steinmetz mark (69 Ergebnisse)

Paperback. Zustand: Brand New. 29 pages. 10.00x8.00x0.07 inches. In Stock.

Paperback. Zustand: Brand New. 26 pages. 10.00x8.00x0.06 inches. In Stock.

Paperback. Zustand: Brand New. 26 pages. 10.00x8.00x0.06 inches. In Stock.

First edition. Softcover. A terrific issue of this short lived photography magazine. Features Joyce Carol Oates "The American Goddess of Love on the Subway Grating New York City 1954." Includes works by Uta Barth, Ellen Brooks, Tim Davis, Andy Goldsworthy, Laurent Millet, Richard Prince, Mark Steinmetz, Catherine Wagner. A fine copy in wrappers.

First edition. Softcover. Spring 1997. 143 pages. Features photographs by Adam Bartos, George Tice and Mark Steinmetz. Includes additional contributions by Joyce Carol Oates, Stephen Longmire, Jason Brown, Lydia Davies, and Bobbie Ann Mason. A near fine copy in wrappers with some slight bumping to the top right corner.

Zustand: Wie neu. 1.,. 160 S. Alle Bücher & Medienartikel von Book Broker sind stets in gutem & sehr gutem gebrauchsfähigen Zustand. Die Ausgabe des gelieferten Exemplars kann um bis zu 10 Jahre vom angegebenen Veröffentlichungsjahr abweichen und es kann sich um eine abweichende Auflage handeln. Unser Produktfoto entspricht dem hier angebotenen Artikel, dieser weist folgende Merkmale auf: Helle/saubere Seiten in fester Bindung. Sprache: Englisch Gewicht in Gramm: 281 Taschenbuch, Maße: 10.5 cm x 21 cm x 1.2 cm.

157 Seiten, Mit einem Vorwort von Peter Scheifinger, zahlreichen Farbfotos, einigen grafischen Darstellungen und mit Objektregister. Gutes Exemplar Sprache: Englisch Gewicht in Gramm: 294 originale Klappenbroschur, 10x21cm, Zustand: 2.

First edition. Softcover. Includes images by John Baldessari, Tina Barney, Bernd & Hilla Becher, Edward Burtynsky, Bavid Byrne, William Christenberrry, Mitch Epstein, Lee Freidlander, Frank Gohlke, Teun Hocks, Justine Kurland, Duane Michals, Richard Misrach, Vik Muniz, Ed Ruscha, Stephen Shore, Alec Soth, Jem Southam, Mark Steinmetz, Hiroshi Sugimoto, and numerous others. Includes text contributions by Dave Eggers, Joyce Carol Oates and others. A clean very near fine copy in wrappers. A very nice copy of one of the better issues of this short-lived magazine.

First edition. Small hardcover. One Picture Book Two Number 32. One of only 500 copies. Features 16 duotone plates of a tree that Steinmetz started photographing in the mid 1990s. A fine copy in paper covered boards with a cloth spine and black and white image affixed to the front cover and in the publisher's original bag. No dust jacket as issued. Includes an original laid in 5"x 7" photograph by Steinmetz that has been signed by him.

