stepanova varvara (31 Ergebnisse)

Zustand: Fine. 131 pp., hardcover, fine in a very good dust jacket. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Very good. - Small quarto [9-1/2 inches high by 8-3/4 inches wide], black cloth in a pictorial dust wrapper. The binding is lightly bumped. The spine & extremities of the dust jacket are slightly darkened & there is minor creasing to its front panel. 131 pages plus colophon. Numerous illustrations in color and black & white. Very good. The text is in Italian.

Hardcover/Hardback. Zustand: Very Good. Zustand des Schutzumschlags: Fine. Profusely Illustrated (illustrator). First edition. Book condition: Very Good (no flaws; nice copy) Binding: Hardcover including dustjacket Language: English Edition: First edition Publishing place: London Publishing Year: 1988 Description: 1200.000000.

First edition. Hardcover. 131 pages. Published in conjunction an exhibition that ran April 14 through May 12, 1984. A look at Russian constructivist artists Alexander Rodchenko and Vavara Stepanova. Text in Italian. Preface by A.N. Lavrent'ev. Additional contributions vy V. Quilici, S.O. Chan-Magomedov, A.N. Lavrent'ev, A.V. Fevral'skij, I.S. Presnecova, and N.I. Baburina. Includes numerous color and black and white illustrations. A clean near fine copy in a very good dust jacket with a few chips and minor wear.

Zustand: New. 2022. 1st Edition. paperback. . . . . . Books ship from the US and Ireland.

Zustand: Good.

230 p 28x24 cm Encuadernación editorial en rústica con solapas. Estado de conservación: Muy bien.

Erstausgabe, 4°, 190 S. mit 342 Abbildungen, davon 72 Farbabbildungen, Text: englisch, original Pappband (Hardcover), farbig illustr. original Schutzumschlag, illustrierte Vorsätze, Schutzumschlag ein wenig berieben, sonst ein sehr gutes, sauberes Exemplar. Abholung im Ladengeschäft in Frankfurt am Main möglich - spart die Portokosten. Pickup at the store in Frankfurt am Main is possible and saves the shipping costs.

Zustand: New.

Zustand: NEW. Varvara Stepanova (illustrator).

Taschenbuch. Zustand: Neu. Neuware - El colapso del Imperio ruso y el advenimiento de la Revolución bolchevique comportaron una transformación vertiginosa en todos los ámbitos de la cultura. Los escritos teóricos de Várvara Stepánova (1894-1958) permiten reseguir los cambios en las ideas sobre el papel de las prácticas artísticas durante un periodo convulso de la historia, de la mano de una de las artistas más significativas e interdisciplinares del momento. Con una esclarecedora introducción a cargo de la profesora Irina Aristarkhova, así como un apéndice en el que se incluyen textos de Olga Rozánova, Natalia Gonchárova, Liubov Popova y Esfir Shub (parte de las denominadas 'amazonas de la vanguardia rusa'), las autoras incluidas en este libro fueron sin duda protagonistas y fuerzas motrices de este estallido, que quizá todavía hoy no ha agotado sus capacidades de resonancia.

Zustand: Sehr gut. 192 S. mit 350 Illustrationen, 80 in Farbe Zustand: sehr gut bis neuwertig; Original-Schutzumschlag; v10951 9782904057342 Wenn das Buch einen Schutzumschlag hat, ist das ausdrücklich erwähnt. Rechnung mit ausgewiesener Mwst. Sprache: Französisch Gewicht in Gramm: 1380 Gebundene Ausgabe, Hardcover/Pappeinband.

0. 28 cm. 278 S., überwiegend Ill. (z.T. farb.). Kart. gut. Zust Auf Wunsch gerne Foto via E-mail. Sprache: Deutschutsch 1,500 gr.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 1st Edition. 4° - 190pp - Color & B/w reproductions. Varvara Stepanova (1894-1958) - a constructivist life: Russian artist. With her husband Alexander Rodchenko, she was associated with the Constructivist branch of the Russian avant-garde, which rejected aesthetic values in favour of revolutionary ones. First French edition, translated from Russian by Bernadette du Crest. Original binding and dust-jacket. In Very good condition.

Spanische Ausgabe. Erschien anlässlich der gleichnamigen Ausstellung. Mit zahlreichen teils farbigen Abbildungen. 230 SS. Quart. Illustr. Orig.-Karton. Sehr gut erhalten.

Milano, Idea Books Edizione, [1988]. 190 pp. Col. & b./w. ills. Orig. hardcover, d./j.

