stephen lavin (16 Ergebnisse)

Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included.

Hardcover. Zustand: Good. With dust jacket. It's a preowned item in good condition and includes all the pages. It may have some general signs of wear and tear, such as markings, highlighting, slight damage to the cover, minimal wear to the binding, etc., but they will not affect the overall reading experience.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. Very good copy in hardcover with very good plus jacket.

Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Tapa Blanda. Zustand: Muy bien. Revista fundada por Juan Rulfo. Contenido: Fernando García Curten; Ephraim Kishon; Mario Vargaas Llosa; Rosa María Britton; Stephen Crane; Agatha Christie; Antonio di Benedetto; Ricardo Palma; Victor Hugo; Ricardo Güiraldes; Ernesto Cardenal; Álvaro de Laiglesia; Roald Dahl; Erlantz Gamboa; Guillermo Lavín; J. Jesús Cervantes Guzmán; Cyril Hare. MUY. BUEN ejemplar. 123pp.

Hardcover. Zustand: Brand New. 335 pages. 11.00x8.50x1.50 inches. In Stock.

Zustand: New. A comprehensive atlas of the Great Plains. Num Pages: 352 pages, 8 Illustrations, 312 maps, 11 graphs. BIC Classification: 1KB; GBG; RGL; RGV. Category: (P) Professional & Vocational. Dimension: 7112 x 5487 x 36. Weight in Grams: 2032. . 2011. Hardback. . . . . Books ship from the US and Ireland.

Zustand: New. The Great Plains, stretching northward from Texas into Canada, is a region that has been understudied and overlooked. The Atlas of the Great Plains brings a new focus to North America s midcontinent. With more than three hundred full-colour maps, accompanie.

Tape Draft script for Season 7, Episode 8, of the 1976-1985 CBS television series, which aired on January 16, 1983. Based on the 1974 film "Alice Doesn't Live Here Anymore," about a widow who moves across the country to start over in a new town, accompanied by her young son. In this installment, Jolene is not happy about her brother Jonas visiting. Nominated for eight Primetime Emmy Awards. Set in Phoenix. Pink titled wrappers, noted as TAPE DRAFT on the front wrapper, dated 9/18/82. Title page present, dated 9/18/82, noted as TAPE DRAFT, with credits for screenwriters David Silverman and Stephen Sustarsic. 54 leaves, with last page of text numbered 43. Mimeograph duplication, rectos only. Pages Near Fine, wrapper Near Fine, bound with two gold brads.

Draft script for Season 8 Episode 11 of the 1976-1985 television series. Based on the 1974 film "Alice Doesn't Live Here Anymore," about a widow who moves across the country to start over in a new town, accompanied by her young son. In this installment, Tommy returns home from college, feeling discouraged due to bad grades and a recent breakup, and is inspired by Mel's old friend to join the Navy. Set in Phoenix. Self wrappers. Title page present, dated May 6, 1983, noted as PUNCH-UP, with credits for screenwriters David Silverman and Stephen Sustarsic. 41 leaves, with last page of text numbered 38. Xerographic duplication, rectos only. Pages Very Good plus, bound with two gold brads.

Two treatment scripts for Season 8 Episode 23 of the 1976-1985 television series, one dated February 5, 1984, the other dated February 8, 1984. Based on the 1974 film "Alice Doesn't Live Here Anymore," about a widow who moves across the country to start over in a new town, accompanied by her young son. In this installment, Vera and Elliot buy a house. Set in Phoenix. February 5 treatment: Self wrappers. Title page integral with the first page of text, dated 2/5/84, with credits for screenwriters David Silverman and Stephen Sustarsic. Seven leaves, with last page of text numbered 7. Xerographic duplication, rectos only. Pages Very Good plus, partially bound with a single staple at the top left corner. February 8 treatment: Self wrappers. Title page present, dated February 8, 1984, noted as STORY OUTLINE, with credits for screenwriters David Silverman and Stephen Sustarsic. Nine leaves, with last page of text numbered 8. Xerographic duplication, rectos only. Pages Very Good, with silverfish damage along the left edges. Partially bound with a single staple at the top left corner.