Hardcover. Zustand: New. 1st Edition. First edition, first printing. Signed in black ink on title page by Steinmetz. Hardcover. Fine Burgundy linen covered boards, with tipped in black-and-white plate on cover; no dust jacket as issued. Photographs by Mark Steinmetz. 80 pp., with 63 duotone plates. 12 x 10-1/2 inches. This first edition is limited to 1000 copies. New in publisher's shrink-wrap (slit open for signature). From the Introduction by Mark Steinmetz: "In the summer of 1987, I was 26 years old, a couple years out of graduate school, and living in a derelict apartment outside of Boston. I had received an artist's residency in the South of France, and so, in August, I flew to Paris. I stayed a few weeks with close family friends in a top floor apartment on the Avenue de Wagram. My friends were working in fashion and film, and I was told my bed had once belonged to Jane Fonda before she became Barbarella. The weather was getting colder, and they gave me a brown corduroy jacket to wear that Jean Seberg (Godard's Breathless, Preminger's Bonjour Tristesse) had cried on. I would eat some breakfast and run around Paris photographing all dayhardly eating because I had no moneyreturning to their apartment for dinner and a glass of champagne." "Later in the year, I went to the South to begin my artist's residency at the Camargo Foundation, in Cassis, a town on the sea not far from Marseille. The writer Virginia Woolf, the pointillist Paul Signac, the fauvists André Derain and Raoul Dufy, and the Provençal poet Frédéric Mistral, had spent extended periods of time in Cassis. I took day trips from Cassis to Arles, Aix, Marseille, and Nice, and could process my film in the simple darkroom that was supplied to me." "In 1987, there were no cell phones or digital cameras. To meet up with someone you had to set a time and a place and each of you had to stick to the plan. The seasons seemed to linger around more, and in general, everyone seemed to have more time. The parks, museums, and subways were less crowded. The rhythm of daily life was more relaxed. People were worried in 1987, but not as worried as we are now." From the publisher: "This wonderful collection of previously unpublished photographs by Mark Steinmetz, made some thirty-five years ago during an extended stay in the South of France, provides welcome insight into his earliest years as a working artist. It comprises over sixty photographs beautifully printed in duotone on Japanese Kasadaka art paper, and bound in Burgundy linen. Limited to only one thousand casebound copies, France 1987 will sell out quickly." Signed by Author.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Zustand: Like New. Mark Steinmetz (illustrator). FIRST THUS. First Edition Thus, First Printing. Published by Nazraeli Press, 2020. Quarto. Hardcover. Signed and inscribed by Steinmetz to Richard Woodward, author of the introduction. Book is like new. A fine copy of this collection of duotone photography representing South Central Los Angeles.100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.

8° Broschiert. Zustand: Sehr gut. Sehr guter Zustand. 157 Seiten, Abbildungen. Deutsch 300g.

Mark Steinmetz (illustrator). First edition. Small hardcover. Number 144 of 500 copies. The 16th book in the second series of One Picture Books. This book features 14 duotones by images by Steinmetz all taken of cats. A fine copy in paper covered boards with cloth spine and image inset into the front cover. Includes a laid in original 5" x 7" print that is signed by Steinmetz on the verso. Image is in very fine condition.

Paperback. Zustand: Brand New. 1st edition. 440 pages. 8.50x5.51x0.71 inches. In Stock.

First edition. Large hardcover. One of 1000 copies. A collection of 43 duotone plates. A fine copy in pink cloth boards with black and white plate affixed to the front panel. No dust jacket as issued. Signed by Steinmetz on the title page.

Hardcover. Zustand: New. 1st Edition. First edition, first printing. Signed by Steinmetz. Hardcover. Fine cloth-covered boards with tipped in duotone plate on cover; no dust jacket as issued. Photographs by Mark Steinmetz. 54 pp., with 43 duotone plates. 15 x 12 inches. This first edition was limited to 1000 unnumbered copies. New. A Mint copy (opened only for signature). From the publisher: "Mark Steinmetz's long-awaited new monograph presents work culled from several extended trips that the artist made to Paris over a twenty-five year period. Paris was where his mother was born and raised, giving Steinmetz a special connection to, and familiarity with, the city. In the streets, parks, and along the Seine, Steinmetz plays with the conventions of the Paris photographic tradition, from Atget to Kertész. The work is classical, but with a modern feel that both updates the tradition and followsthe path Steinmetz has set with his other books. Beautifully printed on uncoated Japanese stock with our exclusive 'Daido black' ink, 'Paris in my time' is printed in a first edition of 1,000 casebound copies." Signed by Author.

Hardcover. Zustand: Fine. 1st Edition. Cloth covered boards (hardcover) with dust jacket, (unpaged) : all illustrations ; 29 x 30 cm. Very good/fine, clean, crisp, no internal marks. "The photographs in Mark Steinmetz's expansive new book Rivers & Towns were made in the 1980s in working class towns and cities in Connecticut, USA. "The brooding factories and mills built alongside rivers had seen their heyday and were beginning to decline. I was moved by these places and wanted to describe the bridges, houses, and streets, and to show something of people's inner lives. At the same time, I was trying to discover myself as a photographer.".

