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Hardcover. Zustand: Brand New. bilingual edition. 352 pages. French language. 9.69x6.73x9.65 inches. In Stock.

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Gr.-8°, Ppbd. 350 S.; mit 152 Farb- u. 5 s/w-Abb. Neuwertiges Ex. / Fine Copy // Despite the series of social, climate, military, and pandemic crises that marked 13th and 14th century Europe, ivory carvings experienced a boom in this period. This apparent contradiction raises questions about the value and significance of these luxury goods in elite society. Analysis of the secular iconographies wrought in ivory on household items offers insight into the lives, tastes, and literary knowledge of courtly owners, as well as into related social structures. Variously engaging with the concept of crisis, the volume's contributors resituate the reception of such objects within the contexts of politics, warfare, and the machinations of the court. This recontextualization yields compelling new perspectives on Gothic ivories, in some cases challenging long-standing assumptions. ISBN: 9783796551871 Sprache: Englisch Gewicht in Gramm: 927.

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Hardcover. Zustand: Brand New. 351 pages. 10.75x7.50x1.00 inches. In Stock.

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Gebunden. Zustand: New. Zwischen den Bergketten des Kaukasus gelegen, stand Georgen stets im Kontakt sowohl mit benachbarten Kulturen als auch mit weit entfernten Gebieten wie der Levante und Westeuropa. Stetige politische Umbrueche, darunter Beziehungen zu und Eroberungen durch di.

Buch. Zustand: Neu. Neuware -Despite the series of social, climate, military, and pandemic crises that marked 13th and 14th century Europe, ivory carvings experienced a boom in this period. This apparent contradiction raises questions about the value and significance of these luxury goods in elite society. Analysis of the secular iconographies wrought in ivory on household items offers insight into the lives, tastes, and literary knowledge of courtly owners, as well as into related social structures. Variously engaging with the concept of crisis, the volume's contributors resituate the reception of such objects within the contexts of politics, warfare, and the machinations of the court. This recontextualization yields compelling new perspectives on Gothic ivories, in some cases challenging long-standing assumptions.Brockhaus Kommission, Kreidlerstraße 9, 70806 Kornwestheim 440 pp. Englisch, Französisch.

Buch. Zustand: Neu. Neuware - Despite the series of social, climate, military, and pandemic crises that marked 13th and 14th century Europe, ivory carvings experienced a boom in this period. This apparent contradiction raises questions about the value and significance of these luxury goods in elite society. Analysis of the secular iconographies wrought in ivory on household items offers insight into the lives, tastes, and literary knowledge of courtly owners, as well as into related social structures. Variously engaging with the concept of crisis, the volume's contributors resituate the reception of such objects within the contexts of politics, warfare, and the machinations of the court. This recontextualization yields compelling new perspectives on Gothic ivories, in some cases challenging long-standing assumptions.

Buch. Zustand: Neu. Gothic Ivories between Luxury and Crisis | Manuela Studer-Karlen | Buch | Englisch | 2024 | Schwabe Verlag Basel | EAN 9783796551871 | Verantwortliche Person für die EU: Brockhaus Kommission, Kreidlerstr. 9, 70806 Kornwestheim, info[at]brocom[dot]de | Anbieter: preigu.

Buch. Zustand: Neu. Cultural Interactions in Medieval Georgia | Thomas Kaffenberger (u. a.) | Buch | Deutsch | Reichert | EAN 9783954903382 | Verantwortliche Person für die EU: Heil, Margaret, Margaret Heil, Reichert, Anne-Frank-Str. 11, 63762 Großostheim, margret-heil[at]gmx[dot]de | Anbieter: preigu.

Hardcover. Zustand: Brand New. 240 pages. 9.25x6.10x9.21 inches. In Stock.

Hardcover. Zustand: New. 17.0 x 24.0 cm, 256 p., 107 illustrations b/w, 45 illustrations colour. Situated between the mountain ranges of the Caucasus, the country of Georgia was constantly exposed to contacts with both nearby cultures and such far-away realities as the Eastern Mediterranean and Western Europe. Constant political changes, including relations to and occupations by the neighboring empires of Byzantium and the Seljuks, make the region a prime example for the investigation of the dynamics of artistic exchange during the medieval period. This volume re-approaches the impressive material legacy from the medieval period in Georgia with a variety of new methodological approaches. The ten articles in this volume discuss, among others, general questions of cultural interaction, analyze the relation of liturgy and artistic objects, reexamine famous monuments and present a wide range of unpublished material.

Gebunden. Zustand: New. KlappentextThe book investigates, from different methodological viewpoints, the multiple ways in which medieval rulers in different areas of the Mediterranean constructed their outward appearance and communicated it by means of a variety.

