Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
EUR 15,59
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New. In.
Sprache: Englisch
Verlag: Knoedler & Company, E-245, 2007
ISBN 10: 0978998715 ISBN 13: 9780978998714
Anbieter: Last Exit Books, Charlottesville, VA, USA
Hardcover. Hardcover. 4to. Published by Knoedler & Company, New York. 2007. 125 pgs. Illustrated. First Edition? First Printing. DJ has light shelf-wear present to the DJ extremities. Bound in cloth boards with titles present to the spine and front board. Boards have light shelf-wear present to the extremities. No ownership marks present. Text is clean and free of marks. Binding tight and solid. The young Jasper Johns stands atop a small ladder to smooth one of the gridlines on his silver "Numbers" painting of 1964. He is wearing an oddly coordinated padded silver jumpsuit, mindless of the camera that captures him mid-gesture. Photographed the same year, Roy Lichtenstein strides thoughtfully across his studio floor while his two young sons read from dozens of comic books spread out all over the rug. In 1967, Diane Arbus leans against a tabletop at The Museum of Modern Art, New York, nonchalant in a chic white minidress and matching thigh-high boots, while her camera hangs heavily around her neck. This deluxe collection of intimate, highly compelling color and black-and-white photographs includes portraits of many of the most important and pioneering artists of the postwar period in American art. The series, which includes studies of Henri Cartier-Bresson, Lee Bontecou, Louise Bourgeois, John Chamberlain, Willem de Kooning, Helen Frankenthaler, Philip Guston, Ellsworth Kelly, Louise Nevelson, Barnett Newman, Isamu Noguchi, Claes Oldenburg, Robert Rauschenberg, Mark Rothko and many others, was, in fact, initially inspired by the work of Cartier-Bresson, from whom Budnik learned to adopt an attitude of anonymity with respect to his subjects, working--as noted photo historian James Enyeart writes in his catalogue essay--"at the periphery of their attentiveness to his camera." Features outstanding essays by Enyeart and Irving Sandler, America's premier chronicler of postwar American art, as well as a reprint of a little-known essay by the influential British art critic and curator David Sylvester, which was originally published alongside Budnik's photographs in 1964.; 11.75 X 1 X 11.75 inches; 128 pages.
Sprache: Englisch
Verlag: University of Pennsylvania Press, 1996
ISBN 10: 0812233808 ISBN 13: 9780812233803
Anbieter: Better World Books, Mishawaka, IN, USA
Zustand: Good. 7th Edition. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Sprache: Englisch
Verlag: University of Pennsylvania Press, 1996
ISBN 10: 0812233808 ISBN 13: 9780812233803
Anbieter: Better World Books, Mishawaka, IN, USA
Zustand: Good. 7th Edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
EUR 30,13
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New. In.
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 22,64
Anzahl: 1 verfügbar
In den WarenkorbGame. Zustand: Brand New. Dayglo, Rufus; Cornwell, Dan (illustrator). brdgm edition. 8.75x6.25x1.50 inches. In Stock.
Anbieter: Antiquariat Bergische Bücherstube Mewes, Overath, Deutschland
weicher Einband. 256 S., ca. 100 Abb. Farb. od. s/w und ca. 170 Zeichnungen und Pläne Quer 4° Br. *neuwertig* Rising with its golden roof from the self-inflicted ashes of World War II, right at the center of the remains of Hitler's megalomaniac World Capital Germania, the new concert hall for the Berlin Philharmonic Orchestra has become the symbol of another Germany; a newly democratized nation that sought to reshape itself with the help of cultural experiences. Today, the Philharmonie is the nucleus of Berlin's Kulturforum with five museums, two concert venues and the state library, West Berlin's response during the Cold War to the Museum Island on the east of Berlin. Hans Scharoun's design for the Philharmonie is without precedent. It became the paradigm for numerous concert halls all over the world, but none has ever come close to the Philharmonie's conceptual, compositional, constructional, social and synesthetic experiential integrity. Scharoun (1893-1972) had pursued all his life to project a symbol for new democracy in Germany. Ever since the revolutionary air swept German society after World War I, Scharoun and a number of his friends were dreaming of the new gleaming glass dome on top of a cultural building that would become the alternative to the cathedral. More than four decades later, the purpose-built concert hall for one of the world's most respected orchestras, opened its doors to an avid audience. The Philharmonie's unconventional forms, mostly non-orthogonal planes with a few curves notably as part of the roof and the ceiling met with incredulity and outright rejection. When the designs were published, vociferous commentators were sure that it could not be built. Its apparent irregularity was thought by some to be costly and unnecessary. Yet on completion, the spatial magic and the constructional logic won over most critics. Nevertheless, there are some who remain hostile to the design, considering it to be irrational and overly expressive. With the possibility of publishing the drawings from the Scharoun Archive at the Academy of the Arts, Berlin, anyone with a slightest ability to read drawings will be able to trace the direct approach to the detailing and construction of the Philharmonie's spatially complex, yet highly logical composition. Sprache: Englisch.
