stock anthony (10 Ergebnisse)

Zustand: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

21,5 x 14 cm. Zustand: Gut. reprinted as paperback. VIII, 2 Blatt, 321 Seiten Innen sauberer, guter Zustand. Softcover, Broschur mit den üblichen Bibliotheks-Markierungen, Stempeln und Einträgen, innen wie außen, siehe Bilder. Leichte Lagerspuren. DE-10-72 Sprache: Englisch Gewicht in Gramm: 455.

Hardcover. Zustand: Brand New. 648 pages. 8.50x5.50x1.50 inches. In Stock.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Zustand: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Book contains pencil markings. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,550grams, ISBN:9780198249726.

Zustand: Good.

Zustand: Good. Engraving on laid paper with letters watermark (Mauquoy-Hendrickx 337). 23.3 x 15.5 cm. (sheet). Very Good. Sheet trimmed to or within the plate mark. Minor surface soiling. A tiny hole in sitter's upper jawbone. A dark speck of foxing on verso (not visible on recto)."Sir Anthony Van Dyck stands out as the solitary great etcher of the school. Portrait etching had scarcely had an existence before his time, and in his work it suddenly appears at the highest point ever reached in the art" (Hind, p. 165). "The plan of this publication took shape after Van Dyck returned from Italy (1626) and before he went to England (1632). He made careful preparatory drawings in chalk and brush for the publication. He directed and revised the work of the engravers, the best of the Rubens circle; he collaborated with his etching needle in some of the plates and himself etched the most beautiful set, mainly portraits of artists. One of the most brilliant in human characterization is the portrait of Peter Brueghel the Younger, son of the great Peasant Brueghel. It is remarkable that the etching appeared in this sketchy form in the book, proving that the master regarded it as finished. All interest is focussed on the wonderful had. The first edition was published in Antwerp in 1635-1636. Yet it was not complete, and the title-page did not appear before the Gillis Hendricx edition of 1645, engraved by Jacob Neels" (Benesch, Artistic and Intellectual Trends, p. 32.) Hofer, Baroque Book Illustrations 132.

Zustand: Good. Engraving on laid paper with a crown and fleur de lys watermark. 36 x 25cm. sheet size.Reference: Marie Mauquoy-Hendrickx.L'Iconographie d'Antoine van Dyck = [Van Dyck's Complete Original Engravings]. Catalogue raisonné; no. 99; state IV of IV.

Zustand: Good. Engraving on laid paper with partial watermark. 29.7 x 21.1 cm. sheet size.Reference: Marie Mauquoy-Hendrickx.L'Iconographie d'Antoine van Dyck = [Van Dyck's Complete Original Engravings]. Catalogue raisonné; no. 99; state IV of IV.