stenberg georgii (6 Ergebnisse)

First Edition. Softcover. First Edition. Fine in perfect-bound wrappers.

96 pp. Richly illustrated. Soft cover with printed transparent dust-jacket. Jacket with a small tear and crease. Owner signature and a few very discreet pencil markings.

SOFTCOVER. Zustand: As New. 1st Edition. 1st printing. Extra Large 4to. in colour printed stiff card covers, 96pp, colour plates, etc . [CONDITION: An extremely well preserved AS NEW unmarked copy ] . . . . . . . . . . . .To see more of our books on Graphic Art and Design type DbbGRAPHIC in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Brosch. m. OU. Gr.8°, 92 S., Abb. (tlw. ganzseitig oder auf Tafeln). OU unsauber u. tlw. randrissig, Buch min. gebrauchsspurig. EA. Mit Kurzbiografien, Auswahlbibliografie und dem «Catalogue of the Exhibition». Erschienen zu den Ausstellungen.

20 Bll. Mit zahlr. Abb. 34,5 x 26 cm, illustr. Orig.-Karton (G. Stenberg). Erschienen in einer Auflage von 1500 Exemplaren. - Festschrift zum zehnjährigen Bestehen des Moskauer Kammertheaters herausgegeben von dessen Gründer Alexander Jakowlewitsch Tairow (1885-1950). - Die Brüder Stenberg, die sich als konstruktivistische Ingenieure bezeichneten, entwarfen zahlreiche Filmplakate und Kleidungsstücke, waren als Architekten und Dekorateure aktiv und wirkten an der Zeitschrift LEF mit. Herausragend waren ihre konstruktivistische Bühnenbilder für Wsewolod Meyerhold und Alexander Tairow in den zwanziger Jahren. Mit letzterem reisten sie 1923 nach Paris und stellten dort ihre Werke aus. - Enthält zahlreiche Fotografien und Abbildungen von Schauspielern, Bühnenbildnern und Kostümen, teils in Fotomontage. 500 gr.

Zustand: Good. Original color lithograph poster from the collection of Alma Law. Repaired by Sasha Mosolov and mounted on a support sheet. No losses. 102 x 71.5 cm. The best and rarest of the Stenberg posters. From CineMaterial:The Stenberg brothers Vladimir (1899-1982) and Georgii (1900-1933) were Soviet artists and designers. While born in Moscow, both remained Swedish citizens until 1933 because their father was a Swede.The innovative visual aspects of their posters included a distortion of perspective, elements from Dada photomontage, an exaggerated scale, a sense of movement, and a dynamic use of color and typography. Their artwork was frequently based on stills from the films.Radical even today, the posters by the brothers working together were realized within the nine-year period from 1924 to 1933, the year Georgii died at age 33. His motorcycle hit a truck, a few months after the brothers had become Russian citizens. Vladimir continued to work on film posters and organized the decorations of Moscow's Red Square for the May Day celebration of 1947._______________Directed by Ivane Perestiani Maria Shirai Maria Shirai . Princess Shirvanskaya (as M. Shirai) Cinematography by Aleksandre Digmelovi Film Editing by Lev Push as L. PushiProduction Design by S. Gubin-guni Fiodor Push (as P. Pushi).