Archive of three scripts for Season 9 Episode 2 of the 1976-1985 television series, seen here under the working title "Supermel." Includes two Draft scripts and one Revised Draft script. Archive belonging to screenwriter Stephen Sustarsic, with his annotations in manuscript pencil throughout. Based on the 1974 film "Alice Doesn't Live Here Anymore," about a widow who moves across the country to start over in a new town, accompanied by her young son. In this installment, Mel stops a bank robbery while dressed as a superhero for Halloween. Set in Phoenix. August 30 Draft: Self wrappers. Title page present, dated August 30, 1983, noted as PUNCH-UP, with credits for screenwriters David Silverman and Stephen Sustarsic and director Marc Daniels. 45 leaves, with last page of text numbered 42. Xerographic duplication, rectos only. Pages Very Good plus, bound with a paper clip on the top edge. August 31 Draft: Self wrappers. Title page present, dated August 31, 1983, noted as PUNCH-UP, with credits for screenwriters David Silverman and Stephen Sustarsic and director Marc Daniels. 45 leaves, with last page of text numbered 42. Xerographic duplication, rectos only. Pages Very Good plus, bound with two gold brads. Revised Draft: Self wrappers. Title page present, dated August 31, 1983, noted as REWRITE in manuscript pencil, with credits for screenwriters David Silverman and Stephen Sustarsic and director Marc Daniels. 54 leaves, with last page of text numbered 43a. Xerographic duplication, rectos only, with a single undated manuscript revision page. Pages Very Good plus, with moderate silverfish damage and rust at the top left corner, bound with a single gold brad.

Archive of four scripts for Season 8 Episode 19 of the 1976-1985 television series, including a treatment script, a First Draft, a Second Draft, and a Third Draft. Archive belonging to screenwriter Stephen Sustarsic, with his annotations in manuscript pencil throughout the treatment script and First and Third Drafts, and his copied annotations throughout the Second Draft. Laid in with the archive is a partial treatment script, dated July 1, 1983, consisting of two pages, one with multiple typeovers. Based on the 1974 film "Alice Doesn't Live Here Anymore," the series followed a widow attempting to start her life over in a new town, accompanied by her young son. In this installment, Vera is injured while attempting to save a bird's nest from the diner sign, and ends up sharing a hospital room with a roller derby star. Set in Phoenix. Treatment script: Self wrappers. Title page integral with the first page of text, dated 6/22/83, with credits for screenwriters David Silverman and Stephen Sustarsic. Five leaves, with last page of text numbered 5. Xerographic duplication, rectos only. Pages Very Good plus, bound with a single staple at the top left corner, with the last page detached from the binding. First Draft: Self wrappers. Title page present, dated July 18, 1983, noted as FIRST DRAFT, with credits for Silverman and Sustarsic. 43 leaves, with last page of text numbered 40. Xerographic duplication, rectos only, with 14 undated revision pages laid in at the rear of the script. Pages Very Good plus, unbound. Second Draft: Self wrappers. Title page present, dated August 10, 1983, and noted as SECOND DRAFT in manuscript ink, with credits for Silverman and Sustarsic. 45 leaves, with last page of text numbered 41. Xerographic duplication, rectos only. Pages Very Good, with silverfish damage along the right edges, bound with two gold brads. Third Draft: Self wrappers. Title page present, dated August 9, 1983, noted as THIRD DRAFT in manuscript pencil, with credits for Silverman and Sustarsic. 53 leaves, with last page of text numbered 41. Xerographic duplication, rectos only. Pages Very Good plus, partially bound with a gold brad at the top left corner.

Five scripts for an unproduced episode of the 1976-1985 television series, including three treatment scripts, a First Draft, and a Second Draft. Based on the 1974 film "Alice Doesn't Live Here Anymore," about a widow who moves across the country to start over in a new town, accompanied by her young son. In this never-produced episode, Mel attempts to convince the barber next door to retire and sell his shop in order to create a parking lot for the diner. Set in Phoenix. Treatment dated March 12 and titled "Mel and the Barber": Self wrappers. Title page integral with the first page of text, dated 03/12/83, with credits for screenwriters David Silverman and Stephen Sustarsic. Seven leaves, with last page of text numbered 7. Xerographic duplication, rectos only. Pages Very Good plus, partially bound with a single staple at the top left corner. Treatment dated March 12 and titled "Mel's New Piece of Land": Self wrappers. Title page integral with the first page of text, dated 03/12/83, with credits for Silverman and Sustarsic. Seven leaves, with last page of text numbered 7. Xerographic duplication, rectos only. Pages Very Good, with silverfish damage along the left edges, partially bound with a single staple at the top left corner. Treatment dated March 15: Self wrappers. Title page present, dated March 15, 1983, noted as STORY OUTLINE. Nine leaves, with last page of text numbered 8. Xerographic duplication, rectos only. Pages Good, with silverfish damage along the left edges, and faint rust at the binding. Partially bound with a single staple at the top left corner. First Draft: Self wrappers. Title page present, dated 4/10/83, noted as FIRST DRAFT, with credits for Silverman and Sustarsic. 46 leaves, with last page of text numbered 43. Xerographic duplication, rectos only. Pages Very Good plus, with silverfish damage along the left edges, unbound. Second Draft: Self wrappers. Title page present, dated 4/22/83, noted as SECOND DRAFT, with credits for Silverman and Sustarsic. 47 leaves, with last page of text numbered 44. Xerographic duplication, rectos only. Pages Very Good plus, with silverfish damage along the left edges, unbound.