy. 12. Sicily. 13. Sardinia. 14. Spain. 15. Portugal. 16. France. 17. England. 18. Scotland. 19. Ireland. 20. Iceland. IV. AMERICA 1. North America. 2. The West Indies. 3. Central America. 4. South America. V. OCEANIA: 1. Malaysia. 2. Australasia. 3. Polynesia. Appendix a few facts concerning Hindu music. Hardcover / Hardback.
Anbieter: ASHER Rare Books, T Goy Houten, Niederlande
[8], 57, [2] pp.First and only edition of the collected compositions by the Western-schooled Indian professor of musicology Raja Sourindro Mohun Tagore (1840-1914). He was the leading specialist of his time in Indian music, and studied his native Indian musical tradition with the latest theoretical knowledge. This made him a pioneer in the introduction of traditional Indian music into modern times and in making it accessible to Western audiences. He founded the Bengal Music School and Bengal Academy of Music that operated under the Western standard.In the present work Tagore used his knowledge of Western music to present 50 Indian tunes in the European system of notation, accompanied by the English translation of the lyrics, resulting in 59 pages of printed music. These 50 "tunes" were all composed by the author himself on different occasions. Tagore published the work himself and dedicated it to Sir Ashley Eden, Lieutenant-Governor of Bengal. The binding is interesting: the family crest on the front cover appears to have been made for Tagore's publishing house. All other copies of works by Raja Sourindro Mohun Tagore that we traced have a similar binding.Spine slightly discoloured, otherwise in very good condition.l For Tagore and his musical notation: Martin Clayton & Bennett Zon, Music and orientalism in the British Empire (2007), pp. 85-87.
Verlag: Calcutta: Calcutta Central Press Company Limited, 1877, 1877
Anbieter: Peter Harrington. ABA/ ILAB., London, Vereinigtes Königreich
Handsomely presented copy of the second edition, perhaps correctly the third, of this pioneering work of Indian musicology, first published 1875. The author founded the Bengal Music School, 1871 and the Bengal Academy of Music, 1881. Here he offers analyses of the Indian raga system including melodies transcribed in his newly devised Indian notation with Sanskrit words, and Western notation with transliterated Sanskrit words. Uncommon. Sourindra Mohun Tagore (1840-1914) was a scion of the wealthy bhadralok "middle class" which emerged in Bengal under British rule, "an ideological construct which was created in response to the political and economic domination by the British on the one hand and the cultural leadership among the colonized people on the other. cultural leaders of the indigenous colonized people" (Bhattacharyya). He studied Sanskrit and English at Hindu College, Calcutta, graduating in 1858. Along with his formal studies "Tagore began learning the sitar from Lakshmi Narayan Mishra of Benaras at the age of 17 and continued studies in other aspects of classical music and musicology with the well-known scholar Kshetra Mohan Goswami. Both the teachers were upper-caste Brahmins so their high-caste and class affiliations were appropriate for their inclusion by the bhadralok modernizers. Tagore also learnt Western music from a German pianist and took much interest in collecting books and ancient manuscripts on Indian music theories and works on European music" (ibid.). In May 1870 he gave a lecture entitled Jatiya Sangita Bishayak Prostab("Discourse on National Music") at the Calcutta Training Academy and was immediately proposed to establish and head a school of music. The Bengal Music School, established on the premises of the Calcutta Normal School in 1871 was the first such establishment in India. The school's syllabus aimed at a well-rounded musical education through training in vocal music, instrumental - sitar and harmonium - and percussion (mridanga), alongside theory classes. It almost certainly for his contributions in the latter field that Tagore is best known. Describing Six Principal Ragas as a "unique work" Bhattacharyya goes on to explain how it was "composed in the tradition of the Ragamala paintings in Mughal India that represented the sixragasand thirty-sixraginisin figural iconography. the seasonal theory ofragascombined with 'emblematical representations' in the form of lithographs. Defining theragaas a personified entity as distinguished from one another through their emotions, Tagore presented sixragasspecific to six seasons in India as follows: Summer, Panchama; Monsoon, Megh; Autumn, Bhairav; Dewy, Sri; Winter, Nat Narayan; Spring, Basant". His aim was to identify a national music, based in a theory that "seamlessly linked back to the ancient Sanskrit texts and yet was also discursively modern. placed within a framework of scientific knowledge, supported by a body of theoretical terms for disciplinary needs, institutionally mediated and openly critical of Western misinterpretations of music in India". Tagore also strove to promote interest in Indian music in other countries, donating collections of Indian instruments to institutions across America and Europe, even sending three as a personal gift to emperor Mutsihito in 1877. In 1902 he established the Tagore Gold Medal for the Royal College of Music in London, which had received its first major donation of musical instruments from him in 1884. The medal is still awarded today. An important work, and extremely attractively produced both in the letterpress