Hardcover. Zustand: Like New. First Edition. First Edition, First Printing. Published by Nazraeli Press, 2009. Quarto. Hardcover. Book is like new with very light shelf wear and a few light smudges to the back cover. 1 of 1,000 copies. A fine copy of this collection of black and white photography showing life in Atlanta, Georgia during the 90's and early 2000s.100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.

Hardcover. Zustand: New in publisher's shrink wrap. First edition. 1/1000. Small Folio. 80pp. Original photo-illustrated white boards with gray lettering on cover and spine. Designed as a companion book to Steinmetz' title South Central, South East is focusing on Athens and Atlanta, New Orleans, Memphis and East Tennessee, capturing the sense of displacement and isolation felt by many young Americans. Illustrated with sixty-seven b/w photographs.

hardcover. Zustand: Perfetto (Mint). Prima edizione (First Edition). Fotografie in bianco e nero di Mark Steinmetz, scattate in Connecticut tra il 1982 e il 1990 . Cm 28x28. pp. 208. . Perfetto (Mint). . Prima edizione (First Edition). . Le fotografie del nuovo ed ampio libro di Mark Steinmetz, Rivers & Towns, sono state scattate negli anni '80 nelle città della classe operaia del Connecticut, USA. "Le fabbriche e i mulini costruiti lungo i fiumi avevano visto il loro periodo d'oro e stavano cominciando a declinare. Ero commosso da questi luoghi e volevo descrivere i ponti, le case e le strade, e mostrare qualcosa della vita interiore delle persone. Allo stesso tempo, stavo cercando di scoprire me stesso come fotografo". - Mark Steinmetz. Book.

Hardcover. Zustand: New. Zustand des Schutzumschlags: New. 1st Edition. First edition, first printing. Limited edition of 350 copies, signed by the artist on a label tipped in to the back cover, and numbered on the colophon page. Hardcover. Silk cloth-covered boards; with photographically illustrated dust jacket and silk cloth-covered slipcase with tipped-in duotone plate. 64 pp., with 54 duotone plates. 15 x 12 inches. New in publisher's packaging. From the publisher: "'I am now the same age that Garry Winogrand had been when I knew him - 56. I was just 22 then and now wonder why he had be willing to spend some time with someone so young. I must have come across as OK and probably mentioned some of the right names: Friedlander, Wessel, Zulpo-Dane. Once he called me up (the first time was startling to me as he must have looked up my name in the phone book) to see what I was up to the next day. I said, "If it's sunny, I'm going to photograph; if it's rainy, I'm going to print." "Likewise," he said. Maybe in some ways we were similar. One day I asked Garry to go with me to photograph at the LA Zoo and he agreed. We had a full day and shot until the light faded. As we were nearing the exit, Garry spotted Bernadette Peters, the famous movie and Broadway actress, who was visiting the zoo with her boyfriend. Garry photographed her before on the set of John Huston's movie, Annie. She and her boyfriend were dressed in identical jeans and jackets. Strikingly, they both had the same drooping, poodle-like hairstyle. Surprised, she threw her head back and shrieked with delight when Garry swooped in to take their picture. Out in the parking lot he sank into the passenger seat and said, "Boy, you don't know how tired you are till you sit down." In February of 1984, I called him up to say I had decided to leave town and move back east. His voice on the other end of the phone sounded terrible, very weak. I had no idea what was going on with him - it was shocking. He wished me "the best of luck." The following month, a couple weeks before my 23rd birthday, I was at my parents' house in Hartford and my mother brought me the New York Times. Without saying a word, she pointed to Garry's obituary. During the time we spent together, there had been a cancer growing inside of him but he didn't know it. Garry was always looking outward, beyond himself.' We are pleased to announce the publication of Volume 3 in Mark Steinmetz's trilogy Angel City West. Building upon the narrative he began with Volumes 1 & 2, Steinmetz presents 54 previously unpublished photographs made during his stay in Los Angeles in 1981-84." NOTE: A SPECIAL EDITION (WITH ONE PRINT) IS ALSO AVAILABLE. Signed by Author.