Buch. Zustand: Neu. Neuware - (The open access version of this book has been published with the support of the Swiss National Science Foundation.) The book proposes a reassessment of royal portraiture and its function in the Middle Ages via a comparative analysis of works from different areas of the Mediterranean world, where images are seen as only one outcome of wider and multifarious strategies for the public mise-en-scène of the rulers' bodies. Its emphasis is on the ways in which medieval monarchs in different areas of the Mediterranean constructed their outward appearance and communicated it by means of a variety of rituals, object-types, and media. Contributors are Michele Bacci, Nicolas Bock, Gerardo Boto Varela, Branislav Cvetkovic, Sofia Fernández Pozzo, Gohar Grigoryan Savary, Elodie Leschot, Vinni Lucherini, Ioanna Rapti, Juan Carlos Ruiz Souza, Marta Serrano-Coll, Lucinia Speciale, Manuela Studer-Karlen, Mirko Vagnoni, and Edda Vardanyan.

Zustand: NEW.

Paperback, 264 pages., 174 b/w ill., 220 x 280 mm. ISBN 9782503542744. The present study analyzes not only the images of the deceased on the Christian sarcophagi, but also highlights the fact that these representations of the deceased must be regarded as a characteristic of these sarcophagi. These representations of the deceased on the Christian sarcophagi can be divided into two groups: the first imported from pagan tradition and partly reinterpreted; the second group is made up of new images create by an innovative higher class. Like the majority of researchers, I believe that the majority of sarcophagi, apart for the more simple ones or of less quality, were carried out on order. An important result of this study is the following observation: the images of the deceased are more often reproduced on the Christian sarcophagi than on the pagan ones. The first cause of this phenomenon was the dissatisfaction relative to the resulting biblical topic images illustrated on the sarcophagi and the will to establish a closer link with this set of themes. The proximity of the deceased with the protagonists of a scene, and by this skew the coherence of the contents, is an essential concern in these representations. The influence of this concern on the iconographic choice made by the client is more perceptible on Christian tombs than on pagan ones. This phenomenon is expressed through the creation of a new iconography, which is explained by the desire of the close relations of the deceased or the client placing the order to represent the deceased in a context expressing the firm belief in a life after death. Accordingly, the visibility or the invisibility of these images is not important. If the representations were visible, they were used to give comfort. If not, we know that they were at least visible at the time of the funeral. Languages: German. 0 g.

Paperback, 189 pages, Size:210 x 270 mm, Language: English. ISBN 9788021098886. TABLE OF CONTENTS Introduction: Manuela Studer-Karlen, Georgia as a Bridge between Cultures: Dynamics of Artistic Exchange (introduction to A. Palladino's translation of H. Belting) - Ivan Foletti, Belting from Belting. From Moscow to Constantinople, and to Georgia (translation of H. Belting's article) Adrien Palladino, The Painter Manuel Eugenikos from Constantinople in Georgia, translated from Hans Belting Articles: Ekaterine Gedevanishvili, The Khakhuli Dome Decoration Irene Giviashvili, Liturgy and Architecture: Constantinopolitan Rite and Changes in the Architectural Planning of Georgian Churches Nato Chitishvili, Altars in Medieval Georgian Churches: Preliminary Notes on their Arrangement, Decoration, and the Rite of Consecration Thomas Kaffenberger, Liminal Spaces of Memory, Devotion, and Feasting? Porch-Chapels in Eleventh-Century Georgia Manuela Studer-Karlen, The Monastery of the Transfiguration in Zarzma: At the Intersection of Biblical Narration and Liturgical Relevance Irma Mamasakhlisi, The Theme of the Last Judgment in Medieval Georgian Art (Tenth-Thirteenth Centuries) 0 g.

