Stojnic (27 Ergebnisse)
Verlag: mars 1962, 1962
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In den WarenkorbPublié par le Secrétariat du CGPM, Organisation des Nations Unies pour l'Alimentation et l'Agriculture, Rome, Stud. Rev. gen. Fish. Coun. Medit. (Fr.) (18), mars 1962, Conseil général des pêches pour la Méditerranée, Etudes et revues, N° 18, plaquette de 22,50x28,50 cm, 8 pages, 6 figures hors texte Bon état - Pour les envois ho…rs de France, la tafication «livre & brochure» pour les frais de port a disparue.Les frais de port annoncés correspondent à une moyenne. Ils seront calculés au plus juste en fonction du poids de votre article.
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Sprache: Englisch
Verlag: Springer International Publishing, Springer International Publishing, 2018
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Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - This book places a focus on the regimes of in/visibility and representation in Europe and offers an innovative perspective on the topic of global capitalism in relation to questions of race, class, gender and migration, as well as historicization of…biopolitics and (de)coloniality. The aim of this volume is to revisit theories of art, new media technology, and aesthetics under the weight of political processes of discrimination, racism, anti-Semitism and new forms of coloniality in order to propose a new dispositive of the ontology and epistemology of the image, of life and capitalism as well as labor and modes of life. This book is firmly embedded in the present moment, when due to rapid and major changes on all levels of political and social reality the need for rearticulation in theoretical, artistic and political practices and rethinking of historical narratives becomes almost tangible.
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Taschenbuch. Zustand: Neu. Regimes of Invisibility in Contemporary Art, Theory and Culture | Image, Racialization, History | Marina Gr¿ini¿ (u. a.) | Taschenbuch | vii | Englisch | 2018 | Springer | EAN 9783319855851 | Verantwortliche Person für die EU: Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg, juergen[dot]hartm…ann[at]springer[dot]com | Anbieter: preigu.
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Gebunden. Zustand: New.
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Taschenbuch. Zustand: Neu. Shifting Corporealities in Contemporary Performance | Danger, Im/mobility and Politics | Marina Gr¿ini¿ (u. a.) | Taschenbuch | Avant-Gardes in Performance | xviii | Englisch | 2018 | Springer | EAN 9783030086817 | Verantwortliche Person für die EU: Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidel…berg, juergen[dot]hartmann[at]springer[dot]com | Anbieter: preigu.
Sprache: Englisch
Verlag: Springer International Publishing, Springer International Publishing, 2018
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Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - This book investigates how contemporary artistic practices engage with the body and its intersection with political, technological, and ethical issues. Departing from the relationship between corporeality and performing arts (such as theater, dance,…and performance), it turns to a pluriversal understanding of embodiment that resides in the extra violent conditions of contemporary global necro-capitalism in order to conduct a thorough analysis that goes beyond arts and culture. It brings together theoretical academic texts by established and emerging scholars alike, exposing perspectives form different fields (philosophy, cultural studies, performance studies, theater studies, and dance studies) as well as from different geopolitical contexts. Through a series of thematic clusters,the study explores the reactivation of the body as a site of a new meaning-making politics.
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Regimes of Invisibility in Contemporary Art, Theory and Culture: Image, Racialization, History
Grinic, Marina (Editor)/ uvakovic, Miko (Editor)/ Stojnic, Aneta (Editor)
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Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - This book places a focus on the regimes of in/visibility and representation in Europe and offers an innovative perspective on the topic of global capitalism in relation to questions of race, class, gender and migration, as well as historicization of biopoli…tics and (de)coloniality. The aim of this volume is to revisit theories of art, new media technology, and aesthetics under the weight of political processes of discrimination, racism, anti-Semitism and new forms of coloniality in order to propose a new dispositive of the ontology and epistemology of the image, of life and capitalism as well as labor and modes of life. This book is firmly embedded in the present moment, when due to rapid and major changes on all levels of political and social reality the need for rearticulation in theoretical, artistic and political practices and rethinking of historical narratives becomes almost tangible.
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Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - This book investigates how contemporary artistic practices engage with the body and its intersection with political, technological, and ethical issues. Departing from the relationship between corporeality and performing arts (such as theater, dance, and per…formance), it turns to a pluriversal understanding of embodiment that resides in the extra violent conditions of contemporary global necro-capitalism in order to conduct a thorough analysis that goes beyond arts and culture. It brings together theoretical academic texts by established and emerging scholars alike, exposing perspectives form different fields (philosophy, cultural studies, performance studies, theater studies, and dance studies) as well as from different geopolitical contexts. Through a series of thematic clusters,the study explores the reactivation of the body as a site of a new meaning-making politics.
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Hardcover. Zustand: Brand New. 720 pages. 7.09x1.85x10.00 inches. In Stock.
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Zustand: New. 2018. Hardcover. . . . . . Books ship from the US and Ireland.
