susan baxter (19 Ergebnisse)

Zustand: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Trade Paperback. Zustand: Very Good - Cash. Minor rubbing and edge wear to cover, with light reader wear to pages. Still great condition. Stock photos may not look exactly like the book.

Zustand: Good. 1st Edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Couverture souple. Zustand: Bon. Harlequin, 2011. 1 volume broché(s) format In-12 bon.

Softcover. Zustand: Bon. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Ammareal gives back up to 15% of this item's net price to charity organizations.

Hardcover. Zustand: NEAR FINE. viii, 438pp. Plum finished cloth, gilt-stamped lettering to front cover and spine. Some trivial scuffing to back cover, otherwise an exceedingly clean and crisp copy. No dust jacket [as issued].

Hardcover. First Edition. Small Octavo, xv, 245 pages. In Very Good condition with a Very Good dust jacket. Spine black with white lettering. Dust jacket protected with mylar covering, price uncut: "$19.95." Light shelf wear and soiling. Small staining on top and bottom edges of text block. Signed flat by Atwood on title page. Shelved in Fiction Anthology. 1406189. Shelved Dupont Bookstore.

Hardcover. Zustand: Brand New. 1st edition. 255 pages. 9.50x6.25x1.25 inches. In Stock.

Taschenbuch. Zustand: Neu. Medicine, Metaphors and Metaphysics | An Interdisciplinary Analysis and Critique of Therapeutic Equivalence as a Health Policy | Susan Baxter | Taschenbuch | 380 S. | Englisch | 2014 | Scholars' Press | EAN 9783639705478 | Verantwortliche Person für die EU: BoD - Books on Demand, In de Tarpen 42, 22848 Norderstedt, info[at]bod[dot]de | Anbieter: preigu.

First edition hard back binding in publisher's original colour illustrated paper covered boards, cherry read thin linen cloth spine, Daniel Neal 'Phat-Pheet' Sandal Shape Footwear advertisement to the rear cover. Quarto. 9½'' x 7¾''. Contains 208 pp with monochrome, single and twin colour illustrations and full-page colour plates throughout. Corners neatly repaired, new end papers and in Good condition. Playbox 1st series had 2 issues in 1898. Playbox 2nd series ran from 1905-1913. Playbox 3rd series (merged with Jack and Jill) ran from 1925-1955. The 2nd and 3rd series realised 48 annuals from 1909 to 1956. Member of the P.B.F.A. ANNUALS & YEARBOOKS.

Black and white press photograph, promotional device resembling lobby card. 8'' x 10''. In Very Good condition. Member of the P.B.F.A. CINEMA [Front of House Press Photograph].

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. ON LOCATION Germano Celant on Sculpture and painting in Emilio Vedova s studio in Venice. GROUND UP Herbert Muschamp on Architecture without architecture critics: ideal for the architects. TURNED OUT William Wilson on Richard Avedon, Sam Shepard, Joan Didion, and the pull of the American West. MODERN LIFE Carter Ratcliff on Utopianism become survivalism the quantum mechanics of body-building, in the West and in the East. LIKE ART Glenn O Brien on The new ads and their gift of art. Easel does it. BACKDROP Stuart Morgan on Photographs of the last resort, by Martin Parr. SPEAKER TO SPEAKER Greil Marcus on Charles Manson, Elvis Costello, and the LA sign system. BOOKS Frederic Tuten on Julian Barnes' Flaubert s Parrot. Feathers fly. COLUMNS FEATURES REVIEWS BACK TO THE FUTURE Donald Kuspit PARADISE GAINED Max Wechsler THE NEW ISAMU NOGUCHI GARDEN MUSEUM Shigeo Anzai A REFLECTION ON POST-MODERNISM Kate Linker A TALE OF THE GERMAN JEW Jean Fisher BILL BRANDT S DOCUMENTARY FICTIONS Charles Hagen THE ARROW IN THE MIND Italo Calvino PROJECT FOR ARTFORUM Glen Baxter COLUMNS FEATURES REVIEWS NEW YORK Glenn O Brien on Dennis Smith Glenn O Brien on David Kapp Glenn O Brien on Brion Gysin Jeanne Silverthorne on Mimmo Paladino Ronny Cohen on Luigi Ontani Barbara Kruger on Recoding Blackness: The Visual Rhetoric of Black Independent Film" Thomas McEvilley on Nicolas Moufarrege Charles Hagen on Tina Barney Patricia C. Phillips on Javier Bellosillo Patricia C. Phillips on Battery Park City Fine Arts Program John Howell on Perry Hoberman Jean Fisher on Barbara Ess Ida Panicelli on Komar and Melamid Donald Kuspit on Sue Coe HOUSTON Thomas McEvilley on Michael Heizer Ed Hill and Suzanne Bloom on Derek Boshier LOS ANGELES Susan C. Larsen on Raul Guerrero Melinda Wortz on Allen Ruppersberg LONDON Stuart Morgan on The Saatchi Collection PARIS Denys Zacharopoulos on Nouvelle Biennale de Paris Alexandra Anderson on Jean Le Gac ZURICH Max Wechsler on Mario Merz BARCELONA Gloria Moure on Rafael Canogar MADRID Aurora Garcia on María Gómez BREMEN/KARLSRUHE Annelie Pohlen on Volker Tannert STOCKHOLM Steven Henry Madoff on Olle Kåks.