Verlag: Clarendon Press,, Oxford,, 1992
ISBN 10: 0198119542 ISBN 13: 9780198119548
Sprache: Englisch
Anbieter: Burwood Books, Wickham Market, Vereinigtes Königreich
Verbandsmitglied: PBFA
Erstausgabe
EUR 44,83
Währung umrechnenAnzahl: 1 verfügbar
In den WarenkorbHardback. Zustand: Very Good. First Edition. Hardback. Dust Jacket. 8vo. Review copy with publisher's slip loosely inserted. Loosely inserted note to Frank Kermode: 'Dear Frank Kermode, Karl asked me to send you this, for your interest and consideration, Best wishes Andrew O' Hagan.' Frank Kermode (1919 Ð 2010 ) was a highly regarded British literary critic and Professor of English Literature at Cambridge University. ISBN: 0198119542 Pages: 332 VG+ in VG dust jacket with slight wear.
Anbieter: HALCYON BOOKS, LONDON, Vereinigtes Königreich
Erstausgabe
EUR 48,97
Währung umrechnenAnzahl: 1 verfügbar
In den Warenkorbhardcover. Zustand: Very Good. First Edition. First edition, first printing. Pages clean and bright, no markings, light wear to edges. Binding tight. ALL ITEMS ARE DISPATCHED FROM THE UK WITHIN 48 HOURS ( BOOKS ORDERED OVER THE WEEKEND DISPATCHED ON MONDAY) ALL OVERSEAS ORDERS SENT BY TRACKABLE AIR MAIL. IF YOU ARE LOCATED OUTSIDE THE UK PLEASE ASK US FOR A POSTAGE QUOTE FOR MULTI VOLUME SETS BEFORE ORDERING.
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
EUR 164,15
Währung umrechnenAnzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New. In.
Verlag: Oxford University Press (UK) Okt 1992, 1992
ISBN 10: 0198119542 ISBN 13: 9780198119548
Sprache: Englisch
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
EUR 229,60
Währung umrechnenAnzahl: 2 verfügbar
In den WarenkorbBuch. Zustand: Neu. Neuware - Defining narrativity as the enabling force of narrative, this is the first full-length exploration in English of the concept. It develops the notion of a 'logic of narrativity', and by this means tries to contribute a new critical strategy to the field of narrative theory. The book also takes issue with a number of critical approaches which in recent years have acquired near-orthodox status in the matter of textual interpretation. Most prominent amongst these approaches are deconstruction and a particular form of Marxist criticism. The author's own theoretical claims are substantiated by readings of major twentieth-century novels by Conrad, Joyce, Flann O'Brien and Arthur Koestler and the book concludes with an analysis of an earlier narrative, Maria Edgeworth's Castle Rackrent, which illustrates the wider premisses of the theory and its applications.