Sin paginar 40 x 16,5 cm Textos en Español e Inglés. Encuadernación editorial en tela con estampaciones en las cubiertas anterior y posterior. Sobrecubierta de acetato impreso. Estado de conservación: Muy bien.

Zustand: Some minor rubbing. VG. orig.boards Some minor rubbing. VG. Textual photo illustrations 27x20cm, 158 pp, Series : Mastera sovetskogo knizhnogo iskusstva Text entirely in Russian. Study of Soviet-era illustration & design by Aleksandr Mikhailovich Rodchenko (1891-1956) & Varvara Fedorovna Stepanova (1894-1958) in theatre, cinema, photography, architecture and design, advertisement and polygraphy. Contents: Na puti k knige; informatziia i stil'; sotzial'n'ie i hudozhestvenn'ie problem'i oformleniia knigi; vremia i prostranstvo fotoal'buma; fotomontazh; redaktory zhurnala " Radioslushatel'" ; kak m'i rabotali nad "Pervoi konnoi"; moment'i tvorchestva; pisateli i hudozhniki o A.M. Rodchenko i V.F. Stepanovoi; dat'i zhizni i tvorchestva; izdaniia, oformlenn'ie A.M. Rodchenko i V.F. Stepanovoi;spisok literatur'i; spisok illiustratzii; list of illustrations;resume (in English).

46 S., 1 Bl. Mit fotogr. Abb. Gr.-8°, Orig.-Broschur mit fotogr. Abb. (Stepanova.) Laut Impressum erschien die Zeitschrift Buch und Revolution dreimal monatlich. - Broschur am Rand mit winzigen Stockflecken, obere Ecke mit kleinem Ausriss. 300 gr.

Hard Cover. Zustand: Very Good. No Jacket. First Edition. Text in Russian. Large. Original grey cloth embossed with red lettering on the front with the Moscow Metro logo blind stamped on the front with the central "M" in red, with the publisher's imprint also blindstamped on the front. Unpaginated, title page with hammer and sickle Soviet insignia, two page introduction, photographs throughout with captions and occasionally with some brief text. The photos are mainly in monochrome, some are in colour. The photographs are by Georgy Petrusov and Ivan Shagin. The design is by by Varvara Stepanova. [Stepanova, Varvara (1894-1958): well-known artist of Russian avant-garde. Wife of A. Rodchenko, worked in collaboration with him. Graphic artist, designer, painter, theatre artist. Posters, books, textile design. Constructivist. Member of "October" with Klutsis, Lissitzky, Stenberg brothers, et al. 9 X 12 inches. A very good copy all complete and quite sound throughout. Some age darkening to the cloth and light rubbing to corners. Inside , owner's name in ink on the front free emdpaper, some offsetting to the endpapers. Pages all quite clean and unmarked throughout.

First Edition. Hardcover. First Edition. Text in French. Complete with the Chinese shadow portrait of Stalin printed in silver on transparent paper and the fold-out plate giving a panoramic fold-out view of the interior of a cinema, as issued. With illustrations and photographs by noted Constructivist husband-and-wife designer Alexander Rodchenko and Varvara Stepanova. Binding Very Good plus, with no dust jacket as issued. Fold-out Fine.

Hardcover. Zustand: Very Good. Hardcover. Folio. Published by State Art Publishers, Moscow and Leningrad, Russia. 1939. Unpaginated. (104 pgs) Illustrated endpapers. First Edition/First Printing. Bound in cloth boards with titles present to the spine and front board. Boards have light shelf-wear present to the extremities. Bookplate of Ray Riling and Soviet State Art present to the front pastedown. Text is clean and free of marks. Binding tight and solid. Designed by the team of Aleksandr Rodchenko (1891-1956) , the famous artist and photographer of Russian Avant-garde, and Varvara Stepanova probably for the 1939 New York World's fair as a propaganda piece to show that the USSR was a military superpower just prior to the outbreak of WWII. EB; 8vo 8" - 9" tall.