Hardcover. Zustand: New. Zustand des Schutzumschlags: New. 1st Edition. First edition, first printing. Limited edition of 350 copies, signed by the artist on a label tipped in to the back cover, and numbered on the colophon page. Hardcover. Silk cloth-covered boards; with photographically illustrated dust jacket and silk cloth-covered slipcase. 64 pp., with 58 duotone plates. 15 x 12 inches. New in publisher's packaging. From the publisher: "'I entered the Yale School of Art straight from college and left after my first semester. I was 21. I was restless, curious about the America that lay beyond New England, and had a strong interest in the movie industry; I also had heard that Garry Winogrand was somewhere in Los Angeles so in the summer of 1983 I headed west.'--Mark Steinmetz, from the Preface Angel City Westoffers a touching, highly personal look at Los Angeles through the eyes of Mark Steinmetz as a young artist straight out of school. In his preface to the work, Steinmetz describes living in a studio apartment in the Miracle Mile district, complete with a futon surrounded by a dozen roach motels and a makeshift darkroom set up in a tiny nook off of the bathroom. It didn't take long before he ran into Garry Winogrand, for whom he became a kind of unofficial chauffeur, enabling Winogrand to photograph through the car window while Steinmetz navigated the streets of his new hometown. Viewed together in book form, the 58 photographs presented inAngel City Westdocument Steinmetz finding his own voice as an artist. In light of the later projects for which he has become so well known, this early series of street photographs, informal portraits and landscapes foreshadows the sometimes humorous, oftentimes sad, and always poignant mood that runs through Mark Steinmetz's work. Mark Steinmetz's photographs have been exhibited extensively throughout the United States and Europe, and are included in the permanent collections of many important institutions including The Museum of Modern Art, New York; Los Angeles County Museum of Art; San Francisco Museum of Modern Art; Whitney Museum of American Art, New York; and Metropolitan Museum of Art, New York. This is Mark Steinmetz's ninth monograph to be published by Nazraeli Press." NOTE: A SPECIAL EDITION (WITH ONE PRINT) IS ALSO AVAILABLE. Signed by Author.

First edition. Hardcover. First printing of only 1000 copies. Introduction by Peter Galassi. A collection of 65 duotones. A fine copy in white boards with a the plate on the front panel. No dust jacket as issued. Signed by Steinmetz on the title page. Uncommon.

Hardcover. Zustand: As New. Zustand des Schutzumschlags: As New. 1st Edition. First edition. Signed by Steinmetz. Signed by Author(s).

Hardcover. Zustand: Brand New. 1st edition. 440 pages. 9.00x6.25x1.25 inches. In Stock.

hardcover. Zustand: Ottimo (Fine). NZ Library Set 2. 1983-1984 Los Angeles. With 58 duotone plates and a text by Mark Steinmetz ("Remembering Garry Winogrand") / Con 58 tavole in bianco e nero e un testo di Mark Steinmetz ("Remembering Garry Winogrand") Limited edition of 350 numbered and signed copies. Elegant volume bound in full silk with a photograph applied to the front cover and the Artist's signature inserted into an eyelet to the back cover. Illustrated dust jacket and slip-case with a photo / Elegante volume rilegato in piena seta con una fotografia applicata al piatto anteriore e la firma dell'Artista inserita in un occhiello al piatto posteriore. Sovracoperta illustrata e custodia in seta con foto applicata. Cm 38,5 x 30,5. pp. 64. . Ottimo (Fine). . Prima edizione di 350 esemplari numerati e firmati dall'Autore (First edition of 350 numbered and signed copies). . "Sono entrato alla Yale School of Art direttamente dal college e l'ho lasciata dopo il primo semestre. Avevo 21 anni. Ero irrequieto, curioso dell'America che si trovava oltre il New England, e avevo un forte interesse per l'industria cinematografica; avevo anche sentito che Garry Winogrand era da qualche parte a Los Angeles, così nell'estate del 1983 mi sono diretto a ovest". (Mark Steinmetz, dalla prefazione). Le fotografie di Mark Steinmetz sono state esposte ampiamente in tutti gli Stati Uniti e in Europa, e sono incluse nelle collezioni permanenti di molte importanti istituzioni tra cui il Museum of Modern Art, New York; Los Angeles County Museum of Art; San Francisco Museum of Modern Art; Whitney Museum of American Art e Metropolitan Museum of Art, New York. ?I entered the Yale School of Art straight from college and left after my first semester. I was 21. I was restless, curious about the America that lay beyond New England, and had a strong interest in the movie industry; I also had heard that Garry Winogrand was somewhere in Los Angeles so in the summer of 1983 I headed west.? (Mark Steinmetz, from the Preface). Mark Steinmetz's photographs have been exhibited extensively throughout the United States and Europe, and are included in the permanent collections of many important institutions including The Museum of Modern Art, New York; Los Angeles County Museum of Art; San Francisco Museum of Modern Art; Whitney Museum of American Art, New York; and Metropolitan Museum of Art, New York. Prima edizione di 350 esemplari numerati e firmati dall'Autore (First edition of 350 numbered and signed copies). Book.