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Buch. Zustand: Neu. Neuware - It's a platitude that words can harm. But some words are more prone to do so than others--they are pejorative by design. Among those, slurs are particularly inflammatory: these are the epithets that derogate purely on the basis of group-membership, for example, on the basis of race, ethnicity, origi…n, religion, gender, sexual orientation, or ideology. Inflammatory Language is in large part about pejoratives, but mainly about this subclass of particularly inflammatory words, with a characteristic offensive sting. Slurs are powerful linguistic weapons: slurring someone constitutes a transgression more severe than an insult; it is an act of bigotry, not mere rudeness, derogating the entire group at once. Moreover, the offensive effect of a slur is surprisingly sticky, as even mere mentionings of slurs carry the risk of triggering their sting, so much so that such tokenings often have a full-on taboo status, subject to media censorship, sometimes even legislation.What is the source of this characteristic offensive sting that makes slurs such powerful linguistic weapons A natural--and predominant--assumption is that it's some aspect of their meaning, semantically encoded or pragmatically conveyed. Consequently, most efforts at understanding slurs have been attempts to characterize their meanings and how they compose with those of other expressions, in a way that generates the offensive sting. However, even those who reject this majority position trace the offensive sting down to slurring words, arguing that it is their taboo status, or offensive tone, that explains their sting. Una Stojni¿ and Ernie Lepore argue this is a mistake. The distinctive pejorative effect of slurs, their characteristic sting, is not a matter of meaning, nor even language. Rather it is akin to the sting triggered by offensive gestures, symbols, or imagery, in that it is constituted by associations attached to and triggered by slurs' articulatory form--their typical pronunciation or spelling.
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Buch. Zustand: Neu. Neuware - The Oxford Handbook of Contemporary Philosophy of Language introduces readers to the main issues and theories in the philosophy of language as currently practised. Written by leading researchers and covering the central topics in the contemporary philosophical study of language, the twenty-seven cha…pters provide an overview of the state of the art, and a presentation of cutting-edge developments. Topics covered include: the nature of language; the nature and role of semantic and attitudinal content; the dynamics of communication and speech acts; meta-semantics and reference grounding; tense and modality; discourse dynamics and information structure; and the expressive, evaluative, subjective, and social aspects of language. Although some of the articles focus directly on technical issues following the recent approach of linguistically oriented philosophy of language, the majority of the contributions are primarily focused on foundational questions drawn from traditional philosophy of language. The volume offers a reconsideration of these foundational issues in a new light, while still bearing in mind the formal developments in recent literature, as well as a presentation of new foundational issues that have emerged as a result of these developments.
Sprache: Kroatisch
Verlag: Filoloski fakultet Beogradskog Univerziteta, Beograd, 1971
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In den Warenkorb8°, Softcover/Paperback. Zustand: Befriedigend. 291 Seiten Buch mit Gebrauchsspuren, Ecken und Kanten etwas berieben, Buchrücken wellig, Buchschnitt und Seitenränder gebräunt, innen sauber und ordentlich. Sprache: Kroatisch. Q69 hr Gewicht in Gramm: 336.
Verlag: Umjetnicka Galerija, 2014
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Paperback. Zustand: NEAR FINE. 45pp. Introduction by Rozana Vojvoda in English, painting titles in English and Croatian. Some trivial wear to the tips, otherwise a clean, fresh copy. Exhibition catalog from a show curated by Rozana Vojvoda at the Umjetnicka Galerija in Dubrovnik, Croatia. Illustrated throughout with color reprod…uctions of the Croatian artist's watercolor paintings and 'performances' which evoke animist, earth-mysticism, esoteric, and gnostic themes. 'The watercolours that are mainly represented at this presentation of Damir Stojnic in Dubrovnik,? the most copious ever, are part of two series of works: Anarchitecture-Terrarium (1993-1999) and Transparencies (1997-2014). The first mentioned, Anarchitecture-Terrarium is in a sense emblematic of the artist and has drawn many art lovers into a lasting interest in his work. Stojni? shows animals in flocks and herds, almost regularly in the depiction of terrestrial animals suggesting a mass by cutting off the depiction at the edge of the support and creating in his reduced visual language (monochromes, with perspectival foreshorten-ings) works of an elemental power, which invoke cave drawings in our minds and bring us up short against a very direct and precise analogy with human nature. The fish that pour into what he calls consumopolises, the crocodiles whose predatory nature is indicated by their slow and macabre movement, the bison and deer shown in the act of migration that is unambiguously linked with the blood circulation, with invisible, omnipresent motion with which we are in constant collusion, but that we cannot affect; through all these depictions, often made on the first support to hand (an envelope, old letter, the cover of a file) pulses an energy that tells us unerringly that it is not the copying but the creation of life that is going on. This is perhaps still more obvious in his large-sized pictures on the theme of animals (for which the watercolours are something like sketches) in which the vigorous analogy between animal instinctual forces and human nature becomes just another layer of meaning the focus being shifted to painting as a manner of creating reality, an activity that has not lost its protoundly spintual and ritual source. Stonics trademark creative procedure, that is. the multiplication of motifs, is, according to the words of the artist himself again, one of the ways in which life is simulated, and the very act of painting is a magian process 'by which you will be taken you never know where'.' [From the curator's introductory essay].
