sultan larry (48 Ergebnisse)

Paperback. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

First edition. Oblong softcover. 84 pages. Exhibition catalog for a group show that ran June 28 through August 22, 1989. Text by Susan Kismaric. Features text by Susan Kismaric. Includes color and black and white images from John Baldessari, Robert Heinecken, Larry Sultan, John Divola, Jo Ann Callis, Nancy Barton, and Larry Johnson along with artist biographies and chronologies. A near fine copy in wrappers with some slight toning to the edges. Internally a clean copy.

Hardcover. Zustand: Very Good. First Edition. With dust jacket. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Hardcover. Zustand: Good. First Edition. It's a preowned item in good condition and includes all the pages. It may have some general signs of wear and tear, such as markings, highlighting, slight damage to the cover, minimal wear to the binding, etc., but they will not affect the overall reading experience.

First edition. Softcover. Includes images by Gregory Crewdson, Joan Fontcuberta, Teun Hocks, Richard Misrach, Martin Parr, Lou Reed, Laurie Simmons, Mike and Doug Starn, Larry Sultan, and Juan Usle. A fine copy in wrappers.

Soft cover. Zustand: Near Fine. Zustand des Schutzumschlags: No dust jacket as issued. 1st Edition. First edition, first printing. Soft cover. Teal and white printed wrappers; no dust jacket as issued. Collaborative art works by Marina Abramovic / Ulay, Gwen Akin / Allan Ludwig, Bernd & Hilla Becher, MANUAL (Suzanne Bloom / Ed Hill), Kate Ericson and Mel Ziegler, Gilbert & George, Suzanne Hellmuth and Jock Reynolds, Vera Lehndorff and Holger Trülzsch, Mike Mandel and Larry Sultan, Patrick Nagatani and Andrée Tracey, and Mike & Doug Starn. Curated by Mark Johnstone. Essay by Tressa R. Miller. Includes biographies on the artists. 16 pp., with 10 four-color and 3 black-and-white plates. 8-1/2 x 11 inches. Published on the occasion of an exhibition at Security Pacific Corporation's Gallery at the Plaza. Near Fine (some wear and a slight bend at the edge of the spine, else Fine).

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. Established seller since 2000.

First edition. Softcover. Exhibition catalog for a group show that ran January 11 through February 24, 1980. Includes an essay by Louise E. Katzman along with 9 color illustrations from these artist who were in the show: Harry Bowers, Stephen Collins, Barbara Esher, Steve Fitch, Jack Fulton, Richard Misrach, Arthur Ollman, Larry Sultan, and Barbara G. Thompson. A close to near fine copy in stapled wrappers with some minor wear. Uncommon.

Hardcover. Zustand: Brand New. 92 pages. 9.25x10.00x0.50 inches. In Stock.

First edition. Oblong softcover. 128 pages. Exhibition catalog for a show that ran September 16 through December 3, 2006. Features a foreword by James Cuno and text Katherine A. Bussard. Includes color and black and white images by Tina Barney, Philip-Lorca diCorcia, Nan Goldin, Sally Mann, and Larry Sultan and a checklist. A fine copy in die-cut French style wrappers.

Hardcover. Zustand: Brand New. 92 pages. 9.25x10.00x0.50 inches. In Stock.