and the unusual lithographic illustrations executed in a hybrid traditional-illusionist style, a register made possible by the wider availability of lithography which provided "the subtle gradations of shading essential for emulating illusionist art" (Mitter, pp. 12-13). Doss was one of the artisans "adopting the new process" early (ibid. p. 15). The attractive, presumably locally produced, binding on this copy is similar to, if a little simpler than that on the copy of Tagore's Eight Principla Rasas. presented to Queen Victoria and held by the Royal Collection Trust (RCIN 1051343). Its status as an author's or presentation copy is confirmed by the presence on the title page of Tagore's embossed pictorial monogram stamp in red. Anirban Bhattacharyya, "Sourindro Mohun Tagore: Pioneering a Modernist Thought in Indian Musicology", Sahapedia, 2016; Partha Mitter, "Mechanical reproduction and the world of the colonial artist", Contributions to Inidan Sociology, 36, 1-2, Feb. 2002. Quarto (290 x 230 mm). Red morocco presentation binding, gilt lettered direct to the spine, broad gilt panels to both boards, Bengal Music School centre tool to the front, arabesqued cartouche to the back, palmate gilt roll to the board edges and turn-ins, strong bluish green surface-paper endpapers, page edges gilt. 7 lithographed plates by Kristo Hurry Doss (225 x 165 mm) mounted on stub-mounted gloss-coated heavy card leaves with green printed decorative foliate borders, each with original tissue guard, title page printed in red and black, text in English and Sanskrit, 17 pages of musical notation Western and Sanskrit, text throughout printed within decorative borders. A little rubbed, particularly on the joints, front inner hinge just starting head and tail, pale toning to the text, some spotting and creasing to the guards, but overall a very good copy.
Verlag: CHIZINE PUBN, 2018
ISBN 10: 1298719011ISBN 13: 9781298719010
Anbieter: moluna, Greven, Deutschland
Buch
Kartoniert / Broschiert. Zustand: New. KlappentextThis work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the origina.
Verlag: SWING, 2015
ISBN 10: 1296891623ISBN 13: 9781296891626
Anbieter: moluna, Greven, Deutschland
Buch
Gebunden. Zustand: New. KlappentextThis work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original w.
Anbieter: ASHER Rare Books, T Goy Houten, Niederlande
[1], [1 blank], [1], [1 blank], 113, [1 blank] pp.First and only edition of a collection of 31 numbered Sanskrit, Hindi and Bengali songs popular in India at the time of publication, with the words in the original language and script, with a transliteration in roman type, each song with a brief explanatory text in English. It includes songs in the native classical and modern traditions as well as devotional, operatic and pastoral songs. It preserves a record of both the words and melodies of many songs that might otherwise have been lost and therefore serves as an essential primary source. The present copy includes dedication to Robert Bulwer-Lytton, Viceroy of India, printed in blue with an elaborate border printed in red. This is probably a deluxe version of the dedication leaf, found only in a few copies intended for presentation. Sourindro Mohun Tagore (1840-1914) came from one of the leading artistic families in Calcutta. Well versed in traditional Indian music from his youth, he became a patron of Bengali and Hindu music but also studied Western music and became an internationally known musicologist.In very good condition, with only occasional and mostly marginal light foxing or faint water stains. The binding with only minor wear, mostly at the extremities, but otherwise very good. A an essential source for any study of Indian music, produced in Calcutta and bound for the author, probably for presentation.l WorldCat 18700798, 870975830, 903627489, 497594560, 844448509; Public opinion and official communications, about the Bengal Music School . (Calcutta 1876, with additions to at least 1879), item XXVI and supplement, p. 268.
Anbieter: Antiquariaat Wim de Goeij, Kalmthout, ANTW, Belgien
Verbandsmitglied: ILAB
Erstausgabe
8. Bruxelles, Conservatoire Royale de Musique, 1878, 2 vols in-8°, 18,5 x 11,5 cm. (1 yearbook and one photo album). This is the extremely rare first edition of Mahillon's famous catalogue on non-european musical instruments. The core of the collection consisted of a gift from the Rajah Sourindro Mohun Tagore (1840 - 1914) to king Leopold I of Belgium ( in 1876). The complete catalogue as offered here consists of two parts. [1] The catalogue with the description of the 165 items, preceded by an essay on the classification of musical instruments. Published as pp. 81-256 in the '' Annuaire du Conservatoire Royal de Musique de Bruxelles - 2e année 1878''. (Here the complete yearbook of 1877 and 1878, bound together in one volume is on offer. [2] Album (photographique) des Instruments Extra-Européens du Musée du Conservatoire Royal de Musique de Bruxelles. A sepate photo album, in-8°, 20 x 14 cm, bound in red cloth with gilt title on front cover. Containing 12 albumine plates mounted on stiff boards, with printed captions underneath. All 165 instruments of the collection are represented. The instruments are numbered in the negative plate. This number is repeated in the captions so that the identication of the instruments is made very simple. The album is undated but must be published together or immediately after the publication of the yearbook (1878).