stewart marcel (9 Ergebnisse)

Paperback. Zustand: Brand New. 128 pages. 7.60x5.08x0.43 inches. In Stock.

Mass market paperback. Zustand: Fair. First Fawcett Crest Printing. 255, [1] pages. Illustrations. Selected Bibliography. Cover has wear, tears, and soiling. Some cover creases. Slightly cocked. Ink notes on first page. Marcel Jullian (31 January 1922-28 June 2004) was a French author, screenwriter for French film and television, and occasional director. He was one of the founders of the TV channel Antenne 2, and its first president from January 1975 to December 1977. From the Preface: Marcel Jullian has carefully reconstructed the story of the Battle of Britain from a mass of factual evidence, from minute-to-minute accounts of the fighting, from a careful examination of Winston Churchill's three "official" crucial days: August 15, September 15 and September 27, as well as a thorough examination of three less well known days when decisions and mistakes - not combat - determined the outcome of the Battle: May 16, when Air Chief Marshal Hugh Dowding prevent the dispatch of more squadrons to France; August 24, when London was bombed in error; and September 3, when, mistakenly, the Germans decided upon the Zielwechsel, the change of target.

Hardcover. Zustand: Good. No Jacket. Former library book; Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good. Zustand des Schutzumschlags: Fair. First UK Edition. Firmly bound, ex school library copy with label. Jacket within a plastic cover.

Zustand: Good. Original brown boards, dust jacket, numerous illustrations (including photographs) in colour and b/w, small folio.

296 pp.; 28 x 23.5 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held March 14-June 1, 1999. Exhibition curated by, edited by, and with an essay by Kynaston McShine. Texts by artists and Lilian Tone, Birgit Pelzer, Brian Wallis, Susan Stewart, Magdalena Dabrowski, Ecke Bonk, Jodi Hauptman, Kristen Erickson, Coosje van Bruggen, James Trainor, Thomas McEvilley, Sally Yard, Thomas Kellein, James Roberts, Kitty Scott, Kate Linker, Dave Hickey. Extensive illustrations, artist's biographies, bibliography. Artists within exhibition: Vito Acconci, Eve Arnold, Art & Language, Michael Asher, Lothar Baumgarten, Barbara Bloom, Christian Boltanski, Marcel Broodthaers, Daniel Buren, Sophie Calle, Janet Cardiff, Henri Cartier-Bresson, Christo, Joseph Cornell, Jan Dibbets, Lutz Dille, Mark Dion, Herbert Distel, Marcel Duchamp, Kate Ericson and Mel Ziegler, Elliot Erwitt, Roger Fenton, Robert Filliou, Larry Fink, Fluxus, Gunther Forg, Andrea Fraser, General Idea, Hans Haacke, Richard Hamilton, Susan Hiller, Candida Höfer, Komar and Melamid, Louise Lawler, J.B. Gustave Le Gray, Jac Leirner, Zoe Leonard, Sherrie Levine, El Lissitzky, Allan McCollum, Christian Milovanoff, Vik Muniz, Claes Oldenburg, Dennis Oppenheim, Charles Wilson Peale, Hubert Robert, Edward Ruscha, David Seymour, Robert Smithson, Thomas Struth, Hiroshi Sugimoto, Charles Thurston, Thompson, Jeff Wall, Christopher Williams, Fred Wilson, Garry Winogrand. Endpapers of book by Daniel Buren. "Since public museums came into being in the late 18th century, artists have looked upon them with a mixture of reverence, complicity, suspicion, and disdain. In The Museum as Muse, artists of many persuasions speak their minds about museums, their functions and spaces, their practices and politics, and their relationship to the art they contain. More than 60 artists are represented by a wide range of works: photographs of museum patrons by Henri Cartier-Bresson and Elliot Erwitt; 'personal museums' and 'cabinets of curiosities' by Charles Wilson Peale, Marcel Duchamp, and Claes Oldenburg; fantasies of the destruction or transformation of museums by Hubert Robert, Ed Ruscha, and Christo and more, including works created especially for this project by contemporary artists, and an anthology of statements and writings by artists about museums. This volume was published to accompany an exhibition at The Museum of Modern Art, New York." -- publisher's statement. Very Good. Light wear to dust-jacket including a 6 mm. tear to spine edge and bumping of upper edge of recto. Light yellowing of page edges. Contents otherwise clean and unmarked.

Brosch. 4°, Frontispiz, 192 S., zahlr. Abb. (tlw. auf Tafeln), 1 loser Errata-Zettel. Einband min. gebrauchsspurig, allg. tadellos. EA. Mit einer Einleitung von J. Stewart Johnson. Erschienen zur Ausstellung. Texte engl.

Hardcover. Zustand: Brand New. 1st edition. 728 pages. 9.50x6.50x1.50 inches. In Stock.

Revue Rock & Folk n° 69 de octobre 1972. In-4 agrafé de 110 pages, au format 27 x 21,5 cm. Couvertures photographiques avec Pete Townshend. Couvertures et intérieur frais. Complet du poster dépliant de Miles Davis au format 40 x 27 cm. Le poster est solidaire de la couverture et plié sous cette dernière. Mensuel musical français consacré à la musique rock et pop, fondé en 1966 par Robert Baudelet, Jean Tronchot, Philippe Adler, Jean-Pierre Leloir et Philippe Koechlin. La revue connut la participation de nombreux photographes dont : Jean-Pierre Leloir, Claude Gassian, Pierre Terrasson, Gaëlle Ghesquière, Bruno Ducourant, Patrice Guino, Jean-Louis Rancurel, Dominique Tarlé, Bertrand Alary et Saddri Derradji. Nombreux articles sur le Rock, le blues, la soul, la pop dont : Rod Stewart, Frank Zappa, Les Who, Roxy Music, John McLaughlin, Jean-Pierre Castelain, Les Byrds, Country Joe, etc. Nombreuses chroniques avec de très nombreuses photographies en noir et blanc. Planche de " Hamster Jovial " par Marcel Gotlib. Rare édition originale, en très bel état de fraicheur et surtout complète du poster.