344 pp.; 26.9 x 20.1 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show "4th berlin biennial for contemporary art," Berlin, Germany, March 25 - June 5, 2006. Exhibition curated and catalogue edited by Massimiliano Gioni, Maurizio Cattelan, and Ali Subotnick on behalf of the KW Institute for Contemporary Art and funded by the Kulturstiftung des Bundes. Contributions by Nancy Spector. Artists include Tomma Abts, Viktor Alimpiev, Pawel Althamer, Kai Althoff and Lutz Braun, Ulf Aminde, Micol Assaël, Roger Ballen, Thomas Bayrle, Michael Beutler, Michaël Borremans, Bouchet, Tobias Buche, Anthony Burdin, Mircea Cantor, Bruce Conner, Benjamin Cottam, Martin Creed, Oliver Croy with Oliver Elser, Roberto Cuoghi, Tacita Dean, Jeremy Deller, Berlinde De Bruyckere, Gino De Dominicis, Nathalie Djurberg, Trisha Donnelly, Marcel van Eeden, Saul Fletcher, Roland Flexner, Felix Gmelin, Aneta Grzeszykowska, Sebastian Hammwöhner / Dani Jakob / Gabriel Vormstein, Rachel Harrison, Pravdoliub Ivanov, Sergej Jensen, Dorota Jurczak, Tadeusz Kantor, Ian Kiaer, Christopher Knowles, Robert Kusmirowski, Erik van Lieshout, Klara Liden, Ján Mancuska, Mike Mandel & Larry Sultan, Mark Manders, Kris Martin, Paul McCarthy, Corey McCorkle, Michaela Meise, Matthew Monahan, Otto Mühl, Bruce Nauman, Damián Ortega, Diego Perrone, Susan Philipsz, Jorge Queiroz, Reynold Reynolds with Patrick Jolley, Ricarda Roggan, Aïda Ruilova, Anri Sala, Markus Schinwald, Michael Schmidt, Thomas Schütte, Norbert Schwontkowski, Tino Sehgal, Shirana Shahbazi, Steven Shearer, Florian Slotawa, Christiana Soulou, Jaan Toomik, Paloma Varga Weisz, Gillian Wearing, Clemens von Wedemeyer with Maya Schweizer, Andro Wekua, Cathy Wilkes, Francesca Woodman, and Thomas Zipp. "A mysterious object, somewhere between an illustrated anthology of short stories and a scrapbook preserving the experience of visiting a biennial exhibition, this book presents the works of more than sixty artists in a montage of images, mixing historical photos, newspaper clippings, and other reference materials with installation shots and photographs of art works included in the show. Not simply a textual complement to the exhibition but also an unusual combine of art works, this book is much more than just a documentation of an exhibition, it's an exhibition in book form. In spite of its classical design and hardcover binding, it is an artists' book with a truly unusual use of texts and reprints. The book will also feature sections with visual reminders and references for all of the 4th berlin biennial activities including Checkpoint Charley, Gagosian Gallery in Berlin, and the columns presented by the bb4 in Zitty magazine." -- publisher's statement. New. In publisher-issued shrink wrap. Due to large size and weight additional shipping charges will be required for international orders.

First edition. Softcover. An early issue of this terrific but short lived magazine. Includes images by Tina Barney, Catherine Chalmers, Jan Groover, Mike Kelley, Richard Misrach, Abelardo Morrell, Larry Sultan, Philip Taaffe, and Masao Yamamoto A very near fine copy in wrappers.

Leinen. Zustand: Wie neu. [New edition: 4th]. Oblong 4to (235x255). [92] p. (unpaginated). Hardcover, Publisher's cloth, lettered in gilt. Sprache: Englisch, ill. b/w. USADO / GEBRAUCHT / USED. "In 1977, American photographers Larry Sultan (1946-2009) and Mike Mandel (born 1950) published a book of photographs titled Evidence. The book was the culmination of a two-year search through the archives of 77 government agencies, educational institutions and corporations, including General Atomic Company, Jet Propulsion Laboratories, the San Jose Police Department and the United States Department of the Interior. The original pictures were made as objective records of activities unfamiliar to the lay public: the scenes of crimes, aeronautical engineering tests, industrial experiments and other subjects. Sifting through some two million images, Mandel and Sultan assembled a careful sequence of 59 pictures. The book was thoughtfully designed to depict the photographs in terms of their "documentary" origins, unaccompanied by identifying captions. Faced with a world of mysterious events and unfathomable activities, the reader is confronted with only the sequential narrative imagery of the book and thus must actively participate in creating its meaning Following a revised edition of the book in 2003 and a 2017 reprint--both of which sold out quickly and have become highly collectible--Evidence is back in print nearly 50 years after its initial publication. This new, definitive edition features revelatory new scans--many made from the original negatives--which greatly enhance the eerie objectivity conveyed by the book's title. In many cases, the original negatives revealed that crops had been made to the image by the agencies; the complete images are restored here. The jacketless, library-style binding of the original 1977 edition is also restored, further underscoring its impersonal documentlike character and its canonical status" [Photobook+Photography+Art]. ** 10% DESCUENTO/RABATT/DISCOUNT PRIMAVERA * excl. New German Books * * * * 43,20 (original price 48,00) **.

Zustand: New. A photographic leap into cooling waters. Dive into the cultural history of artificial oceanAs long as already five thousand years ago, the allure of the sea inspired humans to recreate its essence in miniature, artistic forms, as public baths where anci.