Softcover. Zustand: f to vg. First edition. Folio (16 1/2 x 11 3/4"). Unpaginated. Original illustrated wrappers, with red and black lettering on front cover. "USSR in Construction" was a stunning photographic propaganda magazine published in the Soviet Union from 1930 to 1941, and briefly in 1949. It was published in Russian, French, English, German, with a Spanish-language edition added in 1938. The magazine's self-proclaimed aim was to "reflect in photography the whole scope and variety of the construction work now going on the USSR." It was conceived and designed to be an important foreign relations tool and to portray a positive image of the developments occurring in the Soviet Union to the rest of the world. "USSR in Construction" informed readers abroad of the rapid construction and industrialization taking place within the Soviet Union and depicted the nation as a leading industrial power. From a design perspective, the magazine was a fascinating example of early 20th-century photomontage, with its recurrent use of inserts, and spectacular fold-out pages. The method of printing used for the printing was rotogravure, a type of intaglio printing process, in order to create extremely high quality duotone images (in blue, green, salmon, and olive). With this striking Russian-language issue of "USSR in Construction" dedicated to the "brave Soviet paratroopers," renown Soviet artist Aleksander Rodchenko* and his wife Varvara Stepanova introduced a circular design as the basis for their page layout, thus allowing them to accomodate a variety of scenes from the parachutists' everyday activities as well as Communist political messages. This issue is complete with the parachute fold-out, and the origami-folded centerfold depicting Stalin surrounded by half a circle, which in turn is superimposed over a triangle-shaped image of clouds with numerous parachutists floating down. Discoloration and minor foxing along upper margin of covers. Moderate creasing along spine. Tiny closed tears along fore-edge of back cover, with previous owner's inscription (in Russian) on upper margin. Tip of corners slightly creased throughout (not affecting text or images). Text in Russian. Wrappers in overall fair, interior in good+ to very good, parachute fold-out and origami-folded centerfold in very good condition. *Aleksander Mikhailovich Rodchenko (1891-1956) was a Russian artist, sculptor, photographer and graphic designer. He was one of the founders of constructivism and Russian design; he was married to the artist Varvara Stepanova. Rodchenko was one of the most versatile Constructivist and Productivist artists to emerge after the Russian Revolution. He worked as a painter and graphic designer before turning to photomontage and photography. His photography was socially engaged, formally innovative, and opposed to a painterly aesthetic. Concerned with the need for analytical-documentary photo series, he often shot his subjects from odd angles - usually high above or down below - to shock the viewer and to postpone recognition. He wrote: "One has to take several different shots of a subject, from different points of view and in different situations, as if one examined it in the round rather than looked through the same key-hole again and again." (From Wikipedia).

Milano, Electa, 1984. 24 x 22 cm. Paperback / Softcover. With illustrations in color and b/w. 132 pages. Text in Italian. FINE COPY [Art / international artist [Buitenlandse Kunstenaars] ].

Soft cover. Zustand: Good. 30,5 x 21,5 cm - 125+[3] pgs - original cover - a total of 6 issues published - back restorated? see pictures - traces of use and z bit dusty - Getty 743.

Soft cover. Zustand: Good. 30,5 x 21,5 cm - 125+[3] pgs - original cover - a total of 6 issues published - back restorated? frequent underlining see pictures - traces of use and a bit dusty - Getty 743 - Senkevitch 74.

Moscow: Gosudarstvennoe izdatel?stvo, 1929. Quarto (30 ? 23 cm). Original staple-stitched decorative wrappers by Varvara Stepanova; 184 pp. Illustrations throughout from photographs, architectural drawings, and elevations. Table of contents and annotations in Russian and German. About very good, save for foxing and light discoloration to wrappers. A richly-illustrated issue of the leading journal of Constructivist architecture, edited by the team of Aleksandr Vesnin (1883?1959) and Moisei Ginsburg (1892?1946), with wrapper design and layout by Varvara Stepanova (1894?1958). "One of the most impressive architectural journals anywhere during that period," the publication was the work of the Union of Contemporary Architects (OCA; Ob"edinenie sovremennykh arkhitektorov), the main architectural organization of Constructivists. At the heart of the present issue is an article on the Narkomfin building (Moisei Ginzburg), considered today one of the signature buildings of Constructivism, and based on the theories developed by the OCA group. Other articles include photo-essays on the newly-constructed Moscow planetarium, Villa Garche designed by Le Corbusier and Pierre Jeanneret, and a general plan for Moscow?s Gorky Park. Advertising of the journal Stroitel?stvo Moskvy [Construction of Moscow] to rear wrappers. The designer of the issue, Varvara Stepanova (1894?1958), studied at the Kazan School of Fine Arts in 1910?1913, followed by the Stroganov Academy of Arts in Moscow. In 1921 she would take part in the groundbreaking Constructivist exhibition 5x5=25 (alongside Aleksandra Ekster, Lyubov Popova, Aleksandr Rodchenko and Aleksandr Vesnin), with the participants announcing the ?end of painting? and the beginning of ?construction? Stepanova would go on to focus on book design and typography, collaborating especially with publications such as LEF, Novyi LEF, CA (Sovremennaia arkhitektura) [Modern architecture], Sovetskoe kino [Soviet cinema], Stroitel?stvo Moskvy [Construction of Moscow], among others. In 1924 she became a professor of textile design at VKhUTEMAS, a school often compared to the Bauhaus in its experimental drive. Published once every two months, a total of 27 issues of CA appeared in 1926?1930. Owner inscription to title page of the Soviet avant-garde sculptor and VKhUTEMAS professor Nina Niss-Gol?dman. One of 2.500 copies printed. See The Russian Avant-Garde Book 1910?1934 (MoMA Collection), pp. 223?224. As of March 2025, KVK, OCLC show complete holdings at three institutions in North America, with scattered issues at five additional institutions.