Verlag: Southern Illinois University, 1967
Erstausgabe Signiert
Hardcover with Dust Jacket. Zustand: VERY GOOD. Zustand des Schutzumschlags: Very Good. First Edition. SIGNED and INSCRIBED by Malcolm Cowley to Ralph and Stathis. Ralph Sylvester and Stathis Orphanos operated the great fine-press publishing house Sylvester & Orphanos. First edition thus. xv, 400pp. Green cloth gilt spine lettering, purple endpapers. Bookstore stamps and markings to rear endpapers, stain to fore edge, tips very lightly worn. Dust jacket has some rubbing to extremities, small chips with loss to front tail tip and head of back cover. Now in Mylar. Signed By Author.
Verlag: Earth First! / Dave Foreman, Tucson, AZ, 1988
Anbieter: Ken Sanders Rare Books, ABAA, Salt Lake City, UT, USA
Erstausgabe
Magazine. Zustand: Very Good. 40pp. Newsprint [43cm x 27.5cm / 17" x 11"]. Ten bifolia (sheets folded vertically once to form forty pages). Lightly and sporadically age-toned, a bit more so around edges and folds. Some very light and sporadic staining, creasing, toning. Earth First! is a group of radical environmentalists that formed in the American Southwest in the spring of 1980, founded by Dave Foreman, Mike Roselle, Howie Wolke, Bart Koehler, and Ron Kezar, among others. Earth First! quickly came to national attention with their "cracking" of Glen Canyon Dam activist stunt, which was performed and filmed in the spring of 1981. Edward Abbey is considered to be the "literary father" of the group. "Earth First! is the beginning of the new, bold environmental movement. And 'Earth First! The Radical Environmental Journal' is its voice. No compromise in the defense of Mother Earth!" (Dave Foreman, Editor). Rear cover half-page illustration by Brush Wolf is untitled and depicts two howling wolves standing atop an upside down bulldozer. Cover articles: "El Tigre: Doesn't Live Here Anymore" by Dan Dagget and "Undeveloped Lands In New England For Sale, Cheap" by Jamie Sayen. Other articles include "Connecticut River of Salmon Return" by Zapus Sylvester, "Quebec Ski Area Slides Over Local and Environmental Concerns" by Roger Sansterre, "Idaho Wilderness Gets the Axe!" by Somerset, "Deep Ecology and the New Civil Rights Movement" by Mike Roselle, "Conservation Biology and the Greater North Cascades Ecosystem" by Mitch Friedman, "The Neanderthal Gene" by Dave Foreman, and "Of Corporate Scum and Dirty Fingernails" by Jamie Sayen, amongst others. The "Nerthus" supplement insert on pages 19-22 focuses on the theme of paganism. Edward Abbey's book review of Richard Kazis and Richard L. Grossman's "Fear At Work: Job Blackmail, Labor, and the Environment" appears on page 25. The "Armed With Vision" poetry page is on page 35. "Earth First! Trinkets & Snake Oil" on page 36. Many illustrations throughout. Advertisements at the rear.
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
EUR 153,12
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New. In.
EUR 225,50
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New. For more than five decades, Fundamentals of Private Pensions has been the most authoritative text and reference book on retirement plans in the United States. The 9th edition is completely updated and reflects recent developments in retirement plans, including the passage of the US Pension Protection Act of 2006 (PPA). Num Pages: 844 pages, Numerous tables and illustrations. BIC Classification: KC; KFFP; KJ. Category: (G) General (US: Trade); (P) Professional & Vocational. Dimension: 253 x 194 x 51. Weight in Grams: 1746. . 2010. 9th Edition. Hardcover. . . . . Books ship from the US and Ireland.
Sprache: Tschechisch
Verlag: Universal Pictures Germany GmbH, 2003
Anbieter: Versandantiquariat Felix Mücke, Grasellenbach - Hammelbach, Deutschland
dvd. Zustand: Gut. Seiten; HÃlle und CD in gutem Zustand, Artikel stammt aus Nichtraucherhaushalt! NB2-8976 cs Gewicht in Gramm: 500.