Hardcover. Zustand: Brand New. 192 pages. 8.43x5.87x0.75 inches. In Stock.

Buch. Zustand: Neu. Neuware - The canonical 1977 American photobook returns to print in a new, definitive edition that most closely resembles the original.

Hardcover. Zustand: New. Zustand des Schutzumschlags: New. 3rd Edition. 2003/2017. Third edition (D.A.P. reissue). Originally published in 1977 by Clatworthy Colorvues, Greenbrae, California. Hardcover. Blue cloth-like covered boards, with title stamped in gilt on front cover and spine, with dust jacket. Photographs from various private and public collections edited by Mike Mandel and Larry Sultan. Includes a list of government agencies, educational institutions and corporations that permitted access to their files. Essay by Sandra S. Philips. Afterword by Robert F. Forth. 92 pp., with 61 duotone plates, 18 black-and-white reproductions printed on a 2-page spread entitled 'Outtakes from Evidence, 1977-2003,' and 7 additional black-and-white reference illustrations. 9-1/4 x 10 inches. This edition went out of print shortly after release. New in publisher's shrink-wrap. Before 1977, artists using photography usually made 'fine art photographs.' Museums and galleries, curators and collectors, increasingly embraced photography as an important medium. The contemporary art world was widening and refining its notions of 'art photography.' While practices and movements within the photographic arts were rapidly expanding and crossing into other media during the 60s and 70s, the constant at this time was that the 'art photograph' (or work of art that incorporated photography) was made by an artist. Many important artists at the time, such as Robert Heinecken, used images from the mass media and other sources as key elements in their cutting-edge works. And, artists such as Ed Ruscha were using photographs in a way that minimized the importance of the individual images (i.e., the photographic images were in service to the larger conceptual work). Then, Mike Mandel and Larry Sultan collaborated to publish 'Evidence,' and changed everything! With a brilliant sensibility for the absurd and a keen awareness of the complexity that the single image possesses when viewed outside its original context, Mandel and Sultan selected photographs from thousands of images that previously existed solely within the boundaries of the industrial, scientific, governmental and other institutional sources from which they were mined. Some of the photographs are hilarious, others are perplexing, but it's in their isolation from their original context that these images take on meanings that address the confluence of industry and corporate mischief, ingenuity and pseudo-science. The resulting book, 'Evidence,' strongly influenced our shifting awareness of 'the photograph' and introduced the importance of the 'found image' in art. The finished and provocative collection forever altered how we view images. Of course, we are now much more aware of multiple meanings images can evoke when viewed outside of a proscribed context. Before 'Evidence,' however, this was not. well, as evident. This book, unlike collections of "snapshot" photographs, forced the viewer to imagine that the larger world was using the camera to document dubious practices and alarming, amusing, and confusing experiments in the name of government. The 'photograph as art' question took on an entirely new perspective, and the world could never [seriously] look back. If borrowed from corporate-speak, a caption for 'Evidence' might be 'a paradigm shift' for photography. [Also included with the book is a copy of the planned introduction by Robert Heinecken, which was subsequently not published in the book, but was printed in the May-June 1977 issue of Afterimage.] From the publisher: "In 1977, photographers Larry Sultan (19462009) and Mike Mandel (born 1950) published a book that would radically transform both photography and the photobook canona book described by Martin Parr, in The Photobook: A History, as "one of the most beautiful, dense and puzzling photobooks in existence, an endless visual box of tricks." Sultan and Mandel sifted through thousands of photographs in the files of the Bechtel Corporation, the Los Angeles Police Department, the Jet Propulsion Laboratories, the US Department of the Interior, Stanford Research Institute and a hundred other corporations, American government agencies and educational, medical and technical institutions. They were looking for photographs that were made and used as transparent documents and purely objective instruments--as evidence, in short. Selecting 59 of the best, they published these images with the care you would expect to find in a high-quality art photography book, issuing them in 1977 in a simple, limited-edition volume titled Evidence. Long established as a photobook classic and a seminal example of conceptual photography, Evidence was reissued as a facsimile edition in 2003 by D.A.P. with a new spread of images and a group of black-and-white illustrations selected by the artists from an archive of photographs that were not included in the original book, plus a commissioned essay by Sandra Phillips. Today both this reissue and the original 1977 publication are exceptionally rare and command high prices. D.A.P. now reprints the 2003 edition of Evidence, making available to a general readership a truly pioneering and canonical photobook.".