Moscow: Tea-kino-pechat?, 1930. Octavo (22 ? 15 cm). Original pictorial wrappers; 110, [2] pp. Illustrations throughout. Light soil to wrappers; minor fraying to spine extremities; still about very good. First edition. A pioneering work of set design by a major artist of early Soviet cinema, Sergei Kozlovskii (1885?1962), with wrappers by the avant-garde artist and graphic designer Varvara Stepanova (1894?1958). Broadly considered one of the great innovators of Soviet set design, Kozlovskii introduced the use of prefabricated basic film sets, which could be disassembled into component parts. The process is described in this text with accompanying diagrams and sketches. The process became standardized across Soviet film studios in the late 1930s transforming the film production process. A graduate of Odessa Technical Art School, Kozlovskii worked in theater design in Ukraine, before moving into cinema in 1913. He would go on to work on high-profile avant-garde film productions such as Iakov Protozanov?s sci-fi classic Aelita (1924) and Vsevolod Pudovkin?s revolution trilogy ?Mother? (1926), ?End of St. Petersburg? (1927), and ?Storm over Asia? (1928). Kozlovskii draws on his work on these projects using film stills and drawings to illustrate his process in this text. He also discusses film as a synthetic art, using striking examples such as his quotation of Vincent van Gogh?s painting ?Prisoner?s round? in a prisoner scene in Pudovkin?s ?Mother? among others. Varvara Stepanova designed the Constructivist wrappers for the publication. A graduate of the Kazan Art Academy, in 1921 she co-founded the ?Working Group of Constructivists? along with Aleksei Gan and Aleksanr Rodchenko, which rejected fine art in favor of ?production art? such as graphic art, photography, design of books and agitational posters, typography, and set design. In 1922 she famously designed the avant-garde production ?Death of Tarelkin?, including sets and costumes, and would continue working in costume and fashion design throughout the 1920s. In the same period she contributed to the the avant-garde publication Novy LEF (Left Front of the Arts), with the wrappers for this publication characteristic of Stepanova?s designs in this period. Little is known about Kozlovskii?s co-author Nikolai Kolin, who seems to have published two other books texts on art and film which include a libretto and discussion questions for ?Storm over Asia? (1930), and an art album Visual Art of the Uzbek SSR (1937). As of April 2024, KVK, OCLC show two copies worldwide, at Harvard and Monash University (Australia).

RODCHENKO, A. and Varvara STEPANOVA. URSS en Construction. Est Consacaré au 15 Anniversaire du Kazakstan. No 11. Unpaginated, illustrated throughout. Folio, 415 x 292 mm., bound in original wrappers, preserved in a recent blue cloth box. Moscow: Editions d'Etat des Beaux-Arts, 1935. A fine copy of one of the issues of this landmark periodical designed by Rodchenko and Stepanova. As Martin Parr says, "From 1930-1940 URSS en Construction employed the best Soviet photo-journalists and graphic designers. Amongst the photographers were Max Alpert, Arkadi Shaikhet, Georgi Zeima, Boris Ignatovich, Semen Fridland and Georgi Shaikhet. Designers included El Lissitzky, Sophie Kueppers, Aleksandr Rodchenko and Varvara Stepanova. All the visual strategies of the propaganda photobooks, designed by Lissitzky, Rodchenko and others -- the elaborate photomontages, innovative photography, fold-out pages, transparent overlays and so on -- were developed in URSS en Construction, one of the most beautifully produced magazines of the twentieth century." It was published in Russian, French, English, and German. This is the French version. In fine condition. Parr and Badger, The Photobook I, 148-149.