stuffmann margret max hollein (6 Ergebnisse)

Softcover. 333 S. Ehem. Bibliotheksexemplar mit Signatur und Stempel. GUTER Zustand, ein paar Gebrauchsspuren. Ex-library with stamp and library-signature. GOOD condition, some traces of use. L14485 9783775718943 Sprache: Englisch Gewicht in Gramm: 1950.

First Edition. First edition. Softcover. 333 pages. Exhibition catalog for a show that ran January 28 through April 29, 2007 at the Schirn Kunsthalle Frankfurt. Features text by Markus Bernauer, Bernard Dieterle, Dario Gamboni, Ulrike Goeschen, Ursula Harter, Stefanie Heraeus, Barbara Larson, Norbert Miller, Ursula Perucchi-Petri, Ewald Rathke, Marie-Pierre Sale, and Margret Stuffman. Includes numerous color and black and white illustrations. A very good copy in French style wrappers with some highlighting to the text (while not signed this copy came from the library of Douglas Druick , the one time director of The Art Institute of Chicago who also was one of the author's of "Odilon Redon: Prince of Dreams 1840-1916." Aside from the highlighting a clean copy of this uncommon book.

Hardcover. Zustand: Sehr gut. Zustand des Schutzumschlags: Sehr gut. 1. Auflage. Z : 304 Seiten, 220 Abb. - Die Publikation stellt den »anderen« Courbet vor, der von der deutschen Romantik ausgehend die Vision einer poetischen Kunst der Moderne realisiert, wie sie dann bei Paul Cézanne und Pablo Picasso, aber auch im Symbolismus und Surrealismus weiterentwickelt wurde.

333 Seiten Zustand: Keine Beschädigungen, keine Eintragungen. Rücken, Ecken, Kanten sind gut bis sehr gut. Sprache: Deutsch Gewicht in Gramm: 2095 Hardcover, kartoniert, mit Schutzumschlag.

Softcover. Zustand: Wie neu. 1. Auflage. 333 S. Grossoktav. Or. br. Unbenutzes Exemplar. Neuwertig. Buch.

Ostfildern Hatje Cantz 2007 Softcover, 333pp., 24x29cm., richly illustr. in col. and b/w., in very good condition (covers with light traces of use). In its darkness and abstraction, Redon's work remains exceptionally relevant today: his spiders, floating heads and glowing conch shells in near-empty frames could easily be contemporary. His figures and objects from the worlds of antiquity, Christianity and nature are often veiled in iridescent clouds of color, to enigmatic and mystical effect. In charcoal drawings and lithographs, Redon devoted himself to the human subconscious, with its fears and nightmares, and produced an urgent and eerie Symbolist oeuvre. This substantial retrospective underlines his central importance for an emergent Modernism. Redon is credited not just with changing the course of Impressionism, but with influencing artists as disparate as Duchamp, the Surrealists and Jasper Johns.