Hardback, 351 pages, Size:180 x 265 mm, Illustrations:1 b/w, 83 col., 1 tables b/w., 1 maps b/w, Language: English. ISBN 9781915487087. Summary This book explores the viewing and sensorial contexts in which the bodies of kings and queens were involved in the premodern societies of Europe, Asia, and Africa, relying on a methodology that aims to overcoming the traditional boundaries between material studies, art history, political theory, and Repr sentationsgeschichte. More specifically, it investigates the multiple ways in which the ruler's physical appearance was apprehended and invested with visual, metaphorical, and emotional associations, as well as the dynamics whereby such mise-en-sc ne devices either were inspired by or worked as sources of inspiration for textual and pictorial representations of royalty. The outcome is a multifaced analysis of the multiple, imaginative, and terribly ambiguous ways in which, in past societies, the notion of a God-driven, eternal, and transpersonal royal power came to be associated with the material bodies of kings and queens, and of the impressive efforts made, in different cultures, to elude the conundrum of the latter's weakness, transitoriness, and individual distinctiveness. TABLE OF CONTENTS The Ruler's Multiple Bodies and Their Mise-en-Sc ne: Some Introductory Remarks (MICHELE BACCI) Chapter 1. Staging the Body of the Lord of the Sevenfold World. Methectic Spaces and Chiasmatic Viewing in Sasanian Iran (MATTHEW P. CANEPA) Chapter 2. Queen Consort Mariam Dadiani and Female Architectural Patronage in Late Medieval Georgia (NATIA NATSVLISHVILI) Chapter 3. The 'Just Judgement' of King Lewon IV. Representational Strategies of Righteous Rulership in Cilician Armenia (GOHAR GRIGORYAN) Chapter 4. Royal Imagery and Devotional Spaces in Early Solomonic Ethiopia. The Case of G nn t Maryam (JACOPO GNISCI) Chapter 5. Staging as Metaphor. The King's Body and the Theatricality of Power (ANTONY EASTMOND) Chapter 6. Clothes maketh the emperor? Embodying and Performing Imperial Ideology in Byzantium through Dress (MARIA PARANI) Chapter 7. Staging for Commemoration: The Cherubikos Hymnos (MANUELA STUDER-KARLEN) Chapter 8. The Khan in the West. The Reception of Mongol Political Power in the Texts and Images of Medieval Latin Europe (ELEONORA TIOLI) Chapter 9. Staging the Virgin Mary as the Ruler of the Sienese City-State (KAYOKO ICHIKAWA) Chapter 10. Shaping the Face of Power. The Portraits of King Robert of Anjou (1309-1343) (MIRKO VAGNONI) Chapter 11. Staging the Royal Corpse. Reburials of Monarchical Bodies at the Basilica of San Isidoro in Le n (ALEKSANDRA RUTKOWSKA) Chapter 12. The Presence and Propaganda of Jaime the Conqueror of Aragon (r. 1213-76) in the Llibre dels Fets. The Image, Action, and Rhetoric of a King (SOFIA FERNANDEZ POZZO) Chapter 13. The Royal Presence of Pedro IV (r. 1336-87) in Contemporary Textual and Iconographic Sources (MARTA SERRANO-COLL) Chapter 14. Staging the Absent King. Effects of Presence on Medieval Royal Thrones (SABINE SOMMERER) 0 g.

Paperback, 232 pages, Size:210 x 270 mm, Illustrations:100 col., Language: English. ISBN 9788028003821. Summary The essays collected in this volume emphasize the importance of Svaneti, a historical region of the Georgian Great Caucasus as an unparalleled treasury of medieval arts, describe some of its outstanding monuments, provide interpretations of their political and religious role at the intersection of different cultural traditions, and explore the dynamics whereby they have constantly invested with new functions and associations throughout their long history. TABLE OF CONTENTS Introduction Michele Bacci & Ivan Foletti Svaneti and the Rhetoric of Distance Irine Elizbarashvili & Irene Giviashvili Architecture of the Upper Svaneti Salome Meladze Painted Chancel Screens in Upper Svaneti. The Evidence of Early Monuments Nina Chichinadze The Interactions of Images in Sacred Space. A Case Study: The Church of St Barbara in Khe, Upper Svaneti Marine Kenia The Image of the Virgin in the Medieval Painting of Svaneti Ekaterine Gedevanishvili Iprari Murals. Reading of the Scene of the Apparition of the Angel to Joshua Manuela Studer-Karlen Image and Liturgy. The Church of the Archangels in Tanghili Antony Eastmond Icons, Saints, and Society in Svaneti Nana Burchuladze Icons from Svaneti in the Context of Byzantine Paintings Nutsa Batiashvili & Nikoloz Aleksidze Symbolic Treasure, Care, and Materiality in Upper Svaneti 0 g.

4°. ill. OPappe., Zustand: Wie neu. Mit zahlreichen teils farbigen Abbildungen., 460 Seiten., Neuwertiges Exemplar. Sprache: Deutsch Gewicht in Gramm: 2000.

Zustand: New. Die raeumliche Wahrnehmung von Bild und Liturgie in ByzanzZu Beginn des 14. Jahrhunderts erscheint auf dem Berg Athos, am Ursprungsort des Epitaphios Threnos-Ritus, ein neues Bild, das einerseits dank der Verbindung zum Ritus eine hohe Aktualitaet und lit.

Buch. Zustand: Neu. Neuware - Zu Beginn des 14. Jahrhunderts erscheint auf dem Berg Athos, am Ursprungsort des Epitaphios Threnos-Ritus, ein neues Bild, das einerseits dank der Verbindung zum Ritus eine hohe Aktualität und liturgische Realität ausstrahlt und andererseits mittels der Adaption von wiedererkennbaren Bildformularen von sinngebenden Querverweisen profitiert: der Christus Anapeson.Auf dem Christus Anapeson liegt der Fokus dieser Untersuchung. Der Christus Anapeson gibt den dramatischen Höhepunkt des Passionsritus wieder und garantiert gleichzeitig die Koppelung an die Inkarnation. Da Bilder den Raum in eine Bühne für performative Erfahrungen verwandeln, geht die Wahrnehmung der Teilnehmer weit über das duale System von Bild und liturgischem Text hinaus: Der Ritus wird multisensorisch erlebt.