hardcover. Zustand: Molto buono (Very Good). Introduzione di Peter Galassi. 67 fotografie in bianco e nero di Mark Steinmetz White paper-covered boards with tipped-in duotone plate on cover, and title stamped in gray on cover and spine / Copertine in cartoncino bianco con titolo impresso in grigio sulla copertina e sul dorso. 4to (cm 31 x26,5). pp. 80. Firma autografa del fotografo con piccolo disegno che riprende un dettaglio della foto in antiporta (Signature and a small drawing - a detail from the first picture of the book - by the photographer). Molto buono (Very Good). Dorso leggermente brunito (Lightly sunned spine). Prima edizione di 1000 (First Edition of 1000 copies). . Designed as a companion book to his critically-acclaimed monograph South Central (Nazraeli Press, 2006), Mark Steinmetz here turns his focus to Athens and Atlanta, New Orleans, Memphis and East Tennessee, and the roads between. Highly regarded for his black-and-white portraits, Steinmetz is renowned for producing powerful pictures which capture the strong sense of displacement and isolation that is felt by many young Americans.Progettato come un libro di accompagnamento alla sua acclamata monografia South Central (Nazraeli Press, 2006), Mark Steinmetz qui si concentra su Atene, Atlanta, New Orleans, Memphis, East Tennessee e le strade che attraversano questi stati. Molto apprezzato per i suoi ritratti in bianco e nero, Steinmetz è rinomato per la creazione di immagini potenti che catturano il forte senso di spostamento e isolamento che viene percepito da molti giovani americani. Prima edizione di 1000 (First Edition of 1000 copies). Book.

hardcover. Zustand: Molto buono (Very Good). Un testo di Linh Dinh. Fotografie in bianco e nero di Mark Steinmetz . 4to (cm 31 x 26,5). pp. 88. Firma autografa dell'Artista con piccolo disegno che riprende un dettaglio della foto in antiporta (Signature and a small drawing - from a detail of the first picture of the book - by the photographer). Molto buono (Very Good). Dorso leggermente brunito (Lightly sunned spine). Prima edizione di 1000 esemplari (First Edition of 1000 copies). . Mark Steinmetz completes his powerful and moving trilogy, ?South?, with Greater Atlanta. Photographing in Atlanta and its outlying regions, Steinmetz provides his testimony on contemporary American civilization. Combining portraits and landscapes, he weaves a symbolic and lyrical investigation that subtly questions notions of progress. He further develops motifs ? on the automobile, on the telephone ? that were first introduced in South Central, and catalogues car culture, fast food, convenience stores, and suburban sprawl.Mark Steinmetz completa la sua potente e commovente trilogia, "South", con Greater Atlanta. Fotografando Atlanta e le regioni limitrofe, Steinmetz fornisce la sua testimonianza sulla civiltà americana contemporanea. Combinando ritratti e paesaggi, intreccia un'indagine simbolica e lirica che mette sottilmente in discussione la nozione di progresso. Sviluppa ulteriormente motivi - l'automobile, il telefono - che furono introdotti per la prima volta in South Central, e offre uno spaccato della cultura  dell'auto, dei fast food, dei negozi di alimentari e dell'espansione suburbana. Prima edizione di 1000 esemplari (First Edition of 1000 copies). Book.