First edition and first printing. Oblong hardcover. 263 pages. A look at this long time friendship and collaboration between these two California artists and photographers who met at art school. Edited by Thomas Zander. Features essays by Charlotte Cotton, Jonathan Lethem, Constance M. Lewallen, Carter Ratcliff, and Thomas Wagner. Includes 190 color and black and white illustrations. A fine copy in black cloth boards and in a fine dust jacket. Signed by Mike Mandel on the half title page. Uncommon thus. A very fresh copy.

Zustand: Very Good. Very Good in a Very Good dust jacket; Hardcover; Dust jacket is clean and intact with no tears, and has not been price-clipped (Now fitted with a new, Brodart jacket protector); Light wear to the boards; The textblock edges are unblemished; The endpapers and all text pages are clean and unmarked; The binding is excellent with a straight spine; This book will be shipped in a sturdy cardboard box with foam padding; Medium, Oblong Format (8.5" - 9.75" tall); 1.5 lbs; Unpaginated (about 100 pages); Black dust jacket with title in white lettering; 2017, D.A.P./Distributed Art Publishers; "Evidence," by Larry Sultan & Mike Mandel.

Hardcover. Zustand: As New. Zustand des Schutzumschlags: As New. 1st Edition. First printing. A very fine (as-new) copy in a very fine (as-new) jacket. A clean, unmarked copy, in an unclipped jacket. Comes with archival-quality jacket protector. Ferry-Photo.

Zustand: Very Good. Very Good++ in a Very Good+ dust jacket; Hardcover; Dust jacket is clean and glossy with no tears, and has not been price-clipped (Now fitted with a new, Brodart jacket protector); Unmarked boards with âstraight" edge-corners; The textblock edges are unblemished; The endpapers and all text pages are clean and unmarked; The binding is excellent with a straight spine; This book will be shipped in a sturdy cardboard box with foam padding; Medium, Oblong Format (8.5" - 9.75" tall); 1.5 lbs; Unpaginated (about 100 pages); Black dust jacket with title in white lettering; 2017, D.A.P./Distributed Art Publishers; "Evidence," by Larry Sultan & Mike Mandel.

Zustand: Very Good. Very Good in a Very Good++ dust jacket; Hardcover; Second Printing; Dust jacket is clean and glossy with no tears, and has not been price-clipped (Now fitted with a new, Brodart jacket protector); Light wear to the boards with two slightly "bumped" edge-corners; The textblock edges are unblemished; The endpapers and all text pages are clean and unmarked; The binding is excellent with a straight spine; This book will be shipped in a sturdy cardboard box with foam padding; Medium, Oblong Format (8.5" - 9.75" tall); 1.5 lbs; Unpaginated (about 100 pages); Black dust jacket with title in white lettering; 2017, D.A.P./Distributed Art Publishers; "Evidence," by Larry Sultan & Mike Mandel.

Hard cover. Sewn binding. Cloth over boards. 92 p. Contains: Illustrations. Audience: General/trade. Good in good dust jacket. Jacket has shelf wear, tape-repaired cut on back, now in mylar.

Hardcover. Zustand: Near Fine. Third edition marking 40 years since the original 1977 publication. Black-and-white documentary photographs from various government archives published without captions or context. Essay by Sandra S. Phillips. Faint wear to dust jacket. The book itself in blue cloth covers with gold lettering is in fine condition without marks, inscriptions or fading. s167.

First edition and first printing. Oblong hardcover. 176 pages. Features text by Sultan. An arresting collection of 68 color photographs all taken on porn sets in the San Fernando Valley in California. Despite the settings, a surprisingly intimate book of portraits. A near fine copy in cloth boards and in a near fine dust jacket with some light edge wear. A pleasing copy of this terrific book.

First printing of the second edition. Hardcover. A first edition thus. A re-issue of their important debut. Features an introduction by Sandra S. Phillips and and afterword by Robert F. Forth. A fine copy in a very near fine dust jacket. Signed by both Sultan and Mandel on the title page in 2004. The original book appeared in both Parr & Badger v2, 220-221 / Roth 101, 240-241.